Author : William D. Gudger
Publisher : A-R Editions, Inc.
Page : 90 pages
File Size : 38,22 MB
Release : 1981-01-01
Category : Concertos
ISBN : 0895791595
[PDF] 6 Concertos eBook
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The six Brandenburg concertos
Author : Johann Sebastian Bach
Publisher : Courier Corporation
Page : 196 pages
File Size : 37,85 MB
Release : 1997-01-01
Category : Music
ISBN : 9780486297958
Great masterpieces of intense, appealing originality, complex textures and development, and unprecedented instrumentation. Scores include No. 1 in F Major, No. 2 in F Major, No. 3 in G Major, No. 4 in G Major, No. 5 in D Major, and No. 6 in B-flat Major. Reprinted from definitive Bach-Gesellschaft edition.
Six Concertos in Seven Parts, for Four Violins, one Alto Viola, a Violoncello and a Thorough Bass for the Harpsichord. With general Rules for Playing Instrumental Compositions in Parts ... Opera Terza. [Parts.]
Author : Charles Avison
Publisher :
Page : 134 pages
File Size : 29,13 MB
Release : 1751
Category : Concerti grossi
ISBN :
Six Concertos in Seven Parts for four Violins, one Alto Viola, a Violoncello, and a Thorough Bass for the Harpsichord ... Opera decima. [Parts.]
Author : Charles Avison
Publisher :
Page : 106 pages
File Size : 44,40 MB
Release : 1769
Category : Concerti grossi
ISBN :
A Catalogue of Books, containing several valuable libraries ... which began to be sold ... October, 1789 ... By J. Binns
Author : John BINNS (Bookseller.)
Publisher :
Page : 196 pages
File Size : 26,13 MB
Release : 1789
Category :
ISBN :
Six concerto's for the organ or harpsichord with instrumental parts
Author : William Felton
Publisher :
Page : 56 pages
File Size : 47,47 MB
Release : 1755
Category : Concerto
ISBN :
The Scoring of Baroque Concertos
Author : C. R. F. Maunder
Publisher : Boydell Press
Page : 304 pages
File Size : 50,96 MB
Release : 2004
Category : Music
ISBN : 9781843830719
Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
The Violin Concerto Through a Period of Nearly 300 Years
Author : Frederic Barclay Emery
Publisher :
Page : 704 pages
File Size : 17,36 MB
Release : 1928
Category : Composers
ISBN :
The Oldest Music Room in Europe
Author : John Henry Mee
Publisher : London : J. Lane ; New York : John Lane
Page : 316 pages
File Size : 39,81 MB
Release : 1911
Category : Concerts
ISBN :
The Holywell room.
Library of Congress Subject Headings
Author : Library of Congress
Publisher :
Page : 1064 pages
File Size : 24,85 MB
Release : 1975
Category : Subject headings
ISBN :