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Author : L. G. Moses
Publisher : UNM Press
Page : 388 pages
File Size : 37,14 MB
Release : 1999
Category : History
ISBN : 9780826320896
Examines the lives and experiences of Show Indians from their own point of view.
Author : Linda Scarangella McNenly
Publisher : University of Oklahoma Press
Page : 279 pages
File Size : 27,87 MB
Release : 2015-04-23
Category : Social Science
ISBN : 0806149809
Now that the West is no longer so wild, it’s easy to dismiss Buffalo Bill Cody’s world-famous Wild West shows as promoters of stereotypes and clichés. But looking at this unique American genre from the Native American point of view provides thought-provoking new perspectives. Focusing on the experiences of Native performers and performances, Linda Scarangella McNenly begins her examination of these spectacles with Buffalo Bill’s 1880s pageants. She then traces the continuing performance of these acts, still a feature of regional celebrations in both Canada and the United States—and even at Euro Disney. Drawing on interviews with contemporary performers and descendants of twentieth-century performers, McNenly elicits insider perspectives to suggest new interpretations of their performances and experiences; she also uses these insights to analyze archival materials, especially photographs. Some Native performers saw Wild West shows not necessarily as demeaning, but rather as opportunities—for travel, for employment, for recognition, and for the preservation and expression of important cultural traditions. Other Native families were able to guide their own careers and even create their own Wild West shows. Today, Native performers at Buffalo Bill Days in Sheridan, Wyoming, wear their own regalia and choreograph their own performances. Through dancing and music, they express their own vision of a contemporary Native identity based on powwow cultures. Proud of their skills and successes, Native performers at Euro Disney are establishing promising careers. The effects of colonialism are undeniable, yet McNenly’s study reveals how these Native peoples have adapted and re-created Wild West shows to express their own identities and to advance their own goals.
Author : Jennifer Guiliano
Publisher : Rutgers University Press
Page : 195 pages
File Size : 34,75 MB
Release : 2015-04-02
Category : Social Science
ISBN : 0813565561
Amid controversies surrounding the team mascot and brand of the Washington Redskins in the National Football League and the use of mascots by K–12 schools, Americans demonstrate an expanding sensitivity to the pejorative use of references to Native Americans by sports organizations at all levels. In Indian Spectacle, Jennifer Guiliano exposes the anxiety of American middle-class masculinity in relation to the growing commercialization of collegiate sports and the indiscriminate use of Indian identity as mascots. Indian Spectacle explores the ways in which white, middle-class Americans have consumed narratives of masculinity, race, and collegiate athletics through the lens of Indian-themed athletic identities, mascots, and music. Drawing on a cross-section of American institutions of higher education, Guiliano investigates the role of sports mascots in the big business of twentieth-century American college football in order to connect mascotry to expressions of community identity, individual belonging, stereotyped imagery, and cultural hegemony. Against a backdrop of the current level of the commercialization of collegiate sports—where the collective revenue of the fifteen highest grossing teams in Division I of the National Collegiate Athletic Association (NCAA) has well surpassed one billion dollars—Guiliano recounts the history of the creation and spread of mascots and university identities as something bound up in the spectacle of halftime performance, the growth of collegiate competition, the influence of mass media, and how athletes, coaches, band members, spectators, university alumni, faculty, and administrators, artists, writers, and members of local communities all have contributed to the dissemination of ideas of Indianness that is rarely rooted in native people’s actual lives.
Author : Michelle Delaney
Publisher : University of Oklahoma Press
Page : 249 pages
File Size : 27,41 MB
Release : 2019-10-24
Category : Art
ISBN : 080616512X
William F. “Buffalo Bill” Cody, star of the American West, began his journey to fame at age twenty-three, when he met writer Ned Buntline. The pulp novels Buntline later penned were loosely based on Cody’s scouting and bison-hunting adventures and sparked a national sensation. Other writers picked up the living legend of “Buffalo Bill” for their own pulp novels, and in 1872 Buntline produced a theatrical show starring Cody himself. In 1883, Cody opened his own show, Buffalo Bill’s Wild West, which ultimately became the foundation for the world’s image of the American frontier. After the Civil War, new transcontinental railroads aided rapid westward expansion, fostering Americans’ long-held fascination with their western frontier. The railroads enabled traveling shows to move farther and faster, and improved printing technologies allowed those shows to print in large sizes and quantities lively color posters and advertisements. Cody’s show team partnered with printers, lithographers, photographers, and iconic western American artists, such as Frederic Remington and Charles Schreyvogel, to create posters and advertisements for Buffalo Bill’s Wild West. Circuses and other shows used similar techniques, but Cody’s team perfected them, creating unique posters that branded Buffalo Bill’s Wild West as the true Wild West experience. They helped attract patrons from across the nation and ultimately from around the world at every stop the traveling show made. In Art and Advertising in Buffalo Bill’s Wild West, Michelle Delaney showcases these numerous posters in full color, many of which have never before been reproduced, pairing them with new research into previously inaccessible manuscript and photograph collections. Her study also includes Cody’s correspondence with his staff, revealing the showman’s friendships with notable American and European artists and his show’s complex, modern publicity model. Beautifully designed, Art and Advertising in Buffalo Bill’s Wild West presents a new perspective on the art, innovation, and advertising acumen that created the international frontier experience of Buffalo Bill’s Wild West.
Author : Kiara M. Vigil
Publisher : Cambridge University Press
Page : 379 pages
File Size : 18,68 MB
Release : 2015-07-15
Category : History
ISBN : 131635217X
In the United States of America today, debates among, between, and within Indian nations continue to focus on how to determine and define the boundaries of Indian ethnic identity and tribal citizenship. From the 1880s and into the 1930s, many Native people participated in similar debates as they confronted white cultural expectations regarding what it meant to be an Indian in modern American society. Using close readings of texts, images, and public performances, this book examines the literary output of four influential American Indian intellectuals who challenged long-held conceptions of Indian identity at the turn of the twentieth century. Kiara M. Vigil traces how the narrative discourses created by these figures spurred wider discussions about citizenship, race, and modernity in the United States. Vigil demonstrates how these figures deployed aspects of Native American cultural practice to authenticate their status both as indigenous peoples and as citizens of the United States.
Author : Richard W. Etulain
Publisher : UNM Press
Page : 468 pages
File Size : 46,99 MB
Release : 2004
Category : Biography & Autobiography
ISBN : 9780826334725
The life stories of many individuals are woven together to tell the history of the American West from the earliest days of westward expansion to the twentieth century.
Author : Ferenc Morton Szasz
Publisher : University of Oklahoma Press
Page : 300 pages
File Size : 24,25 MB
Release : 2000
Category : Social Science
ISBN : 9780806132532
"Scots trappers dominated the fur trade, often proving more loyal to clan than to trading company or nation. Relying on centuries of experience raising livestock for British markets, Scottish investors and managers became highly visible in the post-Civil War western cattle industry with thriving outfits such as the Swan Land and Cattle Company in Wyoming. They introduced new breeds to western ranching, such as the Aberdeen Angus, that remain popular today. Similarly, Scots herders dominated the western sheep industry, running herds of over 100,000 animals. Andrew Little's sheep ranch in Idaho was so famous that a letter addressed simply "Andy Little, USA" found its intended recipient.
Author : Louis Patrick Leroux
Publisher : McGill-Queen's Press - MQUP
Page : 363 pages
File Size : 32,63 MB
Release : 2016-05-01
Category : Performing Arts
ISBN : 0773598707
With a billion-dollar industry centred in Montreal, the province of Quebec has established itself as a major hub for contemporary circus. Cirque du Soleil has a global presence, and troupes such as Cirque Éloize and 7 doigts de la main are state-of-the-art innovators. The National Circus School of Montreal - the only state-funded elite training facility in North America - is an influential leader in artistry and technique. Montreal-based Cirque du Soleil’s Cirque du Monde supports arts for social change on many continents and is renowned for its social-circus training and research. Cirque Global is the first book-length study of this new variety of circus and its international impact. The contributors offer critical perspectives on this rapidly developing art form and its aesthetics, ethics, business practices, pedagogical implications, and discursive significations. Essays explore creative, entrepreneurial, and cultural forces that are shaping Quebec’s dynamic nouveau cirque. Lavishly illustrated with photographs from circus performances, the volume showcases Quebec circus’s hybrid forms, which have merged the ethos and aesthetics of European circuses with American commercial and industrial creativity. Cirque Global is the definitive study of the phenomenon of Quebec circus and is an important model for future research on contemporary circus.
Author : Larry McMurtry
Publisher : New York Review of Books
Page : 196 pages
File Size : 15,73 MB
Release : 2001
Category : Biography & Autobiography
ISBN : 9781590170991
In these 11 essays, all originally published in "The New York Review of Books," McMurtry brings his unique narrative gift and dry humor to a variety of western topics.
Author : Peter Nabokov
Publisher : Penguin
Page : 561 pages
File Size : 13,7 MB
Release : 2016-11-01
Category : History
ISBN : 0143109685
A compelling portrait of cultural transition and assimilation via the saga of one Acoma Pueblo Indian family Born in 1861 in New Mexico’s Acoma Pueblo, Edward Proctor Hunt lived a tribal life almost unchanged for centuries. But after attending government schools he broke with his people’s ancient codes to become a shopkeeper and controversial broker between Indian and white worlds. As a Wild West Show Indian he travelled in Europe with his family, and saw his sons become silversmiths, painters, and consultants on Indian Lore. In 1928, in a life-culminating experience, he recited his version of the origin myth of Acoma Pueblo to Smithsonian Institution scholars. Nabokov narrates the fascinating story of Hunt’s life within a multicultural and historical context. Chronicling Pueblo Indian life and Anglo/Indian relations over the last century and a half, he explores how this entrepreneurial family capitalized on the nation’s passion for Indian culture. In this rich book, Nabokov dramatizes how the Hunts, like immigrants throughout history, faced anguishing decisions over staying put or striking out for economic independence, and experienced the pivotal passage from tradition to modernity.