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A holiday of hope Easter in Dry Creek by Janet Tronstad Clay West is back in town after four years in jail for a crime he did not commit, and he's determined to restore his good name. His first priority is convincing childhood friend Allie Nelson of his innocence. Allie can't admit how much she's missed Clay—and she can't betray her family by putting her trust in him. But Clay will settle for nothing less than her forgiveness—and her heart. The Cowboy's Easter Family Wish by Lois Richer After a heartbreaking tragedy, youth pastor Jesse Parker stopped believing he had anything to offer kids. Working with the boys at Wranglers Ranch, he's slowly beginning to trust himself. And when he meets widow Maddie McGregor and her young autistic son, his connection with both is instant. And as Jesse spends time with the McGregors, he rediscovers his purpose…including an Easter holiday surprise of renewed faith and love. New York Times Bestselling Author Janet Tronstad 2 Uplifting Stories Easter in Dry Creek and The Cowboy's Easter Family Wish
Mills & Boon Love Inspired — Heartfelt stories that show that faith, forgiveness and hope have the power to lift spirits and change lives. Easter in Dry Creek - Janet Tronstad Clay West is back in town after four years in jail for a crime he did not commit, and he’s determined to restore his good name. His first priority is convincing childhood friend Allie Nelson of his innocence. Allie can’t admit how much she’s missed Clay — and she can’t betray her family by putting her trust in him. But Clay will settle for nothing less than her forgiveness — and her heart. The Cowboy’s Easter Family Wish - Lois Richer After a heartbreaking tragedy, youth pastor Jesse Parker stopped believing he had anything to offer kids. Working with the boys at Wranglers Ranch, he’s slowly beginning to trust himself. And when he meets widow Maddie McGregor and her young autistic son, his connection with both is instant. And as Jesse spends time with the McGregors, he rediscovers his purpose...including an Easter holiday surprise of renewed faith and love.
Unlike his brothers, Clayton Mathis isn’t looking for the woman of his dreams. He works hard, plays harder, and enjoys every minute of it. And with his family preparing to expand Shadow Maverick Ranch, settling down is the last thing on his mind—until a sexy blonde makes him an offer he can’t refuse. Of all the men in the bar, Ainsley Russell has to go and proposition the one man who will cause her nothing but trouble. The Mathis family has been persistent in their bid to buy her property. Inheriting her uncle’s ranch has given her the first home she’s ever known … along with a mountain of debt that threatens to take it all away. After learning Clay’s identity, Ainsley can’t run fast enough. Or far enough … since the gorgeous cowboy shows up on her doorstep the next morning, looking to pick up where they left off the night before…
In her first-ever collection of essays, poet and novelist Lorna Goodison interweaves the personal and political to explore themes that have occupied her working life: her love of poetry and the arts, colonialism and its legacy, racism and social justice, authenticity, and the enduring power of friendship. Taking her title from one of Kingston's oldest markets, a historic meeting place that was almost destroyed by fire, she introduces us to a vivid cast of characters and remembers moments of epiphany—in a cinema in Jamaica, at New York's Bottom Line club, and as she searched for a black hairdresser in Paris and drank tea in London's Marylebone High Street. Enlightening and entertaining, these essays explore not only daily challenges but also the compassion that enables us to rise above them. Goodison's poet's eye, profound vision and glorious combination of metaphysical and post-colonial sensibilities confirm her as a major figure in world literature.
"Innovative and highly engaging... an inspiring example of what can be done to bring the past to life in all its weirdness and complexity." —The Wall Street Journal “This work is a trifecta - the perfect book for fans of the Red Dead Redemption series, Westerns and history alike. It is a privilege and a joy to be trusted with Tore Olsson’s words and to see audiences gain new academic insight into the creation of this iconic series.” —Roger Clark, actor of Arthur Morgan, Red Dead Redemption 2 Red Dead Redemption and Red Dead Redemption II, set in 1911 and 1899, are the most-played American history video games since The Oregon Trail. Beloved by millions, they’ve been widely acclaimed for their realism and attention to detail. But how do they fare as re-creations of history? In this engaging book, award-winning American history professor Tore Olsson takes up that question and more. Weaving the games’ plots and characters into an exploration of American violence between 1870 and 1920, Olsson shows that it was more often disputes over capitalism and race, not just poker games and bank robberies, that fueled the bloodshed of these turbulent years. As such, this era has much to teach us today. From the West to the Deep South to Appalachia, Olsson reveals the gritty and brutal world that inspired the games, but sometimes lacks context and complexity on the digital screen. Colorful, fast-paced, and dramatic, Red Dead’s History sheds light on dark corners of the American past for gamers and history buffs alike.
Argues for a method of biblical interpretation that allows for multiple legitimate meanings, providing examples from popular literature and movies while considering in length the story of the Magi and the impact of Scripture on human truth. Original.
#1 NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE • Look for special features inside. Join the Random House Reader’s Circle for author chats and more. In boyhood, Louis Zamperini was an incorrigible delinquent. As a teenager, he channeled his defiance into running, discovering a prodigious talent that had carried him to the Berlin Olympics. But when World War II began, the athlete became an airman, embarking on a journey that led to a doomed flight on a May afternoon in 1943. When his Army Air Forces bomber crashed into the Pacific Ocean, against all odds, Zamperini survived, adrift on a foundering life raft. Ahead of Zamperini lay thousands of miles of open ocean, leaping sharks, thirst and starvation, enemy aircraft, and, beyond, a trial even greater. Driven to the limits of endurance, Zamperini would answer desperation with ingenuity; suffering with hope, resolve, and humor; brutality with rebellion. His fate, whether triumph or tragedy, would be suspended on the fraying wire of his will. Appearing in paperback for the first time—with twenty arresting new photos and an extensive Q&A with the author—Unbroken is an unforgettable testament to the resilience of the human mind, body, and spirit, brought vividly to life by Seabiscuit author Laura Hillenbrand. Hailed as the top nonfiction book of the year by Time magazine • Winner of the Los Angeles Times Book Prize for biography and the Indies Choice Adult Nonfiction Book of the Year award “Extraordinarily moving . . . a powerfully drawn survival epic.”—The Wall Street Journal “[A] one-in-a-billion story . . . designed to wrench from self-respecting critics all the blurby adjectives we normally try to avoid: It is amazing, unforgettable, gripping, harrowing, chilling, and inspiring.”—New York “Staggering . . . mesmerizing . . . Hillenbrand’s writing is so ferociously cinematic, the events she describes so incredible, you don’t dare take your eyes off the page.”—People “A meticulous, soaring and beautifully written account of an extraordinary life.”—The Washington Post “Ambitious and powerful . . . a startling narrative and an inspirational book.”—The New York Times Book Review “Magnificent . . . incredible . . . [Hillenbrand] has crafted another masterful blend of sports, history and overcoming terrific odds; this is biography taken to the nth degree, a chronicle of a remarkable life lived through extraordinary times.”—The Dallas Morning News “An astonishing testament to the superhuman power of tenacity.”—Entertainment Weekly “A tale of triumph and redemption . . . astonishingly detailed.”—O: The Oprah Magazine “[A] masterfully told true story . . . nothing less than a marvel.”—Washingtonian “[Hillenbrand tells this] story with cool elegance but at a thrilling sprinter’s pace.”—Time “Hillenbrand [is] one of our best writers of narrative history. You don’t have to be a sports fan or a war-history buff to devour this book—you just have to love great storytelling.”—Rebecca Skloot, author of The Immortal Life of Henrietta Lacks
Published for devotees of the cowboy and the West, American Cowboy covers all aspects of the Western lifestyle, delivering the best in entertainment, personalities, travel, rodeo action, human interest, art, poetry, fashion, food, horsemanship, history, and every other facet of Western culture. With stunning photography and you-are-there reportage, American Cowboy immerses readers in the cowboy life and the magic that is the great American West.
The politics of popular westerns are surprising in substance and significance, especially of late. Cowboy Politics shows how westerns in literature, cinema, and television face the challenges of Western Civilization even more than the perils of American frontiers. Its strategy is to compare key westerns with major theories of modern and postmodern politics. So it analyzes novels from Owen Wister to Zane Grey and Larry McMurtry. It focuses on films from the western revival beginning in the 1990s and featuring Clint Eastwood’s Unforgiven, while its interest in TV stretches from singing cowboys and Gunsmoke to David Milch’s Deadwood. Critics are apt to find in westerns the modern politics of Thomas Hobbes and John Locke. They tap devices of individuality, rationality, contract, sovereign enforcement, and representation to overcome the chaotic violence of a wild zone. Cowboy Politics examines how westerns often find such measures insufficient to tame the West as a culture of honor and anger that deteriorates into feud-al vengeance. Instead westerns see the West as the sunset land that is already growing old and moving on. So westerns seek fresh starts informed by comparing civilizations more than demonizing savages. Westerns worry that modern politics devolve into exploitation, oppression, spectacle, and terror. So they pursue supplements in such postmodern politics as republicanism, perfectionism, populism, feminism, and environmentalism. Especially westerns explore politics of persuasive speech-in-action-in-public, doing beauty, and self-reliance in the modes of Hannah Arendt and Ralph Waldo Emerson. The first two chapters of Cowboy Politics explain how westerns do political theory for popular audiences by making many of our myths: the symbolic stories of individuals and communities which we live daily. The next three chapters trace the initially modern theories of government in many westerns. Then western turns to republican honor, rhetoric, response-ability, and character tracking occupy the following four chapters. And these set the stage for another four chapters on western attention to postmodern terror, mythmaking, celebrity, spectacle, and forgiveness. The final two chapters analyze how “late,” “satirical,” and “transformative” westerns develop realist defenses for their surprisingly postmodern politics.
This book develops the idea of the "Eastern" as an analytically significant genre of film. Positioned in counterpoint to the Western, the famed cowboy genre of the American frontier, the “Eastern” encompasses films that depict the eastern and southern frontiers of Euro-American expansion. Examining six films in particular—Gunga Din (1939), Lawrence of Arabia (1962), Heat and Dust (1983), A Passage to India (1984), Indochine (1992), and The English Patient (1996)—the author explores the duality of the "Eastern" as both aggressive and seductive, depicting conquest and romance at the same time. In juxtaposing these two elements, the book seeks to reveal the double process by which the “Eastern” both diminishes the "East" and Global South and reinforces ignorance about these regions’ histories and complexity, thereby setting the stage for ever-escalating political aggression.