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The Englishman’s Boy brilliantly links together Hollywood in the 1920s with one of the bloodiest, most brutal events of the nineteenth-century Canadian West – the Cypress Hills Massacre. Vanderhaeghe’s rendering of the stark, dramatic beauty of the western landscape and of Hollywood in its most extravagant era – with its visionaries, celebrities, and dreamers – provides vivid background for scenes of action, adventure, and intrigue. Richly textured, evocative of time and place, this is an unforgettable novel about power, greed, and the pull of dreams that has at its centre the haunting story of a young drifter – “the Englishman’s boy” – whose fate, ultimately, is a tragic one.
As a youth, Shorty McAdoo participated in a massacre of Indians. Fifty years later, still suffering from guilt, he is approached by a filmmaker to tell his story. A chance to make amends--or get exploited.
From the national bestselling author of The Last Crossing, a story that’s “by turns a western, a critique of Hollywood, and a novel of ideas” (The New York Times Book Review). In 1920s Hollywood, elusive producer Damon Ira Chance is obsessed with making movies rooted in American history and experience. So after discovering that small-time actor Shorty McAdoo is a real-life cowboy—and is even rumored to have played a role in the Cypress Hills Massacre—Chance commissions ambitious young screenwriter Harry Vincent to find Shorty and retell his story. But as Harry digs deeper into Shorty’s life, he uncovers a surprising tale of survival, power, greed, and the seduction of dreams . . . all with an ending that no one is prepared for. “A wonderful writer . . . The Englishman’s Boy is a great accomplishment.” —Richard Ford “An epic tale that brings together the American West before the turn of the century with the Hollywood of the 1920s.” —Los Angeles Times “Fascinating . . . Vanderhaeghe seamlessly alternates two interconnected stories. . . . Masterful storytelling.” —Entertainment Weekly “A compelling yarn that delivers provocative intellectual content about the ways our tendency to mythologize history can prevent us from learning its lessons.” —San Francisco Chronicle
Set in the second half of the nineteenth century, in the American and Canadian West and in Victorian England, The Last Crossing is a sweeping tale of interwoven lives and stories Charles and Addington Gaunt must find their brother Simon, who has gone missing in the wilds of the American West. Charles, a disillusioned artist, and Addington, a disgraced military captain, enlist the services of a guide to lead them on their journey across a difficult and unknown landscape. This is the enigmatic Jerry Potts, half Blackfoot, half Scottish, who suffers his own painful past. The party grows to include Caleb Ayto, a sycophantic American journalist, and Lucy Stoveall, a wise and beautiful woman who travels in the hope of avenging her sister’s vicious murder. Later, the group is joined by Custis Straw, a Civil War veteran searching for salvation, and Custis’s friend and protector Aloysius Dooley, a saloon-keeper. This unlikely posse becomes entangled in an unfolding drama that forces each person to come to terms with his own demons. The Last Crossing contains many haunting scenes – among them, a bear hunt at dawn, the meeting of a Métis caravan, the discovery of an Indian village decimated by smallpox, a sharpshooter’s devastating annihilation of his prey, a young boy’s last memory of his mother. Vanderhaeghe links the hallowed colleges of Oxford and the pleasure houses of London to the treacherous Montana plains; and the rough trading posts of the Canadian wilderness to the heart of Indian folklore. At the novel’s centre is an unusual and moving love story. The Last Crossing is Guy Vanderhaeghe’s most powerful novel to date. It is a novel of harshness and redemption, an epic masterpiece, rich with unforgettable characters and vividly described events, that solidifies his place as one of Canada’s premier storytellers.
A Globe and Mail Best Book of the Year: “Part Western, part historical epic, part romantic melodrama and part crime novel” (Montreal Gazette). Son of a Canadian lumber baron, Wesley Case is a former soldier who sets out into the untamed borderlands between Canada and the United States to escape a dark secret from his past. He settles in Montana, where he hopes to buy a cattle ranch, and where he begins work as a liaison between the American and Canadian militaries in an effort to contain the Native Americans’ unresolved anger in the wake of the Civil War. Amidst the brutal violence that erupts between the Sioux warriors and US forces, Case’s plan for a quiet ranch life is further compromised by an unexpected dilemma: he falls in love with the beautiful, outspoken, and recently widowed Ada Tarr. It’s a budding romance that soon inflames the jealousy of Ada’s quiet and deeply disturbed admirer—a tension that will explode just as the American government unleashes its final assault on the Indians. Following The Englishman’s Boy and The Last Crossing, this is part of the acclaimed trilogy by an author who “is often compared to Larry McMurtry, and rightfully so” (Booklist). “A love story, a thriller, a Conradian meditation on courage and manhood, and a thoughtful examination of the origins of Canada’s tangled relationship with its big southern neighbor . . . An epic that matches its grand ambitions.” —Winnipeg Free Press “One of North America’s best writers.” —Annie Proulx, New York Times–bestselling author of Barkskins
These superbly crafted stories reveal an astonishing range, with settings that vary from a farm on the Canadian prairies to Bloomsbury in London, from a high-rise apartment to a mine-shaft. Vanderhaeghe has the uncanny ability to show us the world through the eyes of an eleven-year-old boy as convincingly as he reveals it through the eyes of an old man approaching senility. Moving from the hilarious farce of teenage romance all the way to the numbing tragedy of life in a ward for incurables, these twelve stories inspire belief, admiration, and enjoyment, and come together to form a vibrant chronicle of human experience from a gifted observer of life’s joys and tribulations. This is Guy Vanderhaeghe’s brilliant first book of fiction.
NATIONAL BESTSELLER WINNER of the 2022 Glengarry Book Award The first novel in nearly a decade from the three-time Governor General's Award‒winning author of The Last Crossing, August Into Winter is an epic story of crime and retribution, of war and its long shadow, and of the redemptive possibilities of love. You carried the past into the future on your back, its knees and arms hugging you tighter with every step. It is 1939, with the world on the brink of global war, when Constable Hotchkiss confronts the spoiled, narcissistic man-child Ernie Sickert about a rash of disturbing pranks in their small prairie town. Outraged and cornered, Ernie commits an act of unspeakable violence, setting in motion a course of events that will change forever the lives of all in his wake. With Loretta Pipe—the scrappy twelve-year-old he idealizes as the love of his life—in tow, Ernie flees town. In close pursuit is Corporal Cooper, who enlists the aid of two brothers, veterans of World War One: Jack, a sensitive, spiritual man with a potential for brutal violence; and angry, impetuous Dill, still recovering from the premature death of his wife who, while on her deathbed, developed an inexplicable obsession with the then-teenaged Ernie Sickert. When a powerful storm floods the prairie roads, wreaking havoc, Ernie and Loretta take shelter in a one-room schoolhouse where they are discovered by the newly arrived teacher, Vidalia Taggart. Vidalia has her own haunted past, one that has driven her to this stark and isolated place with only the journals of her lover Dov, recently killed in the Spanish Civil War, for company. Dill, arriving at the schoolhouse on Ernie's trail, falls hard and fast for Vidalia—but questions whether he can compete with the impossible ideal of a dead man. Guy Vanderhaeghe, writing at the height of his celebrated powers, has crafted a tale of unrelenting suspense against a backdrop of great moral searching and depth. His is a canvas of lavish, indelible detail: of character, of landscape, of history—in all their searing beauty but all their ugliness, too. Vanderhaeghe does not shrink from the corruption, cruelty, and treachery that pervade the world. Yet even in his clear-eyed depiction of evil—a depiction that frequently and delightfully turns darkly comic—he will not deny the possibility of love, of light. With August Into Winter, Guy Vanderhaeghe has given us a masterfully told, masterfully timed story for our own troubled hearts.
Ed is punchy, unemployed, and on the wrong side of thirty. After his exasperated wife, Victoria, leaves him, Ed finds consolation where he has always found it, in his own rich and eccentric imagination. Pursued by the demons of his own obsession, Ed embarks on a quixotic quest to find Victoria. As he prowls the city’s parking garages and motel strips, Ed begins a journey back into his past and is forced – most reluctantly – to confront the web of lies and self-deceptions he has woven to keep reality at bay – until even his fantasies start to turn against him. Keenly observant, humane, and darkly comic, My Present Age is an irresistible story about what happens when an Everyman becomes a casualty of modern life.
While sailing in the Caribbean, young Alex Hawke witnesses an act of unspeakable horror as modern-day pirates brutally murder his parents. It is a tragedy that will haunt him forever and shape his destiny. As a direct descendant of a legandary English pirate, Lord Alexander Hawke is skilled in the ways of sea combat - and one of Britain's most decorated naval heroes. Now, Hawke returns to the Caribbean on a secret mission for the American government. A highly experimental stealth submarine is missing. She carries forty nuclear warheads, and is believed to be in the hands of an unstable government just ninety miles from the US mainland. In a race against time, Hawke must locate the sub before a strike can be launched against the US - and, after a lifetime of nightmares, finally avenge himself on the mean who slaughtered his family . . .
Set in the late nineteenth-century Canadian and American West, Guy Vanderhaeghe's bestselling and multi-award-winning epic Frontier Trilogy is now available together for the first time. The Englishman's Boy brilliantly links together Hollywood in the 1920s with one of the bloodiest, most brutal events of the nineteenth-century Canadian West--the Cypress Hills Massacre--to tell an unforgettable novel about power, greed, and the pull of dreams that has at its centre the haunting story of a young drifter--"the Englishman's boy"--whose fate, ultimately, is a tragic one. Winner of Canada Reads 2004, The Last Crossing tells the epic story of an unlikely group--including two Englishmen in search of their lost brother; their half-Blackfoot, half-Scottish guide; a Civil War veteran searching for salvation; a young woman determined to avenge her sister's brutal murder--who make the treacherous journey across the unknown landscape of the West, only to become entangled in an unfolding drama that forces each person to come to terms with his own demons. Set in the aftermath of Custer's defeat at the Battle of Little Big Horn, A Good Man weaves together the lives of a compellingly drawn cast of characters, including Wesley Case, a disgraced military officer who works as a liaison between the American and Canadian militaries in an effort to contain the Native Americans' unresolved anger in the wake of the Civil War; Ada Tarr, the beautiful, outspoken widow he has fallen in love with; and Michael Dunne, her disturbed admirer. When the American government unleashes its final assault on the Indians, Dunne commences his own vicious plan for vengeance in one last feverish attempt to claim Ada as his own.