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The author's road trips through the American South lead to a personal confrontation with history In A Deeper South: The Beauty, Mystery, and Sorrow of the Southern Road, Pete Candler offers a travel narrative drawn from twenty-five years of road-tripping through the backroads of the American South. Featuring Candler's own photography, the book taps into the public imagination and the process of both remembering and forgetting that define our collective memory of place. Candler, who belongs to one of Georgia's most recognizable families, confronts the uncomfortable truths of his own ancestors' roles in the South's legacy of white supremacy with a masterful mix of authority and a humbling sense that his own journey of unforgetting and recovering has only just begun.
"Paul Theroux has spent fifty years crossing the globe, adventuring in the exotic, seeking the rich history and folklore of the far away. Now, for the first time, in his tenth travel book, Theroux explores a piece of America--the Deep South. He finds there a paradoxical place, full of incomparable music, unparalleled cuisine, and yet also some of the nation's worst schools, housing, and unemployment rates. It's these parts of the South, so often ignored, that have caught Theroux's keen traveler's eye."--
First published in 1941, Deep South is the cooperative effort of a team of social anthropologists to document the economic, racial, and cultural character of the Jim Crow South through a study of a representative rural Mississippi community. Researchers Allison Davis, Burleigh B. Gardner, and Mary R. Gardner lived among the people of Natchez, Mississippi, as they investigated how class and caste informed daily life in a typical southern community. This Southern Classics edition of their study offers contemporary students of history a provocative collection of primary material gathered by conscientious and well-trained participant-observers, who found then, as now, intertwined social and economic inequalities at the root of racial tensions. Expanding on earlier studies of community stratification by social class, researchers in the Deep South Project introduced the additional concept of caste, which parsed a community through rigid social ranks assigned at birth and unalterable through life, a concept readily identifiable in the racial divisions of the Jim Crow South. As African American researchers, Davis and his wife, Elizabeth, along with his assistant St. Clair Drake, were able to gain unrivaled access to the black community in rural Mississippi, unavailable to their white counterparts. Through their interviews and experiences, the authors vividly capture the nuances in caste-enforcing systems of tenant-landlord relations, local government, and law enforcement. But the chief achievement of Deep South is its rich analysis of how the southern economic system, and sharecropping in particular, functioned to maintain rigid caste divisions along racial lines. In the new introduction to this edition, Jennifer Jensen Wallach situates this germinal study within the field of social anthropology and against the backdrop of similar community studies of the era. She also details the subsequent careers of this distinguished team of researchers.
Radical subcultures in an unlikely place Told in personal interviews, this is the collective story of a punk community in an unlikely town and region, a hub of radical counterculture that drew artists and musicians from throughout the conservative South and earned national renown. The house at 309 6th Avenue has long been a crossroads for punk rock, activism, veganism, and queer culture in Pensacola, a quiet Gulf Coast city at the border of Florida and Alabama. In this book, residents of 309 narrate the colorful and often comical details of communal life in the crowded and dilapidated house over its 30-year existence. Terry Johnson, Ryan “Rymodee” Modee, Gloria Diaz, Skott Cowgill, and others tell of playing in bands including This Bike Is a Pipe Bomb, operating local businesses such as End of the Line Cafe, forming feminist support groups, and creating zines and art. Each voice adds to the picture of a lively community that worked together to provide for their own needs while making a positive, lasting impact on their surrounding area. Together, these participants show that punk is more than music and teenage rebellion. It is about alternatives to standard narratives of living, acceptance for the marginalized in a rapidly changing world, and building a sense of family from the ground up. Including photos by Cynthia Connolly and Mike Brodie, A Punkhouse in the Deep South illuminates many individual lives and creative endeavors that found a home and thrived in one of the oldest continuously inhabited punkhouses in the United States.
In Deep South, Park Ranger Anna Pigeon heads to Mississippi, only to encounter terrible secrets in the heart of the south? Anna Pigeon finally gives in to her bureaucratic clock ? and signs on for a promotion. Next thing she knows, she?s knee-deep in mud and Mississippi. Not exactly what she had in mind. Almost immediately, as the new district ranger on the Natchez Trace, Anna discovers the body of a young prom queen near a country cemetery, a sheet around her head, a noose around her neck. It?s a bizarre twist on a best-forgotten past of frightening racial undertones. As fast as the ever-encroaching kudzu vines of the region, the roots of this story run deep ? and threaten to suffocate anyone in the way, including Anna?
Deep South – Deep North By: Lottie B. Scott In Deep South – Deep North: A Family’s Journey, Lottie B. Scott tells both the heartbreaking and triumphant tale of her maturation into adulthood against a racially-charged, impoverished, yet fiercely loving backdrop in Longtown, South Carolina. Scott traces her family history, peppered with familial violence and love alike. She describes her early childhood years of living amidst a sea of brothers, until little sisters finally arrived. Under the cloud of racial discrimination, difficult farm working conditions, and family tensions, Scott describes the unbreakable bonds of love that eventually emerged to forever bind her family members together. As the passing years turn to decades, and family members move north, Scott reveals how these bonds of love become a transformative power, forever altering the lives of each member of her family.
Horace King (1807-1885) built covered bridges over every large river in Georgia, Alabama, and eastern Mississippi. That King, who began life as a slave in Cheraw, South Carolina, received no formal training makes his story all the more remarkable. This is the first major biography of the gifted architect and engineer who used his skills to transcend the limits of slavery and segregation and become a successful entrepreneur and builder. John S. Lupold and Thomas L. French Jr. add considerably to our knowledge of a man whose accomplishments demand wider recognition. As a slave and then as a freedman, King built bridges, courthouses, warehouses, factories, and houses in the three-state area. The authors separate legend from facts as they carefully document King’s life in the Chattahoochee Valley on the Georgia-Alabama border. We learn about King’s freedom from slavery in 1846, his reluctant support of the Confederacy, and his two terms in Alabama’s Reconstruction legislature. In addition, the biography reveals King’s relationship with his fellow (white) contractors and investors, especially John Godwin, his master and business partner, and Robert Jemison Jr., the Alabama entrepreneur and legislator who helped secure King’s freedom. The story does not end with Horace, however, because he passed his skills on to his three sons, who also became prominent builders and businessmen. In King’s world few other blacks had his opportunities to excel. King seized on his chances and became the most celebrated bridge builder in the Deep South. The reader comes away from King’s story with respect for the man; insight into the problems of financing, building, and maintaining covered bridges; and a new sense of how essential bridges were to the southern market economy.
Eugene Walter's first novel is about a young man from a small central Alabama town who goes south of the "salt line" to Mobile to work in a bank and study law. As soon as this unnamed pilgrim arrives, he realizes that--although he is still in Alabama—he has entered a separate physical kingdom of banana trees and palm fronds, subtropical heat and humidity, old houses and lacy wrought-iron balconies. In the "land of clowns" and the "kingdom of monkeys"—in the town that can claim the oldest Mardi Gras in America--there is no Puritan work ethic; the only ruling forces are those of chaos, craziness, and caprice. Such forces overtake the pilgrim, seduce him away from the beaten career path, and set him on a zigzag course through life. The Untidy Pilgrim celebrates the insularity as well as the eccentricity of southerners—and Mobilians, in particular—in the mid-20th century. Cut off from the national mainstream, they are portrayed as devoid of that particularly American angst over what to "do" and accomplish with one's life, and indulge instead in art, music, cooking, nature, and love. --Amazon.com.