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The one that debates Peter Pan's alleged murder of an innocent pirate named Captain Hook. A jury of twelve of the most famous villains will decide Pan's fate, if only they could stop arguing long enough to take a vote. (If you like The True Story of the Three Little Pigs by Jon Scieszka, consider 12 Angry Villains.) Parody One-act. 25-30 minutes 12-14 actors, gender flexible
A landmark American drama that inspired a classic film and a Broadway revival—featuring an introduction by David Mamet A blistering character study and an examination of the American melting pot and the judicial system that keeps it in check, Twelve Angry Men holds at its core a deeply patriotic faith in the U.S. legal system. The play centers on Juror Eight, who is at first the sole holdout in an 11-1 guilty vote. Eight sets his sights not on proving the other jurors wrong but rather on getting them to look at the situation in a clear-eyed way not affected by their personal prejudices or biases. Reginald Rose deliberately and carefully peels away the layers of artifice from the men and allows a fuller picture to form of them—and of America, at its best and worst. After the critically acclaimed teleplay aired in 1954, this landmark American drama went on to become a cinematic masterpiece in 1957 starring Henry Fonda, for which Rose wrote the adaptation. More recently, Twelve Angry Men had a successful, and award-winning, run on Broadway. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."
A young man asks an elderly stranger in the gallery for help, but there’s more to both than meets the eye. This play is part of the short play collection Rogues' Gallery and can be licensed separately or as part of the collection. Comedy Short Play. 10 minutes 4-5 actors, any gender
The one where an actress stumbles into the role of a lifetime...if only she can figure out what play she's doing. Meta-theatricality knows no bounds in this wacky comedy. (If you like The Actor's Nightmare by Christopher Durang, consider Places in Five.) Comedy One-act. 30-35 minutes 10-30 actors, gender flexible
The one where two exes go head to head to find replacement dates for prom...and #spoileralert: it doesn't go well. Warning: this play contains the use of hilariously ridiculous characters. Comedy One-act. 25-30 minutes 10-25 actors, gender flexible
The one where two over-achieving, but selfish Seniors must put aside their own ambitions and help their fellow students in order to graduate. The problem? Graduation is in two days. Hashtag uh oh? Comedy/Drama One-act. 30-35 minutes 8-25 actors, gender flexible
One-of-a-kind cultural critic and New York Times bestselling author Chuck Klosterman “offers up great facts, interesting cultural insights, and thought-provoking moral calculations in this look at our love affair with the anti-hero” (New York magazine). Chuck Klosterman, “The Ethicist” for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why don’t we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985? Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: “By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American culture—and maybe even American morality.” I Wear the Black Hat is a rare example of serious criticism that’s instantly accessible and really, really funny.
A student journeys through space, time and a hilariously idiotic Dickensian theatrical landscape to discover the importance of studying for a quiz. Entertaining for students from the past, present, and future. School was never so terrifying. Comedy One-act. 25-30 minutes 10-30 actors, gender flexible
Finally your timeless questions about teachers will be answered through a series of hilarious revelations -- from a gameshow revealing your teacher's teenage years to a battle of core subject teachers vs. electives... By the end you'll know why teachers drink so much coffee and what to do if an unexpected encounter occurs in public. Comedy One-act. 30-45 minutes 12-50+ actors, gender flexible