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THE STORY: David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their tenuous relationship develops, she reveals details about her complicated post-war past that test their ideas of what it means to be a family.
First published in 1988. The focus of this title, the nature and character of the Israeli political Right, gained intensive interest immediately after the Israeli elections of 1977. The author discusses this shift of political power from the Left to the Right as a profound political upheaval and discusses this alongside the prior Labour hegemony of the Yishuv. This book is separated into four parts: The territory and organisation of the right; The intellectual foundation of the right; Ideology, programme and political methods and Contradictory images.
Reworking the Ballet illuminates the choreographic praxis, the context and the politics of reworkings in the light of counter-canonical discourses as developed within feminism, queer theory and postcolonialism.
The New Labour project was not conjured up out of thin air — it only looks that way because of the party's amnesia about the intellectual roots and political traditions which have guided it. This book provides extracts from fifteen thinkers and politicians located within the revisionist tradition as an antidote to that amnesia. It is an 'all star cast' from R.H. Tawney, Hugh Gaitskell and Anthony Crosland to Roy Hattersley, Gordon Brown and Tony Blair. The collection demonstrates that Labour's revisionism is not a rigid body of doctrine but a 'cast of mind' that distinguishes between core values (ends) and policy instruments (means) — revisionist thinkers are engaged in the continuous pursuit of policy innovation, never shrinking from abandoning policies that fail to achieve the desired ends. All successful Labour governments have been determined to avoid the confusion of means and ends. These essays show a determination throughout the party's history to debate and discuss political ideas in the cause of a fairer, more equal society. Fully updated and revised edition.
A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.
In this volume an attempt is made to tackle Hellenism as a global and transcultural entity. Through an array of essays, this book constitutes a comparative study of various literary, cultural and artistic trends as these develop throughout the course of the eighteenth, nineteenth and twentieth centuries on both sides of the Atlantic. Having been designed with the general as well as the specialized reader in mind, this book will prove to be a valuable guide to scholars, undergraduate and postgraduate students as well as to a broad spectrum of readers with an interest in comparative literature, cultural history, history of the classical heritage, transatlantic studies, English and American romantic, modernist and postmodernist narratives. Its diverse material falls under the umbrella terms of “English Hellenisms” and “American Hellenisms” with the intention of enhancing intercultural dialogue and understanding. By embracing multivocality, as proven by the number of articles it contains, this book proves the tenacity, diachronic and intercontinental appeal of Hellenism at the era of multiculturalism and globalization.
This volume brings together some of the most distinguished historians from Ireland to offer their own interpretations of key issues and events in Irish history.