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An insider's photographic history of postwar Italian and American art Beginning his career in 1940, Italian photographer Ugo Mulas (1928-73) became a central figure in documenting postwar contemporary art. This volume presents Mulas' black-and-white photographs--two decades of the Venice Biennale, New York in the 1960s, and close friends and artists Fontana, Consagra, Melotti and Pisoletto.
Artists have worked from home for many reasons, including care duties, financial or political constraints, or availability and proximity to others. From the 'home studios' of Charles and Ray Eames, to the different photographic representations of Robert Rauschenberg's studio, this book explores the home as a distinct site of artistic practice, and the traditions and developments of the home studio as concept and space throughout the 20th and into the 21st century. Using examples from across Europe and the Anglophone world between the mid-20th century and the present, each chapter considers the different circumstances for working at home, the impact on the creative lives of the artists, their identities as artists and on the work itself, and how, sometimes, these were projected and promoted through photographs and the media. Key themes include the gendered and performative aspects of women practising 'at home', collaborative studio communities of the 1970s 90s including the appropriation of abandoned spaces in East London, and the effects of Covid on artistic practices and family life within the spaces of 'home'. The book comprises full-length chapters by artists, architects, art and design historians, each of whom bring different perspectives to the issues, interwoven with short interviews with artists to enrich and broaden the debates. At a time when individual relationships to home environments have been radically altered, The Artist at Home considers why some artists in previous decades either needed to or chose to work from home, producing work of vitality and integrity. Tracing this long tradition into the present, the book will provide a deeper understanding of how the home studio has affected the practices and identity of artists working in different countries, and in different circumstances, from the mid-20th century to the present.
An unprecedented volume of photography from the Condé Nast Archive, illustrating the history, art, and fashion of their famous magazine brands Chronorama: Photographic Treasures of the 20th Century is an impressive photography volume from the Condé Nast Archive, curated by Matthieu Humery for the Pinault Collection. Chrono—referring to space-time—and rama—referring to sight—are the cornerstones of this notable art record that depicts the third decade of the 21st century, a decade that had the potential to be another Roaring Twenties, and during which, Condé Nast Publications experienced meteoric growth. Taken from the pages of Vogue, Vanity Fair, House & Garden, GQ, and Glamour, the nearly 400 stunning original vintage prints and illustrations within this tome are by top photographers such as Irving Penn, Helmut Newton, Edward Steichen, Cecil Beaton, Eduardo Garcia Benito, Horst P. Horst, George Hoyningen-Huene, and Arthur Elgort—resulting in an unprecedented showcase of some of the most important works ever to be produced for the magazine page. Organized by decade, the book opens with the 1910s and ends with the 1970s, and the backstories of each decade are told through the art and historical context of the times, firmly situating the prevalence of the works in the minds of the readers. An exclusive collection of full-color, vivid, exquisite, and memorable images, Chronorama is not only a landmark in the history of photography and illustrated books, but also a pivotal time in the history of fashion, design, and the arts.
Introduces the variety and quality of wine available in ten South American countries, exploring the regions, styles, and prominent grapes of the continent's two leading producers, Argentina and Chile, as well other nations' evolving industries.