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This beautiful Journal cover with a copy of Edgar Degas's masterpiece - A study of a Dancer. This book will be a joy to write in, draw in or dot down those special moments you wish to record. This book will make a lovely gift for women, art teachers, fine art enthusiasts, dancers and people who love all things beautiful. Cream paper, 60 sheets 120 pages 6 inches x 9 inches (handy size to fit in a handbag) Cover is a matte finish
Carefully reproduced from a rare 1923 limited edition, most of these magnificent drawings are unavailable elsewhere in published form. Dancers, nudes, portraits, travel scenes, and more. 100 drawings, including 8 in full color.
Forty-one full-page, six half-page drawings depict dancers on stage, in the classroom, and at rehearsals. Charming, spirited views of dancers pirouetting, executing grand battements and ports de bras, practicing at the barre, and more.
This absorbing, heartfelt work uncovers the story of the real dancer behind Degas’s now-iconic sculpture, shedding light on the struggles of late nineteenth-century Parisian life. She is famous throughout the world, but how many know her name? You can admire her figure in Washington, Paris, London, New York, Dresden, or Copenhagen, but where is her grave? We know only her age, fourteen, and the work that she did—because it was already grueling work, at an age when children today are sent to school. In the 1880s, she danced as a “little rat” at the Paris Opera, and what is often a dream for young girls now wasn’t a dream for her. She was fired after several years of intense labor; the director had had enough of her repeated absences. She had been working another job, even two, because the few pennies the Opera paid weren’t enough to keep her and her family fed. She was a model, posing for painters or sculptors—among them Edgar Degas. Drawing on a wealth of historical material as well as her own love of ballet and personal experiences of loss, Camille Laurens presents a compelling, compassionate portrait of Marie van Goethem and the world she inhabited that shows the importance of those who have traditionally been overlooked in the study of art.
Through Edgar Degas’s beloved paintings, drawings, and sculptures, Susan Goldman Rubin conveys the wonder and excitement of the ballet world. Degas is one of the most celebrated painters of the impressionist movement, and his ballerina paintings are among the most favorite of his fans. In his artwork, Degas captures every moment, from the relentless hours of practice to the glamour of appearing on stage, revealing a dancer’s journey from novice to prima ballerina. Observing young students, Degas drew their poses again and again, determined to achieve perfection. The book includes a brief biography of his entire life, endnotes, bibliography, where to see his paintings, and an index.
Edgar Degas (18341917) is best known for his luminous studies of dancers. Illustrated with drawings, pastels, paintings, prints and sculpture, as well as photographs taken by the artist and his contemporaries, and samples of film from the period, this text follows the development of Degas's ballet imagery.
"More than any other artist in the Impressionist group, Degas was fascinated by ideas and consciously based his work on them. "What I do is the result of reflection and study of the great masters," he once confessed, "of inspiration, spontaneity, temperament I know nothing." Yet his work has been understood very inadequately from that point of view. Publications on him, once dominated by memoirs inspired by his remarkable personality, are now concerned with cataloguing and studying limited aspects of his complex art. Its intellectual power and originality, which were evident to contemporary writers like Duranty and Valery, have not been studied sufficiently by more recent critics. It is this side of Degas's art--as seen in his ingenious pictorial strategies and technical innovations, his use of motifs like the window, the mirror, and the picture within the picture, his invention of striking, psychologically compelling compositions, and his creation of a sculptural idiom at once formal and vernacular--that is the subject of these essays. Inevitably, given the range of his intellectual interests, the essays are also concerned with his contacts with leading novelists and poets of his time and his efforts to illustrate or draw inspiration from their works. Throughout, the author makes use of an important, largely unpublished source, the material in Degas's notebooks, on which he has recently published a complete catalogue"--Publisher's description.
This volume presents the sculptures of French artist Edgar Degas (1834-1917). Degas is known for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism, although he rejected the term, and preferred to be called a realist. Although best known as a painter, his most widely known work is a sculpture, "Little Dancer Aged Fourteen". Executed in wax, near life-sized, dressed in a ballerina's tutu, with real ballet slippers and real hair, the sculpture caused a sensation when it was exhibited in 1881. It is the only sculpture Degas ever showed publicly, though more than one hundred -- of dancers, horses, and bathers -- were found in his studio after he died, all dusty, some fallen apart. This work includes essays on Degas' life and work, his sculptural technique and materials, and the story of the sculptures after his death. It features art-historical and technical discussions of every work in the collection as well as concordances and bibliography.
The prominent Impressionist artist Edgar Degas is widely celebrated for his images of Parisian life and sublime depictions of ballet dancers. He was a superb draftsman and masterly in his portrayal of movement, while his portraits are notable for their psychological complexity. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Degas’ complete works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings and pastels of Edgar Degas — over 600 paintings, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Degas’ celebrated works in detail, as featured in traditional art books * Hundreds of images in stunning colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the paintings and pastels * Easily locate the paintings you wish to view * Includes Degas’ drawings and sculptures - spend hours exploring the artist’s diverse works * Features two bonus biographies - discover Degas’ artistic and personal life * Scholarly ordering of plates into chronological order Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights SELF-PORTRAIT, 1855 PORTRAIT OF ACHILLE DE GAS THE BELLELLI FAMILY THE YOUNG SPARTANS SEMIRAMIS BUILDING BABYLON WOMAN LEANING ON AN ELBOW BESIDE A VASE OF FLOWERS THE GENTLEMEN’S RACE: BEFORE THE START THE INTERIOR; OR, THE RAPE THE ORCHESTRA OF THE OPERA A COTTON OFFICE IN NEW ORLEANS HORSES ON THE COURSE AT LONGCHAMP THE DANCING CLASS THE ABSINTHE DRINKER DANCER ON THE STAGE LA LA AT THE CIRQUE FERNANDO, PARIS WOMAN IRONING AFTER THE BATH, WOMAN DRYING HERSELF THE TUB COMBING THE HAIR DANCERS IN BLUE WOMAN DRYING HERSELF The Paintings and Pastels CHRONOLOGICAL LIST OF PAINTINGS AND PASTELS ALPHABETICAL LIST OF PAINTINGS AND PASTELS Other Artworks LIST OF ARTWORKS The Biographies DEGAS by James Huneker DEGAS AND HIS CIRCLE by Willard Huntington Wright Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
Edgar Degas was one of the great pioneers of modern art, and the J. Paul Getty and Norton Simon museums are fortunate to own jointly one of his finest pastels, Waiting (L'Attente), which he made sometime between 1880 and 1882, about midway in his career. In this fascinating monograph, author Richard Thomson explores this brilliant work in detail, revealing both the intricacies of its composition and the source of the emotional pull it immediately exerts upon the viewer. For Waiting is, indeed, an extraordinary object both in its craftsmanship and color and, perhaps most especially, in its aura of ambiguity and even mystery.