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This was the first book to offer an in-depth investigation into the characteristic architecture of Yemen. This new, revised edition includes drawings, documentation and information on the building and reconstruction projects carried out from 2008 to 2014 at locations in Hadrumat and Dawan. Moving beyond the major cities, Salma Samar Damluji explores the architecture of regions that could be said to be the last strongholds of traditional Arab architecture. With a wealth of insights from both the master builders and home owners, the book examines in detail building techniques and methods little known outside of Yemen.
This book records and examines in detail for the first time both the modern and vernacular architecture of the Sultanate of Oman. The Sultanate's landscapes are striking in their contrasts - from the powerful, primary blues and greens of the country's lush oases and the Indian Ocean that laps at its shores, to its arid deserts and rugged mountains. There is a primordial quality in the art of its architecture, imbuing it with a spirit of minimalism and austerity, qualities which have defined the extent and form of architectural construction and urban growth, from the smallest vernacular towns of the interior and coastal regions, to the impressive modern buildings of the Sultanate's capital, Muscat. To date, little of this rich and varied architecture has been documented. With a combination of her own original research based on extensive fieldwork and surveys, and previously unpublished drawings, plans, illustrations and surveys from architects working in Oman, coupled with first-hand accounts from local master builders, Dr Damluji has succeeded in compiling the most definitive work so far on the architecture of the Sultanate. By investigating traditional and modern building processes, urban planning and design concepts, and with thorough contributions from other specialists, Dr Damluji analyses, from an architectural viewpoint, the extent of Oman's success compared with many other developing countries in maintaining its rich cultural heritage in the face of the demands necessitated by a rapidly changing urban landscape. Illustrated with over 1000 of the author's own colour photographs and some 200 plans and elevations, and with a foreword by HRH The Prince of Wales, the book represents an invaluable record of the architecture of an immensely diverse and fascinating country.
Until the early 1990s the southern and eastern towns of Yemen were extremely difficult to access. The result of nearly two decades of research, this is the first book to offer an in-depth investigation into the characteristic architecture of the region. The author's first hand research provides detailed insights into building techniques and methods, though still practiced, are little known outside the area. Refreshingly, the book moves out of the more familiar major cities into the hinterlands and explores regions that could be said to be the last strongholds of traditional Arab architecture. The author was allowed to visit locations and sites that had previously been closed to architectural historians. As a result of this privileged access, the text and images combine to convey unique insights and viewpoints: those of the master builders and house owners who actually create and inhabit the buildings.
The Naturalis historia by Pliny the Elder provided Renaissance scholars, artists and architects with details of ancient architectural practice and long-lost architectural wonders - material that was often unavailable elsewhere in classical literature. Pliny's descriptions frequently included the dimensions of these buildings, as well as details of their unusual construction materials and ornament. This book describes, for the first time, how the passages were interpreted from around 1430 to 1580, that is, from Alberti to Palladio. Chapters are arranged chronologically within three interrelated sections - antiquarianism; architectural writings; drawings and built monuments - thereby making it possible for the reader to follow the changing attitudes to Pliny over the period. The resulting study establishes the Naturalis historia as the single most important literary source after Vitruvius's De architectura.
In recent years, a little-known research group named Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. Today, the group provides crucial evidence for international courts and works with a wide range of activist groups, NGOs, Amnesty International, and the UN. Beyond shedding new light on human rights violations and state crimes across the globe, Forensic Architecture has also created a new form of investigative practice that bears its name. The group uses architecture as an optical device to investigate armed conflicts and environmental destruction, as well as to cross-reference a variety of evidence sources, such as new media, remote sensing, material analysis, witness testimony, and crowd-sourcing. In Forensic Architecture, Eyal Weizman, the group’s founder, provides, for the first time, an in-depth introduction to the history, practice, assumptions, potentials, and double binds of this practice. The book includes an extensive array of images, maps, and detailed documentation that records the intricate work the group has performed. Included in this volume are case studies that traverse multiple scales and durations, ranging from the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere. Weizman’s Forensic Architecture, stunning and shocking in its critical narrative, powerful images, and daring investigations, presents a new form of public truth, technologically, architecturally, and aesthetically produced. Their practice calls for a transformative politics in which architecture as a field of knowledge and a mode of interpretation exposes and confronts ever-new forms of state violence and secrecy.
Author : J. Charles Schenking Publisher : Columbia University Press Page : 400 pages File Size : 43,1 MB Release : 2013-07-09 Category : History ISBN : 0231162189
In September 1923, a magnitude 7.9 earthquake devastated eastern Japan, killing more than 120,000 people and leaving two million homeless. Using a rich array of source material, J. Charles Schencking tells for the first time the graphic tale of Tokyo's destruction and rebirth. In emotive prose, he documents how the citizens of Tokyo experienced this unprecedented calamity and explores the ways in which it rattled people's deep-seated anxieties about modernity. While explaining how and why the disaster compelled people to reflect on Japanese society, he also examines how reconstruction encouraged the capital's inhabitants to entertain new types of urbanism as they rebuilt their world. Some residents hoped that a grandiose metropolis, reflecting new values, would rise from the ashes of disaster-ravaged Tokyo. Many, however, desired a quick return of the city they once called home. Opportunistic elites advocated innovative state infrastructure to better manage the daily lives of Tokyo residents. Others focused on rejuvenating society--morally, economically, and spiritually--to combat the perceived degeneration of Japan. Schencking explores the inspiration behind these dreams and the extent to which they were realized. He investigates why Japanese citizens from all walks of life responded to overtures for renewal with varying degrees of acceptance, ambivalence, and resistance. His research not only sheds light on Japan's experience with and interpretation of the earthquake but challenges widespread assumptions that disasters unite stricken societies, creating a "blank slate" for radical transformation. National reconstruction in the wake of the Great Kanto Earthquake, Schencking demonstrates, proved to be illusive.
This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.
The Ku Klux Klan has peaked three times in American history: after the Civil War, around the 1960s Civil Rights Movement, and in the 1920s, when the Klan spread farthest and fastest. Recruiting millions of members even in non-Southern states, the Klan’s nationalist insurgency burst into mainstream politics. Almost one hundred years later, the pent-up anger of white Americans left behind by a changing economy has once again directed itself at immigrants and cultural outsiders and roiled a presidential election. In The Politics of Losing, Rory McVeigh and Kevin Estep trace the parallels between the 1920s Klan and today’s right-wing backlash, identifying the conditions that allow white nationalism to emerge from the shadows. White middle-class Protestant Americans in the 1920s found themselves stranded by an economy that was increasingly industrialized and fueled by immigrant labor. Mirroring the Klan’s earlier tactics, Donald Trump delivered a message that mingled economic populism with deep cultural resentments. McVeigh and Estep present a sociological analysis of the Klan’s outbreaks that goes beyond Trump the individual to show how his rise to power was made possible by a convergence of circumstances. White Americans’ experience of declining privilege and perceptions of lost power can trigger a political backlash that overtly asserts white-nationalist goals. The Politics of Losing offers a rigorous and lucid explanation for a recurrent phenomenon in American history, with important lessons about the origins of our alarming political climate.
An unprecedented document of one of the Middle East's most extraordinary cultures In 1976, Peter Schlesinger (born 1948) visited the Yemen Arab Republic (as the northern part of Yemen was then called). He was accompanying the photographer Eric Boman, who was on a fashion shoot assignment for a French magazine. Yemen had been closed to foreigners for many years and in the interest of encouraging more tourism the government decided to court media outlets. Over the course of his eight-day stay, Schlesinger took hundreds of photographs documenting what he saw as he traveled from the capital, Sanaa, and on through the northern city of Sa'da. Forty-two years later, as he began making this book, Schlesinger shared these images with Bernard Haykel, a professor at Princeton University and an expert on the Middle East. He was taken aback at their existence, since documentation of Yemen in the '70s is so rare. Haykel provides an enriching introduction that brings to life the world Schlesinger captured.
Hassan Fathy is Egypt's best-known 20th-century architect. He was also a man of contradictions. He came from a wealthy background and had a western-style training. Yet he embraced traditional, vernacular forms, techniques, and materials and throughout his career promoted their use as part of a campaign to improve the conditions of Egypt's rural poor. Earth & Utopia chronicles this lifelong commitment through personal interviews conducted by the author, photographs, and drawings from the Hassan Fathy archives, and Fathy's own writings on the subject, many of which are published for the first time. This beautiful, fascinating, and scholarly book will be essential reading for students, academics, and general readers interested in Fathy, and the development of Arab and vernacular architecture, earth construction, architecture for the poor, and sustainability.