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The best of Eluard's poems in a bilingual edition as chosen and arranged chronologically by the editor and translator. Surrealist, resistance fighter during the Nazi occupation of Paris, connoisseur of art, litter'ateur, and lover of common people, Eluard exemplifies for many the poet of pure diction.
A seminal figure in the philosophy of history, culture, and language, Johann Gottfried Herder (1744-1803) also produced some of the most important and original works in the history of aesthetic theory. A student of Kant, he spent much of his life striving to reconcile the opposing poles of Enlightenment thought represented by his early mentors. His ideas influenced Hegel, Schleiermacher, Nietzsche, Dilthey, J. S. Mill, and Goethe. This book presents most of Herder's important writings on aesthetics, including the main sections of one of his major untranslated works, Kritische Wälder (Critical Forests). These notes, essays, and treatises, the majority of which appear here in English for the first time, show this idiosyncratic thinker both deeply rooted in the controversies of his day and pointing the way to future developments in aesthetics. Chosen to reflect the extent and diversity of Herder's concerns, the texts cover such topics as the psychology and physiology of aesthetic perception, the classification of the arts, taste, Shakespeare, the classical tradition, and the relationship between art and morality. Few thinkers have reflected so sensitively and productively on the cultural, historical, anthropological, ethical, and theological dimensions of art and the creative process. With this book, the importance of aesthetics to the evolution and texture of Herder's own thought, as well as his profound contribution to that discipline, comes fully into view.
First Published in 1999. Odysseus Elytis (1911-1996) was born in Crete, and published his first poems in 1935. He established himself as one of the leading figures in the 'Generation of the Thirties'. As well as publishing seventeen collection of poetry and a number of translations from Ancient Greek, he created two large volumes of prose writings. In 1979 he was awarded the Nobel Prize for Literature. This book is illustrated with ten colour reproductions of collages and paintings by Elytis as well as selected writings.
It has been said that during times of war, the Muses fall silent. However, anyone who has read the major figures of mid-twentieth-century literature—Samuel Beckett, Richard Hillary, Norman Mailer, Albert Camus, Jean-Paul Sartre, and others—can attest that it was through writing that people first tried to communicate and process the horrors that they saw during one of the darkest times in human history even as it broke out and raged on around them. In Bearing Witness, John Carpenter explores how across the world those who experienced the war tried to make sense of it both during and in its immediate aftermath. Writers such as Alexander Solzhenitsyn and Theodore Plievier questioned the ruling parties of the time based on what they saw. Correspondents and writer-soldiers like John Hersey and James Jones revealed the chaotic and bloody reality of the front lines to the public. And civilians, many of who remain anonymous, lent voice to occupation and imprisonment so that those who didn’t survive would not be forgotten. The digestion of a cataclysmic event can take generations. But in this fascinating book, Carpenter brings together all those who did their best to communicate what they saw in the moment so that it could never be lost.
Mixing the lyrical with the colloquial, the tender with the tough, Ana Castillo has a deserved reputation as one of the country’s most powerful and entrancing novelists, but she began her literary career as a poet of uncompromising commitment and passion. My Father Was a Toltec is the sassy and street-wise collection of poems that established and secured Castillo's place in the popular canon. It is included here in its entirety along with the best of her early poems. Ana Castillo’s poetry speaks—in English and Spanish—to every reader who has felt the pangs of exile, the uninterrupted joy of love, and the deep despair of love lost.
Although the number of Gaelic speakers has declined during the twentieth century, the last forty years have seen an astonishing flowering of Scottish Gaelic poetry, much of it in the modern idiom. This bilingual anthology provides a selection of the best work of poets who have contributed most to that revival--Sorely Maclean, George Campbell Hay, Derick Thomson, Iain Crichton Smith, and Donald MacAulay.