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For most of the 20th century, the work of cartoonist and graphic novelist Will Eisner defined the art of comic book storytelling in the U.S. and throughout the world. Still prolific today at the age of 86, Eisner is the embodiment of "living legend" in the world of comic books, continuing to produce some of the most innovative and influential work in the medium. This all-new hardcover collection of Eisner's gorgeous pencil sketches and groundbreaking designs is a must-have for pop-culture enthusiasts and fans of comic books. Culled from many decades' worth of work, the Sketchbook presents the world as seen through Will Eisner's eyes, with introductory notes for each of the eleven different sections. From his observations of his friends and loved ones hustling through their busy daily lives to witnessing those quiet moments when no one is supposed to be watching, Eisner's keen perception and steadfast hand capture the essence of what it means to be alive.
For most of the 20th century, the work of cartoonist and graphic novelist Will Eisner defined the art of comic book storytelling in the U.S. and throughout the world. Still prolific today at the age of 86, Eisner is the embodiment of "living legend" in the world of comic books, continuing to produce some of the most innovative and influential work in the medium. This all-new hardcover collection of Eisner's gorgeous pencil sketches and groundbreaking designs is a must-have for pop-culture enthusiasts and fans of comic books. Culled from many decades' worth of work, the Sketchbook presents the world as seen through Will Eisner's eyes, with introductory notes for each of the eleven different sections. From his observations of his friends and loved ones hustling through their busy daily lives to witnessing those quiet moments when no one is supposed to be watching, Eisner's keen perception and steadfast hand capture the essence of what it means to be alive.
For most of the 20th century, the work of cartoonist and graphic novelist Will Eisner defined the art of comic book storytelling in the US and throughout the world. This collection of Eisner's pencil sketches and designs presents the world as seen through Will Eisner's eyes.
For most of the 20th century, the work of cartoonist and graphic novelist Will Eisner defined the art of comic book storytelling in the U.S. and throughout the world. Still prolific today at the age of 86, Eisner is the embodiment of "living legend" in the world of comic books, continuing to produce some of the most innovative and influential work in the medium. This all-new hardcover collection of Eisner's gorgeous pencil sketches and groundbreaking designs is a must-have for pop-culture enthusiasts and fans of comic books. Culled from many decades' worth of work, the Sketchbook presents the world as seen through Will Eisner's eyes, with introductory notes for each of the eleven different sections. From his observations of his friends and loved ones hustling through their busy daily lives to witnessing those quiet moments when no one is supposed to be watching, Eisner's keen perception and steadfast hand capture the essence of what it means to be alive.
The final volume of Will Eisner’s celebrated instructional trilogy explores the critical principle of body grammar in comics storytelling. Designed and outlined by Will Eisner before his death in 2005, this posthumous masterwork, the third and final book in the Will Eisner Instructional Series, finally reveals the secrets of Eisner’s own techniques and theories of movement, body mechanics, facial expressions, and posture: the key components of graphic storytelling. From his earliest comics, including the celebrated Spirit, to his pioneering graphic novels, Eisner understood that the proper use of anatomy is crucial to effective storytelling. His control over the mechanical and intuitive skills necessary for its application set him apart among comics artists, and his principles of body grammar have proven invaluable to legions of students in overcoming what is perhaps the most challenging aspect of creating comics. Buttressed by dozens of illustrations, which display Eisner’s mastery of expression, both subtle and overt, Expressive Anatomy for Comics and Narrative will benefit comics fans, students, and teachers and is destined to become the essential primer on the craft.
Carmine Infantino. Steve Ditko. Jack Kirby. Gil Kane. Joe Kubert. Gene Colan. Jim Steranko. Neal Adams. Some of the greatest comic book artists of their generation, who created some of their greatest work during The Silver Age of Comics (circa1956-1970). They not only drew definitive versions of the medium’s greatest characters including The Flash, Batman, Captain America, Superman, Thor, Green Lantern, Spider-Man, Dr. Strange, Green Arrow and more— but set trends in the art of comic book storytelling. Now this popular and influential body of work, along with each artist’s thoughts, ideas and commentary, is presented in The Silver Age of Comic Book Art, a coffee table comic book art history book written and designed in a daringly different format by comic book historian and illustrator Arlen Schumer, and published in hardcover and digital/e-book editions by Archway Publishing (from Simon & Schuster). Dynamic spreads of the actual printed comic art, graphically enlarged, are integrated with comic-styled text, often by the artists themselves, that replaces the original comic book copy with more personalized prose that places the art firmly in the period it was created: the turbulent 1960s. By creating a comic book history book that reads like a comic book, Schumer succeeds spectacularly in making you see, as if for the first time, the comics you’ve been reading your whole life. “Arlen Schumer documents an important period in comic book history, told with an explosive format and stunning design. It reflects the kinetic rhythm of the era.” — Will Eisner (1917-2005), creator of The Spirit and the graphic novel A Contract with God "Through the years, I’ve had the pleasure of seeing many books that pay tribute to the art of comics, but Arlen Schumer has created an entirely new format in presenting the art and words of the artists. It's the most comprehensive and personal way a fan or colleague can learn what lies beneath the art. Arlen has found the perfect way to inform and entertain. It’s simply awesome —and the best representation of my work ever!” —Gene Colan (1926-2011), legendary comic book artist “A lovingly crafted tribute to the superhero comic of the 1960s, The Silver Age of Comic Book Art recaptures the four-color visionary surge of the era, its jet-age psychedelic rush of imagination and the titanic, luminous figures, both real and imaginary, that glittered in its firmament. For a brief moment in the late 20th century, it seemed as if the spirit of the age wore a vivid leotard, a chest emblem, and traveled in a strobing blur of speed lines. For anyone with any interest in or affection for that moment, this beautiful volume is indispensible.” — Alan Moore, author of Swamp Thing and Watchmen For more on The Silver Age of Comic Book Book Art, join Arlen’s Facebook group of the same name, and visit Arlen’s website: www.arlenschumer.com
Peter Poplaski is a long admired and multi-faceted presence in the comics industry. A longtime editor and art director at Kitchen Sink Press (1969-1999) Poplaski worked closely with such legends as Harvey Kurtzman, Milton Caniff, Will Eisner and R. Crumb. He drew the dozen or so definitive covers for KSP/DC's Batman and Superman Dailies and Sundays collections. He edited and designed the definitive "R. Crumb Coffee Table Art Book" for Kitchen Sink/Little, Brown and authored/designed the best-selling "R. Crumb Handbook" for MQP. His personal eccentricity of publicly wearing a Zorro costume (as recorded in Hup, The New York Times, New Yorker, etc.) has become a trademark. This beautiful travel sketchbook focuses on southern France, where he now resides, and reveals a rare, true artist. Don?t trust our word? The blurbs are from such fans as Will Eisner, Mark Schultz, Harlan Ellison and Frank Miller and the Introduction by Robert Crumb. Afterword by Poplaski. 208 pages.