[PDF] Thomas Middleton And The Plural Politics Of Jacobean Drama eBook

Author : Mark Kaethler
Publisher : Walter de Gruyter GmbH & Co KG
Page : 236 pages
File Size : 36,50 MB
Release : 2021-05-10
Category : Literary Criticism
ISBN : 1501513761

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Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton’s dramatic works as responses to James I’s governance. Through examining Middleton’s poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton’s plural art exposes the limitations of the monarch’s sovereign image. By drawing upon earlier forms of dramatic intervention, James’s writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of Middleton’s writings, ranging from his first extant play The Phoenix (1604) to his scandalous finale A Game at Chess (1624). In the course of this investigation, the author identifies that although Middleton’s drama spurs political awareness and questions authority, it nevertheless simultaneously promotes alternative structures of power, which manifest as misogyny and white supremacy.

Author : Mark Kaethler
Publisher :
Page : pages
File Size : 28,19 MB
Release : 2016
Category :
ISBN :

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The dissertation examines Thomas Middleton's political irony in his drama. It differentiates this irony from the broad phrase "Middletonian irony" or the various kinds of irony featured in his oeuvre by observing its connection to what Sir Francis Bacon calls a "crossroads," which produces opera basilica-works for the monarch to resolve. Middleton and Rowley's definition of ironia in The World Tossed at Tennis (1620) in which the eye looks "two ways at once" positions the envisioned royal audience at such a crossroads. In doing so, Middleton and Rowley revise rhetorical definitions of irony that promote an inferred meaning which trumps literal interpretations; they instead favour a third meaning with their analogy of the tailor who stitches two previous habits into a new fashion with his needle. Rulers are thus encouraged to abandon singular, entrenched political habits in favour of new and mutually constituted fashions of governance. The course to which Middleton directs rulers and audiences here and elsewhere resembles the tradition of the via media with its projected balance, but its remaining tension infuses that outcome with the ongoing oscillation of the via diversa. In this manner Middleton's political irony expands upon Bacon's idea of "perpetual renovation" by seeing governance as a theatrical continuum of historical emulation and revision. By resisting the permanence and centrality of authority, my work presents responses to recent studies in political theology, which uphold the superiority of the monarch, and to Middleton criticism's conflicted prescription of either a deliberate intention on the author's part (moral or satirical) or a complete dissolution of meaning. Instead, Middleton uses a didactic allegorical framework that is politically charged but remains ridden with tension. The dissertation's first two chapters observe opera basilica intended for the newly appointed monarch, James I, in The Phoenix (1603-4) and the Lord Mayor of London in The Triumphs of Truth (1613). The final two chapters examine the ways in which Middleton's opera basilica gradually transform into burgeoning citizen politics with The World Tossed at Tennis and his final play A Game at Chess (1624). Although Middleton's message remains equivocal, it is unequivocally political.

Author : Swapan Chakravorty
Publisher : Clarendon Press
Page : 246 pages
File Size : 15,85 MB
Release : 1996-05-23
Category :
ISBN : 019159170X

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A comprehensive reassessment of Middleton's cultural importance, this wide-ranging study examines both the writer's dramatic and non-dramatic texts to show how he laid bare the complicit interests at work behind assumptions about sex, morality, society, and politics in late feudal culture. Middleton's importance has long been acknowledged in the modern theatre, but academic criticism still seems distracted by questions regarding his morals and `Puritanism'. Swapan Chakravorty argues again the reductivism of such enquiries, and demonstrates the complexity behind the texts' disengagement from received ideological premises and gneric formulae. Combining close reading with lively historical analysis, Society and Politics in the Plays of Thomas Middleton reveals Middleton to have been a pioneer of politically self-conscious theatre. Full of insight, this study brings alive the plays' meanings by engaging with the social, political, and cultural concerns of Middleton's day.

Author : Suzanne Gossett
Publisher : Cambridge University Press
Page : 417 pages
File Size : 13,84 MB
Release : 2011-04-21
Category : Drama
ISBN : 0521190541

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An illuminating study of all works in the newly enlarged Middleton canon, placing them in personal, national, international and theatrical contexts.

Author : Cristina Paravano
Publisher : Taylor & Francis
Page : 160 pages
File Size : 20,51 MB
Release : 2023-08-04
Category : Literary Criticism
ISBN : 1000919838

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Massinger’s Italy: Re-Imagining Italian Culture in the Plays of Philip Massinger offers the first book-length account of the pervasive influence of Italian culture on the canon of Philip Massinger, one of the most successful playwrights of the post-Shakespearean period. This volume explores the relationships between Massinger and Italian literary, dramatic and intellectual culture in the larger context of Anglo-Italian cultural exchanges. The book investigates the influence of Italian culture, considering Massinger’s engagement and appropriation of Italian texts, dramatic and political theories and ideas related to the country and his use of Italy as a setting. Massinger’s Italy offers a fresh and unexpected perspective on the development of Anglo-Italian discourse on the early modern English stage, showing to what extent Massinger contributed to the myth of Italy and to the circulation of Italian culture and shedding light on the complex system of Anglo-Italian interconnections within the corpus of Massinger’s plays as well as with the works of Shakespeare and his contemporaries.

Author : Mark Hutchings
Publisher : Northcote House Pub Limited
Page : 140 pages
File Size : 10,34 MB
Release : 2008
Category : Literary Criticism
ISBN : 0746310803

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A fresh approach to Thomas Middleton's career that focuses attention on his relations with Dekker, Shakespeare, and Rowley.

Author : Clifford Werier
Publisher : Taylor & Francis
Page : 436 pages
File Size : 17,40 MB
Release : 2022-08-25
Category : Literary Criticism
ISBN : 1000606376

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The Routledge Handbook of Shakespeare and Interface provides a ground-breaking investigation into media-specific spaces where Shakespeare is experienced. While such operations may be largely invisible to the average reader or viewer, the interface properties of books, screens, and stages profoundly mediate our cognitive engagement with Shakespeare. This volume considers contemporary debates and questions including how mobile devices mediate the experience of Shakespeare; the impact of rapidly evolving virtual reality technologies and the interface architectures which condition Shakespearean plays; and how design elements of hypertext, menus, and screen navigation operate within internet Shakespeare spaces. Charting new frontiers, this diverse collection delivers fresh insight into human–computer interaction and user-experience theory, cognitive ecology, and critical approaches such as historical phenomenology. This volume also highlights the application of media and interface design theory to questions related to the medium of the play and its crucial interface with the body and mind.

Author : Thomas Middleton
Publisher : Penguin
Page : 468 pages
File Size : 22,87 MB
Release : 1988
Category : Drama
ISBN : 9780140432190

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Thomas Middleton (1580-1627) was one of the most prolific and fascinating playwrights of the Jacobean era, producing nearly fifty theatrical pieces in a quarter of a century. This collection comprises five of his most powerful plays, from the comedies satirizing city life, A Trick to Catch the Old One, and A Chaste Maid in Cheapside, to his later tragedies Women Beware Women and The Changeling, in which Middleton reveals a world dominated by the corrupting power of lust and subject to the futility of human pretensions. Also included is The Revenger's Tragedy, originally ascribed to Cyril Tourneur, a Revenge Play infused with sardonic wit and biting irony.