[PDF] The Jews And The Blues eBook

Author : Jeffrey Melnick
Publisher : Harvard University Press
Page : 287 pages
File Size : 31,17 MB
Release : 2001-03-16
Category : Music
ISBN : 0674040902

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All too often an incident or accident, such as the eruption in Crown Heights with its legacy of bitterness and recrimination, thrusts Black-Jewish relations into the news. A volley of discussion follows, but little in the way of progress or enlightenment results--and this is how things will remain until we radically revise the way we think about the complex interactions between African Americans and Jews. A Right to Sing the Blues offers just such a revision. Black-Jewish relations, Jeffrey Melnick argues, has mostly been a way for American Jews to talk about their ambivalent racial status, a narrative collectively constructed at critical moments, when particular conflicts demand an explanation. Remarkably flexible, this narrative can organize diffuse materials into a coherent story that has a powerful hold on our imagination. Melnick elaborates this idea through an in-depth look at Jewish songwriters, composers, and perfomers who made Black music in the first few decades of this century. He shows how Jews such as George Gershwin, Irving Berlin, Al Jolson, and others were able to portray their natural affinity for producing Black music as a product of their Jewishness while simultaneously depicting Jewishness as a stable white identity. Melnick also contends that this cultural activity competed directly with Harlem Renaissance attempts to define Blackness. Moving beyond the narrow focus of advocacy group politics, this book complicates and enriches our understanding of the cultural terrain shared by African Americans and Jews.

Author : Gadi Sagiv
Publisher : University of Pennsylvania Press
Page : 253 pages
File Size : 34,18 MB
Release : 2023-02-14
Category : History
ISBN : 1512823384

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Jewish Blues presents a broad cultural, social, and intellectual history of the color blue in Jewish life between the sixteenth and twenty-first centuries. Bridging diverse domains such as religious law, mysticism, eschatology, as well as clothing and literature, this book contends that, by way of a protracted process, the color blue has constituted a means through which Jews have understood themselves. In ancient Jewish texts, the term for blue, tekhelet, denotes a dye that serves Jewish ritual purposes. Since medieval times, however, Jews gradually ceased to use tekhelet in their ritual life. In the nineteenth century, however, interest in restoring ancient dyes increased among European scholars. In the Jewish case, rabbis and scientists attempted to reproduce the ancient tekhelet dye. The resulting dyes were gradually accepted in the ritual life of many Orthodox Jews. In addition to being a dye playing a role in Jewish ritual, blue features prominently in the Jewish mystical tradition, in Jewish magic and popular custom, and in Jewish eschatology. Blue is also representative of the Zionist movement, and it is the only chromatic color in the national flag of the State of Israel. Through the study of the changing roles and meanings attributed to the color blue in Judaism, Jewish Blues sheds new light on the power of a visual symbol in shaping the imagination of Jews throughout history. The use of the color blue continues to reflect pressing issues for Jews in our present era, as it has become a symbol of Jewish modernity.

Author : David Lehman
Publisher : Schocken
Page : 272 pages
File Size : 29,2 MB
Release : 2009-10-06
Category : Music
ISBN : 0805242716

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In A Fine Romance, David Lehman looks at the formation of the American songbook—the timeless numbers that became jazz standards, iconic love songs, and sound tracks to famous movies—and explores the extraordinary fact that this songbook was written almost exclusively by Jews. An acclaimed poet, editor, and cultural critic, David Lehman hears America singing—with a Yiddish accent. He guides us through America in the golden age of song, when “Embraceable You,” “White Christmas,” “Easter Parade,” “Bewitched, Bothered and Bewildered,” “Can’t Help Lovin’ Dat Man,” “My Romance,” “Cheek to Cheek,” “Stormy Weather,” and countless others became nothing less than the American sound track. The stories behind these songs, the shows from which many of them came, and the shows from which many of them came, and the composers and lyricists who wrote them give voice to a specifically American saga of love, longing, assimilation, and transformation. Lehman’s analytical skills, wit, and exuberance infuse this book with an energy and a tone like no other: at once sharply observant, personally searching, and attuned to the songs that all of us love. He helps us understand how natural it should be that Wizard of Oz composer Harold Arlen was the son of a cantor who incorporated “Over the Rainbow” into his Sabbath liturgy, and why Cole Porter—the rare non-Jew in this pantheon of musicians who wrote these classic songs shaped America even as America was shaping them. (Part of the Jewish Encounter series)

Author : Guy Oseary
Publisher : St. Martin's Griffin
Page : 235 pages
File Size : 20,66 MB
Release : 2016-09-27
Category : Music
ISBN : 1250138698

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Foreword by Ben Stiller Afterword by Perry Farrell Jewish achievement in the sciences? Celebrated. Jews in literature? Lionized. But until now, there's been no record of the massive contributions of Jews in Rock n' Roll. Jews Who Rock features 100 top Jewish rockers, from Bob Dylan to Adam Horowitz, Courtney Love (yes, she's half Jewish) to John Zorn, with a concise page of essential data and a biography of each one. Includes the complete lyrics to "The Chanukah Song" by Adam Sandler

Author : Michael Billig
Publisher : Syracuse University Press
Page : 204 pages
File Size : 26,75 MB
Release : 2001-05-01
Category : Music
ISBN : 9780815607052

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" Leiber and Stoller are perhaps the most celebrated (Rock'n'Roll Jews) along with Phil Spector, but there have been others who have contributed greatly. Michael Billig examines that influence through the worl of luminaries like Paul Simon, Bob Dylan, Carole King and Lou Reed." Nottingham Evening Post, From the bookjacket.

Author : John A. Williams
Publisher : Open Road Media
Page : 343 pages
File Size : 21,29 MB
Release : 2016-02-02
Category : Fiction
ISBN : 1504033051

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A black musician arrested by Nazis in 1930s Germany endures the horrors of the Dachau death camp in this harrowing novel based on historical fact A self-proclaimed “gay negro” from New Orleans, Clifford Pepperidge made his name in the smoky nightclubs of Harlem in the 1920s, playing piano alongside Bessie Smith, Duke Ellington, and other jazz greats. A decade later, he thrills crowds nightly in the cabarets of Weimar Berlin. But dark days are on the horizon as the Nazi Party rises to power. Arrested by Hitler’s Gestapo during a roundup of homosexuals, Clifford finds himself placed in “protective custody” and transported to a concentration camp. Stripped of his dignity and his identity, and plunged into a nightmare of forced labor, starvation, and abuse, he seeks escape in his music. When a camp SS officer and jazz aficionado recognizes Clifford, the gentle musician learns just how far a desperate man will go in order to survive. Shining a light on a little-known aspect of the Holocaust, Clifford’s Blues is a disturbing portrait of a dark era in world history and a poignant celebration of the resilience of the human spirit and the power of music.

Author : Anna Harwell Celenza
Publisher : Charlesbridge
Page : 34 pages
File Size : 23,3 MB
Release : 2006-07-01
Category : Juvenile Nonfiction
ISBN : 1607340372

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George Gershwin only has a few weeks to compose a concerto. His piece is supposed to exemplify American music and premiere at a concert entitled "An Experiment in Modern Music." Homesick for New York while rehearsing for a musical in Boston, he soon realizes that American music is much like its people, a great melting pot of sounds, rhythms, and harmonies. JoAnn Kitchel's illustrations capture the 1920s in all their art deco majesty.

Author : Jon Stratton
Publisher : Routledge
Page : 355 pages
File Size : 11,63 MB
Release : 2017-07-05
Category : Music
ISBN : 1351561693

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Jon Stratton provides a pioneering work on Jews as a racialized group in the popular music of America, Britain and Australia during the twentieth and early twenty-first centuries. Rather than taking a narrative, historical approach the book consists of a number of case studies, looking at the American, British and Australian music industries. Stratton's primary motivation is to uncover how the racialized positioning of Jews, which was sometimes similar but often different in each of the societies under consideration, affected the kinds of music with which Jews have become involved. Stratton explores race as a cultural construction and continues discussions undertaken in Jewish Studies concerning the racialization of the Jews and the stereotyping of Jews in order to present an in-depth and critical understanding of Jews, race and popular music.