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Author : William James Lacey
Publisher :
Page : 152 pages
File Size : 31,36 MB
Release : 1883
Category :
ISBN :
Author :
Publisher :
Page : 804 pages
File Size : 42,87 MB
Release : 1883
Category :
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Author : Robert J. Kirkpatrick
Publisher :
Page : 134 pages
File Size : 39,29 MB
Release : 1990
Category : Reference
ISBN :
Author : Rosemary Auchmuty
Publisher : Ashgate Publishing
Page : 408 pages
File Size : 30,99 MB
Release : 2000
Category : Juvenile Fiction
ISBN :
In his introduction to this important reference work, Robert Fitzpatrick traces the origins of the boys' school story back to the 18th-century and its development and reception over the last 200 years. The contribution of women writers to the boys' school story is examined and popular topics explored. With over 500 entries, this encyclopaedia is the most comprehensive survey to date of this popular and highly collectable genre.
Author : Howard A. Burrell
Publisher :
Page : 610 pages
File Size : 21,82 MB
Release : 1909
Category : Washington County (Iowa)
ISBN :
Author : British Museum. Dept. of Printed Books
Publisher :
Page : 1290 pages
File Size : 34,16 MB
Release : 1967
Category : English imprints
ISBN :
Author : Historical Records Survey of North Carolina
Publisher :
Page : 0 pages
File Size : 38,90 MB
Release : 1938
Category : Archives
ISBN :
Author : Grantland Rice
Publisher :
Page : 248 pages
File Size : 14,75 MB
Release : 1924
Category :
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Author : North Carolina
Publisher :
Page : 674 pages
File Size : 36,5 MB
Release : 1886
Category : North Carolina
ISBN :
Author : Shyon Baumann
Publisher : Princeton University Press
Page : 242 pages
File Size : 34,65 MB
Release : 2018-06-05
Category : Performing Arts
ISBN : 0691187282
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.