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In The Scar of Visibility, Petra Kuppers examines the use of medical imagery practices in contemporary art, as well as different arts of everyday life. Among the works she investigates are the controversial Body Worlds exhibition of plastinized corpses, films like David Cronenbergs Crash that fetishize body wounds, representations of the AIDS virus on CSI: Crime Scene Investigations, and the paintings of outsider artist Martin Ram'rez.
Modeling a disability culture perspective on performance practice toward socially just futures In Eco Soma, Petra Kuppers asks readers to be alert to their own embodied responses to art practice and to pay attention to themselves as active participants in a shared sociocultural world. Reading contemporary performance encounters and artful engagements, this book models a disability culture sensitivity to living in a shared world, oriented toward more socially just futures. Eco soma methods mix and merge realities on the edges of lived experience and site-specific performance. Kuppers invites us to become moths, sprout gills, listen to our heart’s drum, and take starships into crip time. And fantasy is central to these engagements: feeling/sensing monsters, catastrophes, golden lines, heartbeats, injured sharks, dotted salamanders, kissing mammoths, and more. Kuppers illuminates ecopoetic disability culture perspectives, contending that disabled people and their co-conspirators make art to live in a changing world, in contact with feminist, queer, trans, racialized, and Indigenous art projects. By offering new ways to think, frame, and feel “environments,” Kuppers focuses on art-based methods of envisioning change and argues that disability can offer imaginative ways toward living well and with agency in change, unrest, and challenge. Traditional somatics teach us how to fine-tune our introspective senses and to open up the world of our own bodies, while eco soma methods extend that attention toward the creative possibilities of the reach between self, others, and the land. Eco Soma proposes an art/life method of sensory tuning to the inside and the outside simultaneously, a method that allows for a wider opening toward ethical cohabitation with human and more-than-human others.
Liposuction is a procedure in cosmetic surgery that breaks up excess body fat, which is then removed through a cannula inserted under the skin. Atlas of Liposuction is a comprehensive guide to the current techniques for liposuction. Beginning with an introduction to the history and set up of the procedure, the following chapters discuss liposuction in different parts of the body and post-operative management. Each procedure is described in a step by step manner, detailing incisions, positions, instruments, anaesthesia, preoperative care and the actual operative technique. Written by highly experienced plastic surgeons from California, this exhaustive atlas features nearly 740 full colour photographs and illustrations showing actual clinical cases. Key points Comprehensive atlas of liposuction Covers step by step procedures in all parts of the body Features nearly 740 full colour photographs and illustrations of clinical cases Written by highly experienced plastic surgeons based in California
Since the 1960s, Nuyorican poets have explored and performed Puerto Rican identity both on and off the page. Emerging within and alongside the civil rights movements of the 1960s, the foundational Nuyorican writers sought to counter the ethnic/racial and institutional invisibility of New York City Puerto Ricans by documenting the reality of their communities in innovative and sometimes challenging ways. Since then, Nuyorican poetry has entered the U.S. Latino literary canon and has gained prominence in light of the spoken-word revival of the past two decades, a movement spearheaded by the Nuyorican Poetry Slams of the 1990s. Today, Nuyorican poetry engages with contemporary social issues such as the commodification of the body, the institutionalization of poetry, the gentrification of the barrio, and the national and global marketing of identity. What has not changed is a continued shared investment in a poetics that links the written word and the performing body. The first book-length study specifically devoted to Nuyorican poetry, In Visible Movement is unique in its historical and formal breadth, ranging from the foundational poets of the 1960s and 1970s to a variety of contemporary poets emerging in and around the Nuyorican Poets Cafe “slam” scene of the 1990s and early 2000s. It also unearths a largely unknown corpus of poetry performances, reading over forty years of Nuyorican poetry at the intersection of the printed and performed word, underscoring the poetry’s links to vernacular and Afro-Puerto Rican performance cultures, from the island’s oral poets to the New York sounds and rhythms of Latin boogaloo, salsa, and hip-hop. With depth and insight, Urayoán Noel analyzes various canonical Nuyorican poems by poets such as Pedro Pietri, Victor Hernández Cruz, Miguel Algarín, Miguel Piñero, Sandra María Esteves, and Tato Laviera. He discusses historically overlooked poets such as Lorraine Sutton, innovative poets typically read outside the Nuyorican tradition such as Frank Lima and Edwin Torres, and a younger generation of Nuyorican-identified poets including Willie Perdomo, María Teresa Mariposa Fernández, and Emanuel Xavier, whose work has received only limited critical consideration. The result is a stunning reflection of how New York Puerto Rican poets have addressed the complexity of identity amid diaspora for over forty years.
Cover -- Title -- Copyright -- Dedication -- Contents -- List of figures -- Permissions -- Preface: A note to readers -- Acknowledgments -- Introduction -- 1 Migraine as invisible disability -- 2 A history of pediatric pain and the politics of pill culture -- 3 Materia medica and literary migraine -- 4 Testifying against trigemony -- 5 Visibility machines and pain proxies -- Conclusion: Animality, empathy, and interdependence -- Afterword: Scars (a migraine diary) -- Appendix -- Works cited -- Index
Author : Michael M. Pavletic Publisher : John Wiley & Sons Page : 880 pages File Size : 25,77 MB Release : 2018-05-01 Category : Medical ISBN : 1119267501
A one-stop reference for the surgical treatment of wounds in small animal patients Wound management and reconstructive surgery are among the most challenging and innovative subspecialties of veterinary surgery for the management of traumatic injuries and neoplastic conditions commonly encountered in small animals. Atlas of Small Animal Wound Management and Reconstructive Surgery, Fourth Edition presents detailed procedures for surgical reconstruction and essential information on the principles of wound healing and wound management for dogs and cats. Coverage encompasses the pathophysiology and management of the wide variety of wounds encountered in small animal practice and the most current reconstructive techniques for closing the most challenging defects. This updated edition is presented with additional full color images and now includes color in each illustration, to enhance the reader’s understanding of each subject and successful execution of the surgical techniques covered. It imparts new and updated information on a wide variety of topics, including skin and muscle flap techniques, skin fold disorders, facial and nasal reconstructive surgery, foot pad surgery, urogenital reconstructive surgery, and includes a new chapter on reconstructive surgery of the pinna. Provides a key reference for general practitioners, surgeons, surgical residents, veterinary students, and small animal technicians in a single source Discusses current and new wound management and reconstructive surgical techniques for all body regions, including the face, ear, mouth, eye, nose, trunk, external genitalia, and foot Contains 35 brand-new plate illustrations, updated and enhanced color plate illustrations and drawings, and additional clinical photographs throughout Features a new chapter dedicated to the surgical management of pinnal injuries and disorders, including new reconstructive surgical options developed by the author Includes information boxes to emphasize important points and the author’s personal observations, drawing on more than forty years of surgical experience Atlas of Small Animal Wound Management and Reconstructive Surgery, Fourth Edition is a valuable one-stop reference for veterinary surgeons, residents, and small animal practitioners.
The two volume set LNCS 7431 and 7432 constitutes the refereed proceedings of the 8th International Symposium on Visual Computing, ISVC 2012, held in Rethymnon, Crete, Greece, in July 2012. The 68 revised full papers and 35 poster papers presented together with 45 special track papers were carefully reviewed and selected from more than 200 submissions. The papers are organized in topical sections: Part I (LNCS 7431) comprises computational bioimaging; computer graphics; calibration and 3D vision; object recognition; illumination, modeling, and segmentation; visualization; 3D mapping, modeling and surface reconstruction; motion and tracking; optimization for vision, graphics, and medical imaging, HCI and recognition. Part II (LNCS 7432) comprises topics such as unconstrained biometrics: advances and trends; intelligent environments: algorithms and applications; applications; virtual reality; face processing and recognition.
International Relations has traditionally focused on conflict and war, but the effects of violence including dead bodies and memorialization practices have largely been considered beyond the purview of the field. Drawing on Jacques Derrida’s notion of hauntology to consider the politics of life and death, Auchter traces the story of how life and death and a clear division between the two is summoned in the project of statecraft. She argues that by letting ourselves be haunted, or looking for ghosts, it is possible to trace how statecraft relies on the construction of such a dichotomy. Three empirical cases offer fertile ground for complicating the picture often painted of memorialization: Rwandan genocide memorials, the underexplored case of undocumented immigrants who die crossing the US-Mexico border, and the body/ruins nexus in 9/11 memorialization. Focusing on the role of dead bodies and the construction of particular spaces as the appropriate sites for memory to be situated, it offers an alternative take on the new materialisms movement in international relations by asking after the questions that arise from an ethnographic approach to the subject: viewing things from the perspective of dead bodies, who occupy the shadowy world of post-conflict international politics. This work will be of great interest to students and scholars of critical international relations, security studies, statecraft and memory studies.