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“H. D's wit, sense of rhythm, and control of language prove the inadequacy of the imagist label that is so often applied to this writer.” —Library Journal This autobiographical novel, an interior self-portrait of the poet H. D. (1886-1961) is what can best be described as a "find,' a posthumous treasure. In writing HERmione, H.D. returned to a year in her life that was "peculiarly blighted." She was in her early twenties––"a disappointment to her father, an odd duckling to her mother, an importunate, overgrown, unincarnated entity that had no place… Waves to fight against, to fight against alone…'I am Hermione Gart, a failure’––she cried in her dementia, 'l am Her, Her, Her."' She had failed at Bryn Mawr, she felt hemmed in by her family, she did not yet know what she was going to do with her life. The return from Europe of the wild-haired George Lowndes (Ezra Pound) expanded her horizons but threatened her sense of self. An intense new friendship with Fayne Rabb (Frances Josepha Gregg), an odd girl who was, if not lesbian, then certainly of bisexual bent, brought an atmosphere that made her hold on everyday reality more tenuous. This stormy course led to mental breakdown, then to a turning point and a new beginning as her own true self, as "Her”––the poet H.D. Perdita Schaffner, H.D.'s daughter, who can remember back to the time in 1927 when her mother was barricaded with her typewriter behind a locked door, working on this very novel, has provided a charming and telling introduction.
At the heart of this collection of correspondences are the letters of the poet H.D. (1886-1961) to her companion, the novelist Bryher, during the time she underwent psychoanalysis by Sigmund Freud. Friedman (English and women's studies, U. of Wisconsin at Madison) presents the letters as giving an alternative view of Freud's therapeutic style, as well as offering portraits both of late 19th century Vienna and of the literary circle H.D. was part of, which included Havelock Ellis, Kenneth MacPherson, and Ezra Pound. Annotation copyrighted by Book News, Inc., Portland, OR
They had been engaged for a period, and what began as a brief romance developed into a lifetime's friendship and collaboration in poetry. Throughout the reminiscence runs H. D's conviction that her life and Pound's had been irrevocably entwined since those early days when they had walked together in the Pennsylvania woods and he wrote for her verse after William Morris, Rossetti, Swinburne, and Chaucer. Twenty-five of these poems, handbound in vellum by Pound and called "Hilda's Book," are published here for the first time as an epilogue to this important and moving document.
In this highly acclaimed book, one of the most prominent theologians in the world offers a theological and psychoanalytic assessment of Freud’s atheism and of its implications for current psychoanalytic practice. In the original section of the book, now entitled "God--An Infantile Illusion?,” Hans K�ng traces Freud’s views on religion and religious longing, compares Jung’s and Adler’s attitudes toward religion, shows that Freud’s arguments against the existence of God are theologically unsound, and concludes with a frank and provocative discussion of what psychoanalysis may be able to teach the Christian Church. In a new section, "Religion--The Final Taboo?,” K�ng points out that religions still plays a negligible role in the practice of psychoanalysis, despite its increasing importance in the lives of most people. Has religion replaced sex, K�ng asks, as an integral facet of human experience ignored or repressed by the very profession that seeks to enlighten? Reviews of the first edition: "This should stand as one of Dr. K�ng’s finest works.”--Edmund Fuller, Wall Street Journal "A balanced, thorough, and very readable discussion of Freud’s critique of religion... A model of the clarity, honesty, and fairness we can always expect to find in K�ng’s writings.” -John F. Haught, America "An honest, sympathetic pro-and-con assessment of specific elements of Freud’s critique by a well-known German Catholic theologian, easily accessible to the interested layperson and valuable for both theologians and psychologists.”--Library Journal "K�ng carefully, sympathetically investigates Freud’s interpretations of religion, both within his clinical theories and personal history.” -Lisa Mitchell, Los Angeles Times