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Sixteen-year-old Alaric discovers how to travel to an alternate reality, where his mother is alive and his place in the family is held by a girl named Naia.
Sixteen-year-old Alaric discovers how to travel to an alternate reality, where his mother is alive and his place in the family is held by a girl named Naia.
"Pip, a young boy who can speak to fish, and his sister Kinchen set off on a great adventure, joined by twins with magical powers, refugees fleeing post-war Vietnam, and some helpful sea monsters"--
When his mother died in a terrible train crash, Alaric Underwood's life began to unravel. Two years on and now sixteen, Alaric still isn't over the loss, and on the anniversary of the tragedy he stumbles into an alternative version of his reality. In this reality his place has been taken by a girl called Naia. Ages 12+.
Thirteen-year-old Eli Papadapoulous is worried. Even though he's part of in the most powerful family in the world. Even though his grandfather founded InfiniCorp, the massive corporation that runs everything in the bustling dome-cities. Even though InfiniCorp ads and billboards are plastered everywhere, proclaiming: DON'T WORRY! INFINICORP IS TAKING CARE OF EVERYTHING! Recently, Eli noticed there's something wrong with the artificial sky. It keeps shorting out, displaying strange colors and random, pixellated images. And though the Department of Cool and Comfortable Air is working overtime, the dome-city is hotter than it's ever been. Eli has been raised to believe that the dome-cities are safe and comfortable; that the important thing is to keep working, keep consuming; that InfiniCorp knows better than he, and he should leave everything in their hands. But now he begins asking questions.
The first novel from National Book Award winner and author of Sing, Unburied, Sing Jesmyn Ward, a timeless Southern fable of brotherly love and familial conflict—“a lyrical yet clear-eyed portrait of a rural South and an African American reality that are rarely depicted” (The Boston Globe). Where the Line Bleeds is Jesmyn Ward’s gorgeous first novel and the first of three novels set in Bois Sauvage—followed by Salvage the Bones and Sing, Unburied, Sing—comprising a loose trilogy about small town sourthern family life. Described as “starkly beautiful” (Publishers Weekly, starred review), “fearless” (Essence), and “emotionally honest” (The Dallas Morning News), it was a finalist for the Hurston/Wright Legacy Award and the Virginia Commonwealth University Cabell First Novelist Award. Joshua and Christophe are twins, raised by a blind grandmother and a large extended family in rural Bois Sauvage, on Mississippi’s Gulf Coast. They’ve just finished high school and need to find jobs, but after Katrina, it’s not easy. Joshua gets work on the docks, but Christophe’s not so lucky and starts to sell drugs. Christophe’s downward spiral is accelerated first by crack, then by the reappearance of the twins’ parents: Cille, who left for a better job, and Sandman, a dangerous addict. Sandman taunts Christophe, eventually provoking a shocking confrontation that will ultimately damn or save both twins. Where the Line Bleeds takes place over the course of a single, life-changing summer. It is a delicate and closely observed portrait of fraternal love and strife, of the relentless grind of poverty, of the toll of addiction on a family, and of the bonds that can sustain or torment us. Bois Sauvage, based on Ward’s own hometown, is a character in its own right, as stiflingly hot and as rich with history as it is bereft of opportunity. Ward’s “lushly descriptive prose…and her prodigious talent and fearless portrayal of a world too often overlooked” (Essence) make this novel an essential addition to her incredible body of work.
Pablo Borla's marriage is reduced to confrontations with his wife over their daughter's rebellious ways and his firm builds only repellent office blocks destroying the fabric of old Buenos Aires. It all changes with the arrival of a young woman who brings to light a murder committed decades ago by those in his office. A murder everyone assumed was forgotten. Claudia Piñeiro, after working as a professional accountant, became a journalist, playwright and television scriptwriter and in 1992 won the prestigious Pléyade journalism award. She has more recently turned to fiction; All Yours (finalist for the 2003 Planeta Prize) and Thursday Night Widows.
What does it take to bring the entire Island of Sodor Railway System to a halt? Just a crack in the track. Well, a crack in the track and some hail on rail . . . and a toad in the road, and a fuss on the bus. In fact, one thing leads to another until just about everything that can go wrong does go wrong. Luckily, there’s a breakdown train with a couple of cranes that can fix a big mess (and they don’t mind the rain). From the Hardcover edition.