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The first quarter of this book collects the work-storyboards, scripts, character designs, etc.-that Shaw has created for "The Unclothed Man in the 35th Century A.D." animated series that aired on IFC. The latter three-quarters will collect his acclaimed short stories from MOME, as well as several little-seen stories from elsewhere, and a new 20-page story.
Bottomless Belly Button is a comedy-drama that follows the dysfunctional adventures of the Loony Family. After 40-some years of marriage, Maggie and David Loony shock their children with their announcement of a planned divorce. But the reason for splitting isn't itself shocking: they're "just not in love any more." The announcement sparks a week long Loony family reunion at Maggie and David's creepy (and possibly haunted) beach house. The eldest child, Dennis, struggles with his parents' decision while facing difficulties of his own in his recent marriage. Believing that his parents are hiding the true reasons behind their estrangement, Dennis embarks on a quest to discover the truth and searches through clues, trap doors, and secret tunnels in attempt to find an answer. Claire, the middle child, is a single mother whose 16-year-old daughter, Jill, is apathetic to the divorce but confounded by Claire and troubled by her own "mannish" appearance. The youngest child, Peter, is a hack filmmaker suffering from paralyzing insecurities who establishes an unorthodox romance with a mysterious day care counselor at the beach. In a six-day period rich with atmospheric sequences, these characters stumble blindly around one another, often ignoring their surroundings and consumed by their own daily conflicts. Visually, Shaw employs a leisurely storytelling pace that allows room for exploring the interconnecting relationships among the characters and plays to his strength as a cartoonist -- small gestural details and nuanced expressions that bring the characters to vivid and intimate life.
In this brand new graphic novel from the acclaimed author of Bottomless Belly Button and BodyWorld, Dash Shaw dramatizes the story of a boy moving to an exotic country and his infatuation with an unfamiliar culture that quickly shifts to disillusionment. A sense of “being different” grows to alienation, until he angrily blames this once-enchanting land for his feelings of isolation. All of this is told through the fantastical eyes of young Danny, a boy growing up in the ’90s fed on dramatic adventure stories likeJurassic Park and X-Men. Danny’s older brother, Luke, travels to a remote island to teach English to the employees of ClockWorld, an ambitious new amusement park that recreates historical events. When Luke doesn’t return after two years, Danny travels to ClockWorld to convince Luke to return to America. But Luke has made a new life, new family, and even a new personality for himself on ClockWorld, rendering him almost unrecognizable to his own brother. Danny comes of age as he explores the island, ClockWorld, and fights to bring his brother home. New School is unlike anything in the history of the comics medium: at once funny and deadly serious, easily readable while wildly artistic, personal and political, familiar and completely new.
As they touch down on the planet Aleph, Platoon 1 are about to put everything they’ve learned in training into practice. They are under orders to engage the enemy – the Taurans – whom none of them have ever seen before. Ready for battle, they set out across the alien world. The war is real now. They’re in it. But, like everything, the expectation and the reality are markedly different. The ideology that led them to this situation also led to decisions that none of them could have prepared themselves for – and the lucky ones who survive will never be the same again…
Marvel's critically acclaimed indie anthology returns! The best, most exciting cartoonists working today re-imagine Marvel's greatest characters in three giant-sized issues! Get excited, folks. Comics absolutely do not get more awesome than this! Don't miss out on what's guaranteed to be one of the best reads of the year!
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.
Set against the gorgeous backdrop of Rome, Tom Rachman's wry, vibrant debut follows the topsy-turvy private lives of the reporters, editors, and executives of an international English language newspaper as they struggle to keep it - and themselves - afloat. Fifty years and many changes have ensued since the paper was founded by an enigmatic millionaire, and now, amid the stained carpeting and dingy office furniture, the staff's personal dramas seem far more important than the daily headlines. Kathleen, the imperious editor in chief, is smarting from a betrayal in her open marriage; Arthur, the lazy obituary writer, is transformed by a personal tragedy; Abby, the embattled financial officer, discovers that her job cuts and her love life are intertwined in a most unexpected way. Out in the field, a veteran Paris freelancer goes to desperate lengths for his next byline, while the new Cairo stringer is mercilessly manipulated by an outrageous war correspondent with an outsize ego. And in the shadows is the isolated young publisher who pays more attention to his prized basset hound, Schopenhauer, than to the fate of his family's quirky newspaper. As the era of print news gives way to the Internet age and this imperfect crew stumbles toward an uncertain future, the paper's rich history is revealed, including the surprising truth about its founder's intentions. Spirited, moving, and highly original, The Imperfectionists will establish Tom Rachman as one of our most perceptive, assured literary talents.
This graphic novel is an ode to the defining element of fandom. It celebrates both the culture’s theatricality and D.I.Y. beauty―as well as its often-awkward conflation of fantasy with reality―in seven interconnected short stories about two young women. Cosplayers is an affectionate, funny book about how fandom can be much more inclusive and humanistic than the stories and characters it's built upon.
A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.