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Poetics of Emptiness

Author : Jonathan Stalling
Publisher : Fordham Univ Press
Page : 292 pages
File Size : 39,8 MB
Release : 2011-10-03
Category : Literary Criticism
ISBN : 0823231461

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The Poetics of Emptiness uncovers an important untold history by tracing the historically specific, intertextual pathways of a single, if polyvalent, philosophical term, emptiness, as it is transformed within twentieth-century American poetry and poetics. This conceptual migration is detailed in two sections. The first focuses on "transpacific Buddhist poetics," while the second maps the less well-known terrain of "transpacific Daoist poetics." In Chapters 1 and 2, the author explores Ernest Fenollosa's "The Chinese Written Character as a Medium for Poetry" as an expression of Fenollosa's distinctly Buddhist poetics informed by a two-decade-long encounter with a culturally hybrid form of Buddhism known as Shin Bukkyo ("New Buddhism"). Chapter 2 explores the classical Chinese poetics that undergirds the lost half of Fenellosa's essay. Chapter 3 concludes the first half of the book with an exploration of the didactic and soteriological function of "emptiness" in Gary Snyder's influential poetry and poetics. The second half begins with a critical exploration of the three-decades-long career of the poet/translator/critic Wai-lim Yip, whose "transpacific Daoist poetics" has been an important fixture in American poetic late modernism and has begun to gain wider notoriety in China. The last chapter engages the intertextual weave of poststructural thought and Daoist and shamanistic discourses in Theresa Hak Kyung Cha's important body of heterocultural productions. By formulating interpretive frames as hybrid as the texts being read, this book makes available one of the most important yet still largely unknown stories of American poetry and poetics.

Emptiness and Temporality

Author :
Publisher : Stanford University Press
Page : 225 pages
File Size : 28,67 MB
Release : 2008
Category : Literary Criticism
ISBN : 0804779406

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This is an account of classical Japanese poetics based on the two concepts of emptiness (ku) and temporality (mujo) that ground the medieval practice and understanding of poetry.

Poetics of Emptiness

Author : Jonathan Stalling
Publisher :
Page : 258 pages
File Size : 21,97 MB
Release : 2006
Category : American poetry
ISBN :

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The Chinese Written Character as a Medium for Poetry

Author : Ernest Fenollosa
Publisher : Fordham Univ Press
Page : 240 pages
File Size : 14,80 MB
Release : 2009-08-25
Category : Literary Collections
ISBN : 0823228703

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First published in 1919 by Ezra Pound, Ernest Fenollosa’s essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics. As edited by Pound, it presents a powerful conception of language that continues to shape our poetic and stylistic preferences: the idea that poems consist primarily of images; the idea that the sentence form with active verb mirrors relations of natural force. But previous editions of the essay represent Pound’s understanding—it is fair to say, his appropriation—of the text. Fenollosa’s manuscripts, in the Beinecke Library of Yale University, allow us to see this essay in a different light, as a document of early, sustained cultural interchange between North America and East Asia. Pound’s editing of the essay obscured two important features, here restored to view: Fenollosa’s encounter with Tendai Buddhism and Buddhist ontology, and his concern with the dimension of sound in Chinese poetry. This book is the definitive critical edition of Fenollosa’s important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound’s deletions, insertions, and alterations to Fenollosa’s sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor. Earlier drafts and related talks reveal the developmentof Fenollosa’s ideas about culture, poetry, and translation. Copious multilingual annotation is an important feature of the edition. This masterfully edited book will be an essential resource for scholars and poets and a starting point for a renewed discussion of the multiple sources of American modernist poetry.

Sinophonic English Poetry and Poetics

Author : Jonathan Stalling
Publisher : Counterpath Press
Page : 103 pages
File Size : 47,88 MB
Release : 2011
Category : Poetry
ISBN : 1933996234

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Poetry. Asian & Asian American Studies. Music. The nearly supernatural nature of this groundbreaking work can be glimpsed in the book's title: YÍNGĒLÌSHI (Chanted Songs, Beautiful Poetry): SINOPHONIC ENGLISH POETRY AND POETICS. When read aloud, YÍNGĒLÌSHI (pronounced yeen guh lee shr) sounds like an accented pronunciation of the word "English," while the Chinese reader sees the Chinese characters for "chanted songs, beautiful poetry." Stalling coined this term (and "Sinophonic English") to give a positive name to an increasingly widespread variation of English created by combining the two dominant languages of globalization (Mandarin Chinese and English). With over 350 million English speakers in China (more than there are Americans alive) many of whom speak English by recombining existing Chinese sounds into English words and sentences, this new hybrid language is already overwhelmingly present, yet its aesthetic potential has not yet been explored. Stalling's book complicates any easy dismissal of so-called Chinglish by creating a genuinely uncanny poetry written entirely in Sinophonic English. Stalling rewrites a common English phrasebook into hauntingly beautiful Chinese poetry (which is all translated into English) that when sung, becomes an uncannily accented libretto, a story of a Chinese tourist's one-way journey into this interstitial language and its sonorous, if disastrous, consequences.

Make It the Same

Author : Jacob Edmond
Publisher : Columbia University Press
Page : 393 pages
File Size : 45,94 MB
Release : 2019-07-30
Category : Literary Criticism
ISBN : 0231548672

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The world is full of copies. This proliferation includes not just the copying that occurs online and the replication enabled by globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature. Make It the Same explores how poetry—an art form associated with the singular, inimitable utterance—is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures and languages, reading across aesthetic, linguistic, geopolitical, and technological divides. He illuminates the common form that unites a diverse range of writers from dub poets in the Caribbean to digital parodists in China, samizdat wordsmiths in Russia to Twitter-trolling provocateurs in the United States, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Yang Lian, John Cayley, Caroline Bergvall, M. NourbeSe Philip, Kenneth Goldsmith, Vanessa Place, Christian Bök, Yi Sha, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation—as in Ezra Pound’s oft-repeated slogan “make it new”—but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change.

Experience

Author : Norman Fischer
Publisher : University of Alabama Press
Page : 348 pages
File Size : 11,59 MB
Release : 2016
Category : Literary Collections
ISBN : 0817358285

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Norman Fischer's Experience is the fruit of forty years of thinking on experimental writing and its practice, both as an investigation of reality and as a religious endeavor, by a major figure in contemporary Zen Buddhist practice and theology.

The Book of Emptiness

Author : Vasile Munteanu
Publisher : Dog Ear Publishing
Page : 110 pages
File Size : 44,14 MB
Release : 2016-09-29
Category : Poetry
ISBN : 1457550059

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The book is a collection of poems dealing with various themes, emotions and mental states, the overarching, unifying idea being release. There is positivity in emptiness leaving aside all connotations to the contrary. Emptiness may also mean letting go of past misgivings, getting rid of false images of one self and starting to understand that the act of regretting may sometimes truly be a complete waste of time. Emptiness in this sense has a freeing quality to it allowing for a chance for renewal. The poems want to touch upon some of these possibilities.