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"A powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America’s prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author’s own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions—including solitary confinement—these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to transform the country’s criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century."
Sensory Penalties aims to reinvigorate a conversation about the role of sensory experience in empirical investigation. It explores the visceral, personal reflections buried within forgotten criminological field notes, to ask what privileging these sensorial experiences does for how we understand and research spaces of punishment and social control.
Author : Publisher : State University of New York Press Page : 373 pages File Size : 41,84 MB Release : 2013-05-06 Category : Religion ISBN : 1438446128
Frithjof Schuon (1907–1998), the leading figure in the perennialist school of comparative religious thought, remains one of the most provocative voices on religion. Bridging the divide between seeker and scholar, Schuon challenges the prevailing notion that religion should be studied with agnostic neutrality. He speaks to those who are looking for greater interfaith understanding and a deeper penetration to the esoteric heart of specific traditions, while turning the tables on an increasingly noisy chorus of skeptics. In Splendor of the True, James S. Cutsinger selects essential writings that reflect the full range of Schuon's thought on religion and tradition, metaphysics and epistemology, human nature and destiny, sacred art and symbolism, and spirituality and contemplative method. In addition to Schuon's essays, the book includes a number of poems, artworks, and previously unpublished materials drawn from his letters, personal memoirs, and private texts for disciples. An introductory chapter provides a careful examination of Schuon as perennial philosopher, Sufi shaykh, and teacher of gnosis.
The inspiring story of activist and poet Ian Manuel, who at the age of fourteen was sentenced to life in prison. He survived eighteen years in solitary confinement—through his own determination and dedication to art—until he was freed as part of an incredible crusade by the Equal Justice Initiative. “Ian is magic. His story is difficult and heartbreaking, but he takes us places we need to go to understand why we must do better. He survives by relying on a poetic spirit, an unrelenting desire to succeed, to recover, and to love. Ian’s story says something hopeful about our future.” —Bryan Stevenson, author of Just Mercy The United States is the only country in the world that sentences thirteen- and fourteen-year-old offenders, mostly youth of color, to life in prison without parole. In 1991, Ian Manuel, then fourteen, was sentenced to life without parole for a non-homicide crime. In a botched mugging attempt with some older boys, he shot a young white mother of two in the face. But as Bryan Stevenson, attorney and executive director of the Equal Justice Initiative, has insisted, none of us should be judged by only the worst thing we have ever done. Capturing the fullness of his humanity, here is Manuel’s powerful testimony of growing up homeless in a neighborhood riddled with poverty, gang violence, and drug abuse—and of his efforts to rise above his circumstances, only to find himself, partly through his own actions, imprisoned for two-thirds of his life, eighteen years of which were spent in solitary confinement. Here is the story of how he endured the savagery of the United States prison system, and how his victim, an extraordinary woman, forgave him and bravely advocated for his freedom, which was achieved by an Equal Justice Initiative push to address the barbarism of our judicial system and bring about “just mercy.” Full of unexpected twists and turns as it describes a struggle for redemption, My Time Will Come is a paean to the capacity of the human will to transcend adversity through determination and art—in Ian Manuel’s case, through his dedication to writing poetry.
This book argues for an integrative dialectic of faith and history. It is a fresh examination of the problem of faith and history. Instead of being a mere liability, it is argued here that the strength of the Christian faith is its historicity. Although modern thought was not always friendly to Christian faith because of its deeply embedded dualism, it raised the critical intellectual issues that Christian theology needed to address. Advancing a more critical understanding of the nature of history than modern thought was generally able to achieve because of its dualistic thinking, this work argues for an integrative dialectic of historical probability and the certainty of faith. "This book gives a comprehensive and fascinating account of the development of the idea of history in correspondence to changing conceptions of the divine reality, from its origin in Ancient Israel and in Greece all the way to the contemporary discussion. It focuses on the rise of critical historical investigation in modern times and on the struggle of modern theology to come to terms with it. It is an important contribution to this discussion. The split between fact and meaning is persuasively identified as a main obstacle and it is shown to be overcome in the reconstruction of history in the light of the eschatological future. Also very helpful is the final chapter on time (space-time) and eternity with its emphasis on Boethius and with its critical remarks on nontrinitarian theistic notions of a personal God." --Wolfhart Pannenberg, University of Munich
From battlefields, boxcars, and forgotten warehouses to notorious prison camps like Andersonville and Elmira, prisoners seemed to be everywhere during the American Civil War. Yet there is much we do not know about the soldiers and civilians whose very lives were in the hands of their enemies. Living by Inches is the first book to examine how imprisoned men in the Civil War perceived captivity through the basic building blocks of human experience--their five senses. From the first whiffs of a prison warehouse to the taste of cornbread and the feeling of lice, captivity assaulted prisoners' perceptions of their environments and themselves. Evan A. Kutzler demonstrates that the sensory experience of imprisonment produced an inner struggle for men who sought to preserve their bodies, their minds, and their sense of self as distinct from the fundamentally uncivilized and filthy environments surrounding them. From the mundane to the horrific, these men survived the daily experiences of captivity by adjusting to their circumstances, even if these transformations worried prisoners about what type of men they were becoming.
By the time he was thirty, Syd Kessler was a millionaire many times over, the epitome of the poor kid making good. But inside him, a hollowness was taking hold, and later, in middle age, he fell seriously ill. In the dark days of a long recovery, Kessler explored the Kabbalah and the discoveries of quantum physics, developing a system of moral principles from the truths of how the universe began and operates. His set of principles -- from Big Bang to Moral Cause and Effect to Selfless Selfishness to Closure and Energy -- are revolutionary. They will heighten your sense of self and purpose and transform your relationships in every part of your life.
This landmark missive from one of the greatest activists in history calls for direct, non-violent resistance in the fight against racism, and reflects on the healing power of love.
Marginalized by the scientific age the lessons of the senses have been overtaken by the dominance of language and the information revolution. With The Five Senses Serres traces a topology of human perception, writing against the Cartesian tradition and in praise of empiricism, he demonstrates repeatedly, and lyrically, the sterility of systems of knowledge divorced from bodily experience. The fragile empirical world, long resistant to our attempts to contain and catalog it, is disappearing beneath the relentless accumulations of late capitalist society and information technology. Data has replaced sensory pleasure, we are less interested in the taste of a fine wine than in the description on the bottle's label. What are we, and what do we really know, when we have forgotten that our senses can describe a taste more accurately than language ever could? The book won the inaugural Prix Médicis Essai in 1985. The Revelations edition includes an introduction by Steven Connor.