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GK Chesterton's quiet and unassuming little priest has long since joined the pantheon of great literary detectives. Combining the shrewdness of Miss Marple, the insight of Sherlock Holmes and the intuitive knowledge of the dark side of human nature gained in the confessional, Father Brown is well equipped to uncover the startling truth whenever mystery & murder stalk society.
G. K. Chesterton’s Father Brown may seem a pleasantly doddering Roman Catholic priest, but appearances deceive. With keen observation and an unerring sense of man’s frailties–gained during his years listening to confessions–Father Brown succeeds in bringing even the most elusive criminals to justice. This definitive collection of fifteen stories, selected by the American Chesterton Society, includes such classics as “The Blue Cross,” “The Secret Garden,” and “The Paradise of Thieves.” As P. D. James writes in her Introduction, “We read the Father Brown stories for a variety pleasures, including their ingenuity, their wit and intelligence, and for the brilliance of the writing. But they provide more. Chesterton was concerned with the greatest of all problems, the vagaries of the human heart.”
Beloved clerical sleuth in roster of remarkable cases: "The Blue Cross," "The Sins of Prince Saradine," "The Sign of the Broken Sword," "The Man in the Passage," "The Perishing of the Pendragons," more.
The complete adventures of the well-loved clerical sleuth, collected in one brilliant volume. Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself. This complete edition brings together all of the Father Brown stories, including two not previously available in Penguin: 'The Donnington Affair', in which Chesterton rises to the challenge of solving a murder-mystery half written by someone else (Max Pemberton), and 'The Mask of Midas', which was found in Chesterton's papers after his death. It also includes an introduction and notes by Michael D. Hurley. G.K. Chesteron was born in 1874. He attended the Slade School of Art, where he appears to have suffered a nervous breakdown, before turning his hand to journalism. A prolific writer throughout his life, his best-known books include The Napoleon of Notting Hill (1904), The Man Who Knew Too Much(1922), The Man Who Was Thursday (1908) and the Father Brown stories. Chesterton converted to Roman Catholicism in 1922 and died in 1938. Michael D. Hurley is a Lecturer in English at the University of Cambridge, and a Fellow of St Catharine's College. He has written widely on English literature from the nineteenth century to the present day, with an emphasis on poetry and poetics. His book on G. K. Chesterton was published in 2011.
Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes, a large umbrella, and an uncanny insight into human evil. In "The Head of Caesar" he is "formerly priest of Cobhole in Essex, and now working in London." He makes his first appearance in the story "The Blue Cross" published in 1910 and continues to appear throughout forty-eight short stories in five volumes, with two more stories discovered and published posthumously, often assisted in his crime-solving by the reformed criminal M. Hercule Flambeau. Brown's abilities are also considerably shaped by his experience as a priest and confessor. In "The Blue Cross," when asked by Flambeau, who has been masquerading as a priest, how he knew of all sorts of criminal "horrors," Father Brown responds: "Has it never struck you that a man who does next to nothing but hear men's real sins is not likely to be wholly unaware of human evil?" He also states how he knew Flambeau was not really a priest: "You attacked reason. It's bad theology." The stories normally contain a rational explanation of who the murderer was and how Brown worked it out. He always emphasises rationality; some stories, such as "The Miracle of Moon Crescent," "The Oracle of the Dog," "The Blast of the Book" and "The Dagger with Wings," poke fun at initially sceptical characters who become convinced of a supernatural explanation for some strange occurrence, but Father Brown easily sees the perfectly ordinary, natural explanation. In fact, he seems to represent an ideal of a devout but considerably educated and "civilised" clergyman. That can be traced to the influence of Roman Catholic thought on Chesterton. Father Brown is characteristically humble and is usually rather quiet, except to say something profound. Although he tends to handle crimes with a steady, realistic approach, he believes in the supernatural as the greatest reason of all.
G. K. Chesterton's The Complete Father Brown Stories Father Brown originally appeared in 1911 in The Innocence of Father Brown, one of the most oddly pleasant and charming characters to emerge from English detective fiction. G.K. Chesterton's genial priest was thrust into the forefront of quirky sleuths with that first collection of stories. This complete collection comprises all of the favourite Father Brown stories, demonstrating a calm wit and compassion that has endeared him to many, while solving his problems in a very convincing manner using a combination of imagination and compassionate worldliness.
In this fifth and final set of Father Brown mysteries G K Chesterton's short, shabby priest continues, in his humorous, effortless but powerfully effective way to solve a wide range of high crimes and misdemeanours.
G. K. Chesterton's fictional amateur detective, the genial Father Brown, was greeted with huge enthusiasm when he first appeared in The Story-Teller magazine in 1910. Depicted with Chesterton's characteristic elegance and wit, this unworldly but perceptive priest-sleuth soon became a major figure in the world of whodunit fiction and continues to charm readers today. This handsome hardback anthology contains 24 Father Brown short stories, including 'The Blue Cross', 'The Secret Garden', 'The Wrong Shape', and 'The Three Tools of Death', in which the unassuming Father exercises his formidable powers of intuition and analysis to solve a range of crimes. ABOUT THE SERIES: The Arcturus Classic Mysteries and Marvels series brings together thrilling short stories from classic fiction, including spine-chilling ghost stories, gripping detective fiction and cosmic horror. These hardback anthologies with foil-embossed cover designs make wonderful gifts for any classic lover.
Father Brown, a full-time Catholic priest, and part-time amateur detective returns in this third collection of short stories by G. K. Chesterton. This time Father Brown is investigating alone; his sidekick, the former criminal Flambeau, is nowhere to be seen. Father Brown has to solve a murder (including his own!) in each story, and since several also appear to involve the supernatural, he has ample opportunity to elaborate on his thoughts concerning it.