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A Feiticeira de Florença é a história de uma mulher que procura ser senhora do seu próprio destino num mundo de homens. Irmana duas cidades que quase não se conhecem: a hedonista capital mogol, onde o inteligente imperador se debate diariamente com questões de crenças, desejos e a traição dos filhos, e o mundo florentino, igualmente sensual, de poderosos cortesãos, filosofia humanista e desumana tortura. Estes dois mundos, tão distantes, acabam por se revelar estranhamente semelhantes, e ambos são dominados pelos encantamentos das mulheres.
Seria ela mais uma garota inocente julgada pela Inquisição?A Inquisição recebe uma denúncia de bruxaria nas florestas de Florença e decide investigar. A busca prossegue pela noite, mas a bruxa pode se transformar em uma fumaça negra e consegue matar membros de sua comitiva antes que se possa enxergá-la. No entanto, quando a alcançam, é só uma moça assustada. Agora começa um tenso e interminável interrogatório para descobrir a verdade pro trás dessa suposta bruxa. Confira nesse conto de Carol Chiovatto, autora de \"Mestres do Conhecimento\" e contista presente na antologia \"Meu amor é um sobrevivente\".
A história se passa em Florença, na Idade Média, durante a Peste Negra. Narra a trajetória de Laura. Após presenciar a mãe ser queimada na fogueira, Laura vai trabalhar incógnita como serva no castelo do Conde Angelo D'Arace, o principal responsável pela morte de sua genitora. Nesta nova morada, a moça vive um conflito interno que oscila entre o desejo de vingança e a sensação de paz pela acolhida calorosa que a família lhe oferece, temperada por um romance com um dos filhos do Conde.
Contextos: Curso Intermediário de Português is an engaging and motivating course that takes learners from the intermediate to advanced level. The course allows students to systematically practise all four language skills as well as develop intercultural awareness. Each unit contains clear learning objectives linked to recognised standards as well as self-assessment checklists and review plans. This supports students to become autonomous learners by tracking their own progress and focusing on specific areas of difficulty. A companion website provides an interactive workbook with additional grammar and vocabulary practice to reinforce those within the book, as well as the audio to accompany the course. The course takes learners from the intermediate-low to advanced-low according to the ACTFL proficiency guidelines and from A2 to B2 according to the CEFR.
The Enchantress of Florence is the story of a mysterious woman, a great beauty believed to possess the powers of enchantment and sorcery, attempting to command her own destiny in a man’s world. It is the story of two cities at the height of their powers–the hedonistic Mughal capital, in which the brilliant emperor Akbar the Great wrestles daily with questions of belief, desire, and the treachery of his sons, and the equally sensual city of Florence during the High Renaissance, where Niccolò Machiavelli takes a starring role as he learns, the hard way, about the true brutality of power. Profoundly moving and completely absorbing, The Enchantress of Florence is a dazzling book full of wonders by one of the world’s most important living writers.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY San Francisco Chronicle • Newsweek/The Daily Beast • The Seattle Times • The Economist • Kansas City Star • BookPage On February 14, 1989, Valentine’s Day, Salman Rushdie was telephoned by a BBC journalist and told that he had been “sentenced to death” by the Ayatollah Khomeini. For the first time he heard the word fatwa. His crime? To have written a novel called The Satanic Verses, which was accused of being “against Islam, the Prophet and the Quran.” So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. He was asked to choose an alias that the police could call him by. He thought of writers he loved and combinations of their names; then it came to him: Conrad and Chekhov—Joseph Anton. How do a writer and his family live with the threat of murder for more than nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, how and why does he stumble, how does he learn to fight back? In this remarkable memoir Rushdie tells that story for the first time; the story of one of the crucial battles, in our time, for freedom of speech. He talks about the sometimes grim, sometimes comic realities of living with armed policemen, and of the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom. It is a book of exceptional frankness and honesty, compelling, provocative, moving, and of vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day. Praise for Joseph Anton “A harrowing, deeply felt and revealing document: an autobiographical mirror of the big, philosophical preoccupations that have animated Mr. Rushdie’s work throughout his career.”—Michiko Kakutani, The New York Times “A splendid book, the finest . . . memoir to cross my desk in many a year.”—Jonathan Yardley, The Washington Post “Thoughtful and astute . . . an important book.”—USA Today “Compelling, affecting . . . demonstrates Mr. Rushdie’s ability as a stylist and storytelle. . . . [He] reacted with great bravery and even heroism.”—The Wall Street Journal “Gripping, moving and entertaining . . . nothing like it has ever been written.”—The Independent (UK) “A thriller, an epic, a political essay, a love story, an ode to liberty.”—Le Point (France) “Action-packed . . . in a literary class by itself . . . Like Isherwood, Rushdie’s eye is a camera lens —firmly placed in one perspective and never out of focus.”—Los Angeles Review of Books “Unflinchingly honest . . . an engrossing, exciting, revealing and often shocking book.”—de Volkskrant (The Netherlands) “One of the best memoirs you may ever read.”—DNA (India) “Extraordinary . . . Joseph Anton beautifully modulates between . . . moments of accidental hilarity, and the higher purpose Rushdie saw in opposing—at all costs—any curtailment on a writer’s freedom.”—The Boston Globe
What is a grimoire? The word has a familiar ring to many people, particularly as a consequence of such popular television dramas as Buffy the Vampire Slayer and Charmed. But few people are sure exactly what it means. Put simply, grimoires are books of spells that were first recorded in the Ancient Middle East and which have developed and spread across much of the Western Hemisphere and beyond over the ensuing millennia. At their most benign, they contain charms and remedies for natural and supernatural ailments and advice on contacting spirits to help find treasures and protect from evil. But at their most sinister they provide instructions on how to manipulate people for corrupt purposes and, worst of all, to call up and make a pact with the Devil. Both types have proven remarkably resilient and adaptable and retain much of their relevance and fascination to this day. But the grimoire represents much more than just magic. To understand the history of grimoires is to understand the spread of Christianity, the development of early science, the cultural influence of the print revolution, the growth of literacy, the impact of colonialism, and the expansion of western cultures across the oceans. As this book richly demonstrates, the history of grimoires illuminates many of the most important developments in European history over the last two thousand years.