[PDF] Thomas A Edison And His Kinetographic Motion Pictures eBook

Author : Charles Musser
Publisher : Rutgers University Press
Page : 62 pages
File Size : 32,77 MB
Release : 1995
Category : Performing Arts
ISBN : 9780813522104

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Much controversy has surrounded Thomas A. Edison's role in the birth of motion pictures. His earliest biographers gave all honor to him; later historians gave credit to his assistants or to foreign inventors whose recognition Edison stole. Charles Musser provides a balanced assessment, arguing that while Edison left the day-to-day experimentation to his talented employees, he provided the ideas and encouragement as well as financial support. Without him, the technical hurdles would not have been overcome so quickly. As time went on, and innovations in the motion picture business shifted from improving machines to improving the moving pictures themselves and the meyhods of exhibiting them, Edison's Laboratory lost its advantage. After three decades of patent wars and attempted monopolization of cameras and projectors, the battle moved away from the inventor and toward the producers and nickelodeon owners. Edison briefly experimented with a home movie projector, to steal a march on his rivals, but he was way ahead of his time. After thirty years, he closed down his movie studio and moved on to other projects. This brief, informative story of Edison's key contributions to the invention of motion pictures is heavily illustrated and beautifully designed.

Author : MUSSER CHARLES
Publisher : Smithsonian Books (DC)
Page : 730 pages
File Size : 39,66 MB
Release : 1997
Category : Art
ISBN :

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"This book provides essential documentation of all known Edison films made between 1890 and 1900. Thomas Edison and his associates at the Edison Laboratory in West Orange, New Jersey, invented the first system of commercial motion pictures." "Making the historical framework predominant while retaining traditional cataloging features, Edison Motion Pictures, 18901900 is of value to a wide range of scholars interested in American life at the turn of the century - those working in performance studies, film and media studies, cultural history, ethnic studies, and social and political history. Documentary filmmakers, film programmers, archivists, and librarians can also benefit from using this catalog." "Edison films from the end of the nineteenth century offer a unique visual record of American entertainment and popular culture - moving images that become much more interesting and useful when they can be examined in conjunction with pertinent documentation." "Scholars concerned with portrayals of war, depictions of the American presidency, and many other topics in the nation's political history will find much useful information."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author : Ray Phillips
Publisher : Praeger
Page : 232 pages
File Size : 21,34 MB
Release : 1997-11-13
Category : Biography & Autobiography
ISBN :

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Motion pictures were first seen in 1894, when Thomas Edison introduced the Kinetoscope, a device for individually looking at film through a viewer. Over the next three years, Edison manufactured almost 1,000 Kinetoscopes and produced some 250 films to show in them. A million people worldwide first saw motion pictures through these devices. This book describes in detail how Kinetoscopes worked and how they were sold, and describes the parlors to which the public flocked, fascinated by the novelty of moving images. It examines how the machines were copied by others and later eclipsed by the advent of projection. It also indicates where surviving machines can be found in the United States and Europe. The book concludes with an index to Edison's films between 1892 and 1896, and presents titles, filming dates, subject descriptions, and information on the location of surviving copies. Copiously illustrated, the book is a vital research tool for all students of motion picture history.

Author : Paul Spehr
Publisher : Indiana University Press
Page : 713 pages
File Size : 15,48 MB
Release : 2008-11-17
Category : Biography & Autobiography
ISBN : 0861969367

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The story of W.K.L. Dickson—assistant to Edison, inventor, and key figure in early cinematography: “Valuable and comprehensive.” —Communication Booknotes Quarterly W.K.L. Dickson was Thomas Edison’s assistant in charge of the experimentation that led to the Kinetoscope and Kinetograph—the first commercially successful moving image machines. In 1891–1892, he established what we know today as the 35mm format. Dickson also designed the Black Maria film studio and facilities to develop and print film, and supervised production of more than one hundred films for Edison. After leaving Edison, he became a founding member of the American Mutoscope Company, which later became the American Mutoscope & Biograph, then Biograph. In 1897, he went to England to set up the European branch of the company. Over the course of his career, Dickson made between five hundred and seven hundred films, which are studied today by scholars of the early cinema. This well-illustrated book offers a window onto early film history from the perspective of Dickson’s own oeuvre.

Author : W. K. L. Dickson
Publisher :
Page : 55 pages
File Size : 48,17 MB
Release : 2000-08-30
Category : Performing Arts
ISBN : 9780756782733

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This is a facsimile ed. of the first history of the cinema by W.K.L. Dickson & Antonia Dickson, & was reproduced from W.K.L. Dickson's own annotated copy of the book. When this book was first published in 1895, practical moving pictures were barely two years old, & film projection was yet to be perfected. Dickson had begun to work with Edison in 1883; within 5 years, he was leader of the team that was attempting to build an instrument which does for the eye what the phonograph does for the Ear.Ó The results of their labor were the kinetograph (the camera used for photographing motion pictures) & the kinetoscope (the means for viewing them). This book allows the reader to experience the wonder & promise of the cinema in its infancy. Illustrations.

Author : Gene Barretta
Publisher : Henry Holt and Company (BYR)
Page : 40 pages
File Size : 35,68 MB
Release : 2012-07-17
Category : Juvenile Nonfiction
ISBN : 1466816848

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What do record players, batteries, and movie cameras have in common? All these devices were created by the man known as The Wizard of Menlo Park: Thomas Edison. Edison is most famous for inventing the incandescent lightbulb, but at his landmark laboratories in Menlo Park & West Orange, New Jersey, he also developed many other staples of modern technology. Despite many failures, Edison persevered. And good for that, because it would be very difficult to go through a day without using one of his life-changing inventions. In this enlightening book, Gene Barretta enters the laboratories of one of America's most important inventors.

Author : William Kennedy-Laurie Dickson
Publisher : The Museum of Modern Art
Page : 68 pages
File Size : 16,54 MB
Release : 2000
Category : Performing Arts
ISBN : 9780870700385

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This text is a facsimile edition of the first history of the cinema by W.K.L. Dickson and Antonia Dickson. The book was first published in 1895 when practical moving pictures were only two years old.

Author : Charles Musser
Publisher : La Cineteca del Friuli
Page : 719 pages
File Size : 27,22 MB
Release : 1997
Category : Performing Arts
ISBN : 9788886155076

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In this first systematic treatment of Thomas A. Edision's fictional and documentary film output during the 1890s, Charles Musser provides production specifications, Edison company summaries, newspaper accounts, frame enlargements, and other documentation.

Author : H. Mario Raimondo-Souto
Publisher : McFarland
Page : 381 pages
File Size : 23,86 MB
Release : 2014-11-18
Category : Performing Arts
ISBN : 0786484071

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In 1891, William Dickson, a researcher at Thomas Edison's firm, developed the Kinetograph, a motion picture camera that used Eastman Kodak's new celluloid film. Almost immediately, an industry was born. The new artistic and technical discipline of motion picture photography matured as the film industry grew. From the beginnings of the movie camera, developments in film production and exhibition have been inextricably linked to the evolution of motion picture photography. This work traces the history of motion picture photography from the late 19th century through the year 1960, when color photography became the accepted standard. Generously illustrated, it covers each decade's cameras, lenses, cameramen, film processing methods, formats, studios, lighting techniques and major cinematographic developments. Each chapter concludes with examples of the decade's outstanding cinematography. Instructors considering this book for use in a course may request an examination copy here.