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DESIRED FOR HERSELF ALONE... When fallen beauty Daphne, Lady Faville, is carried to safety from a rampaging fire, she’s horrified to recognise her rescuer as Hugh Westleigh – a man with every reason to despise her!
A virgin in the lion’s den . . . First in the series of rich, powerful, and passionate bachelors and the private world of pleasure where they go to play. Tonight at the gaming tables of the impossibly exclusive gentleman’s club Q Virtus, ruthless billionaire Narciso Valentino is finally about to destroy his enemy. But one look at the club’s curvaceous hostess assigned to see to his every need and he’s willing to delay the moment of satisfaction—for another kind altogether . . . Talented chef Ruby Trevelli is there to force Narciso to save her business—not give him her virginity. Yet beneath that lethally sexy exterior is a tortured man who believes himself beyond redemption, and Ruby is soon facing the ultimate temptation—with the ultimate playboy!
Updated edition of the beloved classic by the Queen of Regency romance herself, Georgette Heyer, featuring a new Foreword by New York Times bestselling author Eloisa James. Arabella's one little while lie has spread through the ton like wildfire... Arabella Tallant, modest daughter of a country clergyman, is on her way to her first London Season when her carriage breaks down outside the estate of the wealthy and bored Mr. Robert Beaumaris. Beau assumes she's simply another young lady throwing herself in his path, which goads the impetuous Arabella into pretending she's an heiress. Much to Arabella's dismay, rather than being brutally set-down, as she intended, Beaumaris is deeply amused. He counters by launching her into high society, which Arabella would enjoy very much if it wasn't for the fortune hunters. Arabella's unpredictable and innocent ways force Beaumaris to start helping others, including a stray dog, an unfortunate urchin, and eventually Arabella's reckless young brother. Along the way, Arabella and Beaumaris become more and more intrigued with each other—which neither will admit, of course, until under extreme duress. "Absolutely delicious tales of Regency heroes... Utter, immersive escapism."—SOPHIE KINSELLA "No one has ever matched Georgette Heyer for charm and wit." —LISA KLEYPAS "Utterly timeless charm... The dialogue sparkles with wit." —NORA ROBERTS, #1 New York Times bestselling author "Romance, adventure, side-splitting humor—no one writes like Georgette Heyer!" —LAUREN WILLIG, New York Times bestselling author
"Bessie, the selfless sister of the powerful but stubborn Brunson clan, has sacrificed herself for her family's honor and is at the mercy of the court of King James. Ill-suited to court life, she must confront their mortal enemy, Lord Thomas Carwell, dressed in nothing but borrowed finery and pride. Underneath the relentless gaze of her captor, she's enticed not only by him but also by the opulence of a world far removed from her own. When the furious king demands her brother's head, Carwell is the only one to whom she can turn. But she must pay the ultimate price for his protection"-- P. [4] of cover.
What induced the British to adopt foreign coffee-drinking customs in the seventeenth century? Why did an entirely new social institution, the coffeehouse, emerge as the primary place for consumption of this new drink? In this lively book, Brian Cowan locates the answers to these questions in the particularly British combination of curiosity, commerce, and civil society. Cowan provides the definitive account of the origins of coffee drinking and coffeehouse society, and in so doing he reshapes our understanding of the commercial and consumer revolutions in Britain during the long Stuart century. Britain’s virtuosi, gentlemanly patrons of the arts and sciences, were profoundly interested in things strange and exotic. Cowan explores how such virtuosi spurred initial consumer interest in coffee and invented the social template for the first coffeehouses. As the coffeehouse evolved, rising to take a central role in British commercial and civil society, the virtuosi were also transformed by their own invention.