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This book analyses the teen film as the rare medium able to represent the otherwise chaotic and conflicting experience of youth. The author focuses on six major issues: alienation, deviance and delinquency, sex and gender, the politics of consumption, the apolitics of youth(ful) rebellion, and regression into nostalgia. Despite the many differences within the genre, this book sees all teen films as focused on a single social concern: the breakdown of traditional forms of authority – school, church, family. Working with the theories of such diverse scholars as Kenneth Keniston, Bruno Bettelheim, Erik Erikson, Theodor Adorno, Simon Frith, and Dick Hebdige, the author draws an innovative and flexible model of a cultural history of youth. Originally published in 1992.
Malicious Destruction of Property. Two counts of breaking and entering. Two counts of possession of a controlled dangerous substance. Four counts of assault. Three counts of illegal gambling. Three years served in Orleans Parish Prison. Tommy 'Havoc' Kendrick's rap sheet reads like a recipe for disaster: one part mayhem to three parts chaos. There's no arguing the matter; he's a bad guy, or at least he used to be. For the past five years, Tommy's been on the straight and narrow, keeping his head down and staying out of trouble. He left the French Quarter behind, along with the New Orleans crime syndicates and underground fights that used to pay his bills. Trading in the high-octane thrill of earning money with his fists to work in an auto mechanic's was hard, and yet somehow, despite everything, he's made it work. Until now. Tommy hadn't planned on seeing his brother again. When David Kendrick turns up on his doorstep with a bag full of money and four broken ribs, Tommy finds himself heading back to the place he swore he'd never return. Back to the fights. Back to the drinking, the drugs, and the women. Back to a life he thought he'd left behind for good. Nikita Moreau has lived in New Orleans all her life. She learned to drive there, lost her virginity there, bought her first house there, and she's damned if she isn't going to die there, too. As a prison psychologist at one of the country's most dangerous facilities, she runs the risk of dying in the state of Louisiana on a daily basis, and yet she wouldn't give it up for the world. There's nothing more satisfying than helping those everyone else has given up on. Nothing more rewarding than fixing something everyone said was broken. The day she meets Tommy Kendrick, however, she learns a painful lesson: sometimes a person is too broken to be fixed. Sometimes a person is beyond reach and cannot be saved. The tall, dark and handsome, tattoo-covered devil is danger personified. She knows this. She knows he's bad news. So then why can't she stop thinking about him? Why can't she stay away from him? And, most importantly, why won't she save herself?
The bestselling author of The Death of Money and Currency Wars reveals the global elites' dark effort to hide a coming catastrophe from investors in The Road to Ruin, now a National Bestseller. A drumbeat is sounding among the global elites. The signs of a worldwide financial meltdown are unmistakable. This time, the elites have an audacious plan to protect themselves from the fallout: hoarding cash now and locking down the global financial system when a crisis hits. Since 2014, international monetary agencies have been issuing warnings to a small group of finance ministers, banks, and private equity funds: the U.S. government’s cowardly choices not to prosecute J.P. Morgan and its ilk, and to bloat the economy with a $4 trillion injection of easy credit, are driving us headlong toward a cliff. As Rickards shows in this frightening, meticulously researched book, governments around the world have no compunction about conspiring against their citizens. They will have stockpiled hard assets when stock exchanges are closed, ATMs shut down, money market funds frozen, asset managers instructed not to sell securities, negative interest rates imposed, and cash withdrawals denied. If you want to plan for the risks ahead, you will need Rickards’s cutting-edge synthesis of behavioral economics, history, and complexity theory. It’s a guidebook to thinking smarter, acting faster, and living with the comforting knowledge that your wealth is secure. The global elites don’t want this book to exist. Their plan to herd us like sheep to the slaughter when a global crisis erupts—and, of course, to maintain their wealth—works only if we remain complacent and unaware. Thanks to The Road to Ruin, we don’t need to be. "If you are curious about what the financial Götterdämmerung might look like you’ve certainly come to the right place... Rickards believes -- and provides tantalizing snippets of private conversations with those who dwell in the very eye-in-the-pyramid -- that the current world monetary and financial system is on the verge of insolvency and that the world financial elites already have a successor system for which they are laying the groundwork." --Ralph Benko, Forbes
When scandal surpasses discretion... James Trelissick, Marquis of Lasterton, will do anything to free his mother and sister from a notorious pirate. Their disappearance threatens his sister’s reputation and future. Desperate after months of fruitless searching, he disguises himself as a servant for the pirate’s daughter and kidnaps her, intending to exchange the hoyden for his beloved family. Daniella Germaine’s only wish is to be back on the deck of her father’s pirate ship, the wind in her hair and adventure on the horizon. But her father foisted her off on her brother to join London’s marriage market and find a husband. To prove herself unmarriageable, Daniella hurls herself into scandal after scandal only to be ‘rescued’ by her handsome but disapproving coachman who takes his protection duties far too seriously for her agenda. When the rescue turns into a hostage swap, Daniella finds herself knee-deep in intrigue and adventure that could prove as deadly to her heart as it is to her life.
A breathtaking novel of secrets, lies, and survival in post-World War II Germany, where alliances may not be what they seem. August 1945. As Stefano, an Italian POW, heads toward home across war-ravaged Germany, he encounters a young child beside his dead mother. Unable to leave him to an unknown fate, Stefano takes the boy with him, finding refuge in a seemingly abandoned house in a secluded woodland. But the house is far from vacant. Stefano wakes at the arrival of its owner, Erich, a former German soldier, who invites the travelers to stay until they can find safe passage home. Stefano cautiously agrees, intrigued by the disarming German, his reclusive neighbor Rosalind, and her traumatized husband, Georg. Stefano is also drawn to Monique, the girl in a photograph on Rosalind's wall, who went missing during the war. But when he discovers letters written by Monique, a darker truth emerges. This place of refuge could be one of reckoning, and the secrets of the past might prevent the travelers from ever getting home.
This book analyses the teen film as the rare medium able to represent the otherwise chaotic and conflicting experience of youth. The author focuses on six major issues: alienation, deviance and delinquency, sex and gender, the politics of consumption, the apolitics of youth(ful) rebellion, and regression into nostalgia. Despite the many differences within the genre, this book sees all teen films as focused on a single social concern: the breakdown of traditional forms of authority – school, church, family. Working with the theories of such diverse scholars as Kenneth Keniston, Bruno Bettelheim, Erik Erikson, Theodor Adorno, Simon Frith, and Dick Hebdige, the author draws an innovative and flexible model of a cultural history of youth. Originally published in 1992.
The Bourne Matrimonial Agency has one rule: Never fall in love with a client, which shouldn't be a problem when one’s faking an engagement to the rogue across the street . . . Ainsley Bourne needs the family business to succeed. But one obstacle stands in her way—Reed Sterling, the huge, handsome, former prize fighter and owner of the gaming hell across the street. His scandalous customers scare off all her marriage-minded patrons and since the devilish brute has no intention of relocating, she sets out to ruin his unsavory establishment. Yet when a vile suitor from her past reappears, Ainsley hastily claims an attachment to the first man who comes to mind . . . Mr. Sterling, to be exact. Reed doesn’t know who is more surprised by Miss Bourne’s declaration. She clearly hates him, and he’d never admit their arguments simmer with unrequited attraction. Something about the pleading look in her eyes calls to Reed, and against his better judgment, he quickly plays the part of the besotted fiancé. Pretending to be in love requires a convincing charade. But with each tantalizing touch and every scandalous kiss, Ainsley starts to wonder if Reed was ever really the enemy at all.
Justice will be swirled by amateur sleuth Riley Rhodes in the first in Meri Allen's brand-new mystery series, The Rocky Road to Ruin! Riley Rhodes, travel food blogger and librarian at the CIA, makes a bittersweet return to her childhood home of Penniman, Connecticut – land of dairy farms and covered bridges - for a funeral. Despite the circumstances, Riley’s trip home is sprinkled with reunions with old friends, visits to her father’s cozy bookshop on the town green, and joyful hours behind the counter at the beloved Udderly Delicious Ice Cream Shop. It feels like a time to help her friend Caroline rebuild after her mother’s death, and for Riley to do a bit of her own reflecting after a botched undercover mission in Italy. After all, it’s always good to be home. But Caroline and her brother Mike have to decide what to do with the assets they’ve inherited – the ice cream shop as well as the farm they grew up on – and they’ve never seen eye to eye. Trouble begins to swirl as Riley is spooked by reports of a stranger camping behind the farm and by the odd behavior of the shop’s mascot, Caroline’s snooty Persian, Sprinkles. When Mike turns up dead in the barn the morning after the funeral, the peace and quiet of Penniman seems upended for good. Can Riley find the killer before another body gets scooped?
This compelling study places 'Back to the Future' in the context of Reaganite America, discusses Robert Zemeckis's film-making technique and its relationship to the 'New New Hollywood', explores the film's attitudes to teen culture of the 1950s and 1980s and its representation of science, atomic power and time travel.