The Historical Novels Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Historical Novels book. This book definitely worth reading, it is an incredibly well-written.
#1 New York Times Bestseller Oprah's Book Club Selection The “extraordinary . . . monumental masterpiece” (Booklist) that changed the course of Ken Follett’s already phenomenal career—and begins where its prequel, The Evening and the Morning, ended. “Follett risks all and comes out a clear winner,” extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett’s unassailable command of the written word and to his universal appeal. The Pillars of the Earth tells the story of Philip, prior of Kingsbridge, a devout and resourceful monk driven to build the greatest Gothic cathedral the world has known . . . of Tom, the mason who becomes his architect—a man divided in his soul . . . of the beautiful, elusive Lady Aliena, haunted by a secret shame . . . and of a struggle between good and evil that will turn church against state and brother against brother. A spellbinding epic tale of ambition, anarchy, and absolute power set against the sprawling medieval canvas of twelfth-century England, this is Ken Follett’s historical masterpiece.
Historical fiction is a hugely popular genre of fiction providing fictional accounts or dramatizations of historical figures or events. This latest guide in the highly successful Bloomsbury Must-Reads series depicts 100 of the finest novels published in this sector, with a further 500 recommendations. A wide range of classic works and key authors are covered: Peter Ackroyd, Margaret Attwood, Sarah Waters, Victor Hugo and Robert Louis Stevenson to name a few. If you want to expand your reading in this area, or gain a deeper understanding of the genre - this is the best place to start! Inside you'll find: - An extended Introduction to historical fiction - 100 titles highlighted A-Z by novel with 500 Read-on recommendations - Read-on-a-theme categories - Award winners and book club recommendations
A detailed study of an increasingly popular genre, this book offers readings of a group of significant and representative works, drawing on a range of interpretative strategies to examine the ways in which the contemporary historical novel engages with questions of nation and identity to illuminate Britain's post-imperial condition.
The Greatest Historical Novels & Romances of D. K. Broster is a captivating collection of works by the renowned author, D.K. Broster. These novels delve into historical settings and offer intricate character developments, highlighting Broster's unique storytelling style. The literary context of these novels showcases Broster's ability to transport readers to different time periods with vivid descriptions and engaging plots that intertwine love and history. The book is a must-read for lovers of historical fiction and romance genres, providing a rich and immersive reading experience. The depth of detail in each storyline captivates readers and keeps them eagerly turning the pages to discover what fate awaits the characters. D.K. Broster's masterful storytelling and historical accuracy make this collection a treasure trove for literature enthusiasts. With a focus on passion, intrigue, and historical accuracy, The Greatest Historical Novels & Romances of D. K. Broster is a literary gem that will surely enchant readers.
In the half century before Walter Scott's Waverley , dozens of popular novelists produced historical fictions for circulating libraries. This book examines eighty-five popular historical novels published between 1762 and 1813, looking at how the conventions of the genre developed through a process of imitation and experimentation.
DigiCat presents to you this carefully created collection of Lew Wallace's renowned historical novels, poetry and plays. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: "Ben-Hur: A Tale of the Christ" describes the adventures of Judah Ben-Hur, Jewish prince from Jerusalem who gets enslaved by the Romans. He is taken to Rome where he becomes a charioteer and a Christian. Running in parallel with Judah's narrative is the unfolding story of Jesus, who comes from the same region and is a similar age. "The Fair God: The Last of the 'Tzins" is a magnificent tale of the conflict between the Spanish Conquistadors and the Aztecs. The Cortez's conquest of Mexico is a central theme and the novel gives an account of the descent of the Aztec Empire. "The Prince of India: Why Constantinople Fell" is a tale of the Fall of Byzantine Empire, seen through the eyes of Indian Prince in service of the Turkish Sultan. "The Wooing of Malkatoon" is a narrative poem about young Othman who explores secrets of love and women. "Commodus" is a historical play about the Roman Emperor Commodus and Maternus, soldier of a daring boldness, who collected bands of robbers into a little army in order to murder Commodus and to ascend the vacant throne. Lew Wallace (1827-1905) was an American lawyer, Union general in the American Civil War, politician, diplomat and author, best known for his historical adventure story, Ben-Hur: A Tale of the Christ, a bestselling novel that has been called "the most influential Christian book of the nineteenth century." He wrote several historical novels and biographies of American generals.
The Postcolonial Historical Novel is the first systematic work to examine how the historical novel has been transformed by its appropriation in postcolonial writing. It proposes new ways to understand literary realism, and explores how the relationship between history and fiction plays out in contemporary African and Australasian writing.
Let me take you into an old-fashioned country house, built by architects of the early reign of James the First. It had all the peculiarities--I might almost say the oddities--of that particular epoch in the building art. Chimneys innumerable had it. Heaven only knows what rooms they ventilated; but their name must have been legion. The windows were not fewer in number, and much more irregular: for the chimneys were gathered together in some sort of symmetrical arrangement, while the windows were scattered all over the various faces of the building, with no apparent arrangement at all. Heaven knows, also, what rooms they lighted, or were intended to light, for they very little served the purpose, being narrow, and obstructed by the stone mullions of the Elizabethan age. Each, too, had its label of stone superincumbent, and projecting from the brick-work, which might leave the period of construction somewhat doubtful--but the gables decided the fact. They, too, were manifold; for although the house had been built all at once, it seemed, nevertheless, to have been erected in detached masses, and joined together as best the builder could; so that there were no less than six gables, turning north, south, east, and west, with four right angles, and flat walls between them. These gables were surmounted--topped, as it were, by a triangular wall, somewhat higher than the acute roof, and this wall was constructed with a row of steps, coped with freestone, on either side of the ascent, as if the architect had fancied that some man or statue would, one day or another, have to climb up to the top of the pyramid, and take his place upon the crowning stone. It was a gloomy old edifice: the bricks had become discolored; the livery of age, yellow and gray lichen, was upon it; daws hovered round the chimney tops; rooks passed cawing over it, on the way to their conventicle hard by; no swallow built under the eaves; and the trees, as if repelled by its stern, cold aspect, retreated from it on three sides, leaving it alone on its own flat ground, like a moody man amidst a gay society. On the fourth side, indeed, an avenue--that is to say, two rows of old elms--crept cautiously up to it in a winding and sinuous course, as if afraid of approaching too rapidly; and at the distance of some five or six hundred yards, clumps of old trees, beeches, and ever-green oaks, and things of sombre foliage, dotted the park, only enlivened by here and there a herd of deer. Now and then, a milk-maid, a country woman going to church or market, a peasant, or at game-keeper, might be seen traversing the dry brown expanse of grass, and but rarely deviating from a beaten path, which led from one stile over the path wall to another. It was all sombre and monotonous: the very spirit of dulness seemed to hang over it; and the clouds themselves--the rapid sportive clouds, free denizens of the sky, and playmates of the wind and sunbeam--appeared to grow dull and tardy, as they passed across the wide space open to the view, and to proceed with awe and gravity, like timid youth in the presence of stern old age.