[PDF] The Social Cultural And Spiritual Dimensions Of Modern Indian Poetry In English eBook
The Social Cultural And Spiritual Dimensions Of Modern Indian Poetry In English Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Social Cultural And Spiritual Dimensions Of Modern Indian Poetry In English book. This book definitely worth reading, it is an incredibly well-written.
This volume brings together research papers on the poetry of modern Indian poets, particularly those whose poetry is less explored. It is well known that post-Independence India has produced many brilliant writers whose writings have their own importance in the field of Indian English literature. These writers have brought new themes and new styles of writing that have enriched Indian English literature to a greater extent. The book explores the social, cultural and spiritual dimensions of these emerging poets, and will prove useful to students, teachers and all those interested in Indian English poetry for studies and research purposes.
This book redefines modern Indian literature from a cosmopolitan comparative perspective inclusive of literature in English from India and the diaspora, in native languages, and works by non-Indians. It shows how, since the mid-19th century, Indian literary modernity pursued the conjunction of the sensuous and ethical/spiritual that characterized its three traditions (Sanskritik, Persian, and folk culture) while the encounter, both receptive and oppositional, with “the West” vastly expanded the Indian literary sphere. Aesthetics and ethics are not antithetical in the Indian cultural space, but the quest for an exclusive Indian identity versus universalist approaches offsets concerns for social justice as well as enjoyable embodied communication. The literary constellation, in many languages, now formed in and around India can be better apprehended as a virtual Cosmopolis, a commonwealth of elaborate emotions. The versatile figure of Hanuman metaphorically flies across this Ocean of Stories to make us discover new worlds of experience.
This anthology of essays maps the divergent issues that have become relevant in contemporary Indian English poetry and drama. By providing a clear idea about the new themes, techniques and methods used by the Indian English poets and playwrights to address the issues emerging in the changing socio-cultural scenario, particularly during the post-globalization period, the essays offer insightful observations on canon formation and its reception. It is high time to consider afresh whether the canons of Indian English poetry and drama have widened their scope to include innovative forms of writing or whether they have evolved significantly to generate novel perspectives. These questions, which are linked with the issue of canon formation and its reception are intricately woven into the fabric of these essays. This anthology will respond to the scholarly interests of inquisitive students, research scholars and academics in the field of Indian English literature.
This comprehensive study of modern Indian poetry in English, the first of its kind, combines sophisticated literary analysis with sociological argument to assess contemporary Indian literary life and work. The book begins with a history of the most important poets, books, journals, and publishing circles and then moves on to analyze the social basis of Indian English-language poetry, its readership, and the literary marketplace. After discussing the formation of an Indian literary canon and its best-known poems, King examines criteria influencing the judgment of English-language verse in India and introduces the major poets and their thematic concerns. The book also includes chapters on the influence of Nissim Ezekiel, the work of younger poets and women, bilingualism, and experimentalism, and concludes with a detailed chronology.
The Present Book Is A Detailed Exposition Of The Multiple Dimensions Of Creativity In Men And Women Vis-À-Vis The Difference Of Sexuality And Gender As Mirrored In Their Texts. This Innovative And Perceptive Study Confronts The Essentialist Biodeterministic Standpoint That Men And Women Are Out And Out Different, Dissimilar And Divergent. By Discussing The Texts Of The Post-Independence Men And Women Poets Of India And Drawing Comparisons Between Them, It Asserts That, Despite Certain Biological Differences, Men And Women Are Similar In Many Ways. By Employing Theoretical Approaches Based On Psychoanalysis, Linguistics, Poetics, Reader-Responses And Cultural And Gender Studies, The Book Expounds That Gender Or Sexuality Can Make Some Difference To The Aesthetic But It Cannot Solely Determine The Content. The Social, Cultural And Political Milieu Of The Day Plays A Crucial Role In Deciding The Content And Object Of Writing, Besides Conditioning The Psyche And Thought Process Of The Author, More Than Gender Or Sexual Difference Does. This Study Provides New Insights Into The Varied Aspects Of Man-Woman Relationship, The Nitty-Gritty Of Different Family Relations, The Milieu, Human Correlation With Nature, And Metaphysical Questionings Of Life, Death, God And Human Existence, Besides Analyzing The Influence Of Gender And Sexual Difference On Poetic Craft, Particularly On Language, Style And Technique.It Analyses The Poems Of Over Twelve Major Indian Men And Women Poets And Compares Them In Terms Of Diverse Themes, Diction And Idiom, And With Particular Focus On The Workings Of Gender And Sexual Difference. The Major Poets Discussed Are Nissim Ezekiel, A.K. Ramanujan, Keki N. Daruwalla, Shiv K. Kumar And Jayanta Mahapatra Among Men And Monika Varma, Kamala Das, Gauri Deshpande, Sunita Jain, Suniti Namjoshi, Mamta Kalia And Eunice De Souza Among Women.Since These Authors Are Prescribed In The English Syllabi In The Universities Of India, This Study Will Be Extremely Useful To The Students And Teachers. The General Readers Who Are Interested In Indian Literature In English Will Find It Interesting And Informative.
This Anthology Of Papers Presented At A Seminar Organised By The Sahitya Akademi In March 1988, Takes Stock Of The Indian Poetry Of The Five Decades After Independence, Raises Basic Conceptual Questions, Examines Paradigm Shifts And Interrogates The Established Canons By Foregrounding Marginalised Voices. The Papers Examine The Growth Of Modern Sensibility In Indian Poetry In Specific Linguistic Contexts, Relates It To General Cultural Issues And Examines Post-Colonial Avant-Grade Trends Including The Feminist And The Dalit Movements. The Papers Are Collected Under Three Heads: ýModernism In Retrospectý Examines The Historical, Political And Aesthetic Aspects Of Modernism;ýAfter Modernism: Articulating Resistanceý Takes A Close Look At The Alternative Trends That Challenge The Status-Quoist Mainstream Poetry;ýPoetry As Discourse: Some General Issuesý Takes Up Some General Issues Concerning The Present And Future Of Poetry, Including The Problems Of The Translation Of Poetry. K. Satchidanandan Who Has Edited This Volume Is A Pioneer Of Modern Poetry And Criticism In Malayalam With 18 Collections Of Poetry, Two Plays, 15 Collections Of Critical Articles And Interviews And 15 Collections Of Translated Poetry.. He Now Heads The Sahitya Akademi, The Indian National Academy Of Letters