[PDF] A French Song Companion eBook

Author : Graham Johnson
Publisher : Oxford : Oxford University Press
Page : 572 pages
File Size : 42,16 MB
Release : 2002
Category : Music
ISBN : 9780199249664

GET BOOK

A French Song Companion is an indispensable guide to the modern repertoire and the most comprehensive book of French melodie in any language. Noted accompanist Graham Johnson provides repertoire guides to the work of over 150 composers--the majority of them from France but including British, American, German, Spanish, and Italian musicians who have written French vocal music. The book contains major articles on Faure, Duparc, Debussy, Ravel, and Poulenc, as well as essays on Bizet, Chabrier, Gounod, Chausson, Hahn, and Satie, and important reassessments of such composers as Massenet, Koechlin, and Leguerney. The book combines these articles with the complete texts in English of over 700 songs, all translated by Richard Stokes, making it also a treasury of French poetry from the fifteenth through the twentieth centuries. The translations alone will prove invaluable to music lovers and performers; combined with the biographical articles, they become the ideal map for exploring this exciting and diverse repertoire.

Author : Graham Johnson
Publisher : Scarecrow Press
Page : 270 pages
File Size : 43,96 MB
Release : 2006-05-08
Category : Music
ISBN : 1461673690

GET BOOK

This book, the first of its kind to be published in English, introduces the reader to the rich heritage of Spanish song. Here in one volume are the texts of over 300 songs with parallel translations in accurate and readable English. The majority are love poems, which form a fascinating anthology of Spanish poetry from the thirteenth to the twentieth century. The introduction by Graham Johnson, who in recent years has done more than anyone to kindle interest in the international song repertoire, traces the history of Spanish song from its beginnings, via the period of the Catholic kings in the fifteenth century, the Golden Age of the sixteenth, through to the remarkable rebirth in the twentieth century. All the songs and cycles frequently heard in recital are gathered here: Albeniz, Falla, Granados, Rodrigo and Obradors are generously represented, as well as Catalan composers such as Montsalvatge and Mompou. The volume is arranged chronologically by composer, and includes notes on all the major poets and composers, a discography, and names and addresses of the music publishers. The Spanish Song Companion is a much-needed volume and will be welcomed by singers, students of Spanish literature, concert-goers and record-collectors throughout the English-speaking world.

Author : Benedict Taylor
Publisher : Cambridge University Press
Page : 403 pages
File Size : 36,58 MB
Release : 2021-08-26
Category : History
ISBN : 1108475434

GET BOOK

A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.

Author : Charles Osborne
Publisher : Springer Science & Business Media
Page : 278 pages
File Size : 34,15 MB
Release : 2012-12-06
Category : Music
ISBN : 1475700490

GET BOOK

W HAT I H A V E attempted in this book is a survey of song; the kind of song which one finds variously described as 'concert', 'art', or sometimes even 'classical song'. 'Concert song' seems the most useful, certainly the least inexact or misleading, of some descriptions, especially since 'art song' sounds primly off putting, and 'classical song' really ought to be used only to refer to songs written during the classical period, i. e. the 18th century. Concert song clearly means the kind of songs one hears sung at concerts or recitals. Addressing myself to the general music-lover who, though he possesses no special knowledge of the song literature, is never theless interested enough in songs and their singers to attend recitals of Lieder or of songs in various languages, I have naturally confined myself to that period of time in which the vast majority of these songs was composed, though not necessarily only to those composers whose songs have survived to be remembered in recital programmes today. I suppose this to be roughly the three centuries covered by the years 1650-1950, though most of the songs we, as audiences, know and love were composed in the middle of this period, in other words in the 19th century.

Author : Richard D. Sylvester
Publisher : Indiana University Press
Page : 328 pages
File Size : 44,2 MB
Release : 2014-04-22
Category : Music
ISBN : 0253012597

GET BOOK

Sergei Rachmaninoff—the last great Russian romantic and arguably the finest pianist of the late 19th and early 20th centuries—wrote 83 songs, which are performed and beloved throughout the world. Like German Lieder and French mélodies, the songs were composed for one singer, accompanied by a piano. In this complete collection, Richard D. Sylvester provides English translations of the songs, along with accurate transliterations of the original texts and detailed commentary. Since Rachmaninoff viewed these "romances" primarily as performances and painstakingly annotated the scores, this volume will be especially valuable for students, scholars, and practitioners of voice and piano.

Author : Graham Johnson
Publisher : Scarecrow Press
Page : 270 pages
File Size : 27,77 MB
Release : 2006-05-08
Category : Music
ISBN : 0810857499

GET BOOK

The Spanish Song Companion is an introduction to the rich heritage of Spanish song, providing the texts of over 300 songs with parallel translations in accurate and readable English.

Author : Georgine Resick
Publisher : Rowman & Littlefield
Page : 343 pages
File Size : 44,45 MB
Release : 2017-12-22
Category : Music
ISBN : 1442258454

GET BOOK

French Vocal Literature: Repertoire in Context introduces singers to the history and performance concerns of a vast body of French songs from the twelfth century to the present, focusing on works for solo voice or small vocal ensembles with piano or organ accompaniment, suitable for recitals, concerts, and church performances. Georgine Resick presents vocal repertoire within the context of trends and movements of other artistic disciplines, such as poetry, literature, dance, painting, and decorative arts, as well as political and social currents pertinent to musical evolution. Developments in French style and genre—and comparisons among individual composers and national styles—are traced through a network of musical influence. French Vocal Literature is ideally suited for voice teachers and coaches as well as student and professional performers. The companion website, frenchvocalliterature.com, provides publication information, a discography, links to online recordings and scores, a chronology of events pertinent to music, a genealogy of royal dynasties, and a list of governmental regimes.

Author : Karl French
Publisher : Bloomsbury Pub Plc USA
Page : 0 pages
File Size : 28,50 MB
Release : 2000-09-30
Category : Performing Arts
ISBN : 1582341257

GET BOOK

The companion to the funniest film ever made about rock bands. Rob Reiner's hilarious "rockumentary" about an aging British heavy-metal group has reached legendary status since its release in 1984. Largely ad-libbed by lead guitarist Nigel Tufnel (Christopher Guest), lead singer David St. Hubbins (Michael McKean), and bassist Derek Smalls (Harry Shearer)-as well as a succession of drummers whose careers were cut short by spontaneously combusting, drowning in somebody else's vomit, or other untimely deaths- This Is Spinal Tap chronicles the band's latest American tour in a cunning satire of rock and roll culture. Now, just in time for the theatrical re-release of This is Spinal Tap, as well as the ensuing video and DVD release, comes The Official Companion, featuring: Fully illustrated text A complete transcript of the film (much of the film was ad-libbed, so an ordinary screenplay can lack entire scenes) Never-before-seen stills from cut footage A comprehensive A-to-Z Guide featuring everything you've ever wanted to know about This Is Spinal Tap Don't miss the chance to see behind the scenes of one of the most riotous and memorable satires of our time!

Author : James Parsons
Publisher : Cambridge University Press
Page : 446 pages
File Size : 13,53 MB
Release : 2004-07
Category : Music
ISBN : 9780521804714

GET BOOK

Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.