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William Shakespeare’s The Rape of Lucrece and John Donne’s Holy Sonnets are read against the background of concepts of the soul during the early modern period. This approach provides new insights into concepts of interiority and performance as well as a new understanding of the soliloquy in both poetry and drama.
For more than fifty years, the proximity of Donne's work to Shakespeare's, including the range of their writings, has received scant attention. Centering on cross-fertilization between the writings of Shakespeare and Donne, the essays in this volume examine relationships that are broadly cultural, theoretical, and imaginative.
Author : John Donne Publisher : University of Washington Press Page : 120 pages File Size : 16,33 MB Release : 2005 Category : Biography & Autobiography ISBN :
This is a complete facsimile edition of fourteen autograph letters of John Donne that are among the greatest treasures of the Folger Library. The letters, dating from February and March 1602, relate to Donne's clandestine marriage to Anne More and are addressed to his father-in-law, Sir George More, and to Sir Thomas Egerton, the lord keeper, who was also Donne's employer. The text of a letter provides one part of the story, while its very tangibility -- the ancient folds, the grime and fingerprints deposited by the writer, deliverer, and readers, the broken seals, the ink blots, the idosyncratic spelling, the location of a signature -- tells another. An understanding of a letter's written and unwritten social signals brings into focus a fuller, grittier, and a clearer view of life in 17th century England. M. Thomas Hester is professor of English at North Carolina State University, Raleigh. Robert Parker Sorlien is professor emeritus of English at the University of Rhode Island. Dennis Flynn is professor of English at Bentley College, Waltham, Massachusetts. John Donne's Marriage Letters was recognized in the AIGA "50 books/50 Covers" competition as one of 100 examples of outstanding book and book cover design produced in 2005.
To show how the casuistical tradition illuminates the study of major literary works in the English Renaissance, Camille Slights traces the emergence of casuistry in the sixteenth and seventeenth centuries and discusses its influence on the moral imaginations of Shakespeare, Donne, Herbert, and Milton. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This book fills a lacuna in the intellectual history of the seventeenth century by investigating the role that skepticism plays in the declining prestige of memory. It argues that Shakespeare and Donne revolutionize the art of memory, thanks to their skepticism, and thereby transform literary strategies like mimesis, exemplarity, and pastoral.
DigiCat presents to you this carefully created volume of "The Greatest Poems of John Donne". This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: A Valediction Forbidding Mourning; The Flea; The Good-Morrow; Song : Go and catch a falling star; Woman's Constancy; The Undertaking; The Sun Rising; The Indifferent; Love's Usury; The Canonization; The Triple Fool; Lovers' Infiniteness; Song : Sweetest love, I do not go; The Legacy; A Fever; Air and Angels; Break of Day; [Another of the same] [Break of Day]; The Anniversary; A Valediction of my Name, in the Window; Twickenham Garden; Valediction to his Book; Community; Love's Growth; Love's Exchange; Confined Love; The Dream; A Valediction of Weeping; Love's Alchemy; The Curse; The Message; A Nocturnal upon Saint Lucy's Day; Witchcraft by a Picture; The Bait; The Apparition; The Broken Heart; The Ecstacy; Love's Deity; Love's Diet; The Will; The Funeral; The Blossom; The Primrose; The Relic; The Damp; The Dissolution; A Jet Ring Sent; Negative Love; The Prohibition; The Expiration; The Computation; The Paradox; Song: Soul's joy, now I am gone; Farewell to Love; A Lecture Upon the Shadow; A Dialogue Between Sir Henry Wotton and Mr. Donne; The Token; Self-Love "A Valediction: Forbidding Mourning" is a metaphysical poem written in 1611 or 1612 for his wife Anne before he left on a trip to Continental Europe. John Donne (1572–1631) was an English poet and cleric in the Church of England. He is considered the pre-eminent representative of the metaphysical poets.
This book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton’s Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge. Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets of the eleventh and twelfth centuries called fin’amor: love as an end in itself, mutual and freely chosen even in the face of social, religious, or political retribution. Neither eros nor agape, neither exclusively of the body, nor solely of the spirit, this love is a middle path. Alongside this tradition has grown a critical movement that employs a 'hermeneutics of suspicion', in Paul Ricoeur’s phrase, to claim that passionate love poetry is not what it seems, and should be properly understood as worship of God, subordination to Empire, or an entanglement with the structures of language itself – in short, the very things it resists. The book engages with some of the seminal literature of the Western canon, including the Bible, the poetry of Ovid, and works by English authors such as William Shakespeare and John Donne, and with criticism that stretches from the earliest readings of the Song of Songs to contemporary academic literature. Lively and enjoyable in its style, it attempts to restore a sense of pleasure to the reading of poetry, and to puncture critical insistence that literature must be outwitted. It will be of value to professional, graduate, and advanced undergraduate scholars of literature, and to the educated general reader interested in treatments of love in poetry throughout history.