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The heartwarming true story of two penguins who create a nontraditional family. At the penguin house at the Central Park Zoo, two penguins named Roy and Silo were a little bit different from the others. But their desire for a family was the same. And with the help of a kindly zookeeper, Roy and Silo got the chance to welcome a baby penguin of their very own.
The parrot Tico Tango had a round, yellow mango, when he saw Marina munch on a green grape bunch. And Tico Tango knew that he had to have it too, so he snatched it!
Argentinean tango is a global phenomenon. Since its origin among immigrants from the slums of Buenos Aires and Montevideo, it has crossed and re-crossed many borders.Yet, never before has tango been danced by so many people and in so many different places as today. Argentinean tango is more than a specific music and style of dancing. It is also a cultural imaginary which embodies intense passion, hyper-heterosexuality, and dangerous exoticism. In the wake of its latest revival, tango has become both a cultural symbol of Argentinean national identity and a transnational cultural space in which a modest, yet growing number of dancers from different parts of the globe meet on the dance floor. Through interviews and ethnographical research in Amsterdam and Buenos Aires, Kathy Davis shows why a dance from another era and another place appeals to men and women from different parts of the world and what happens to them as they become caught up in the tango salon culture. She shows how they negotiate the ambivalences, contradictions, and hierarchies of gender, sexuality, and global relations of power between North and South in which Argentinean tango is—and has always been—embroiled. Davis also explores her uneasiness about her own passion for a dance which—when seen through the lens of contemporary critical feminist and postcolonial theories—seems, at best, odd, and, at worst, disreputable and even a bit shameful. She uses the disjuncture between the incorrect pleasures and complicated politics of dancing tango as a resource for exploring the workings of passion as experience, as performance, and as cultural discourse. She concludes that dancing tango should be viewed less as a love/hate embrace with colonial overtones than a passionate encounter across many different borders between dancers who share a desire for difference and a taste of the ‘elsewhere.’ Dancing Tango is a vivid, intriguing account of an important global cultural phenomenon.
A woman’s story of learning to dance, and becoming comfortable in her own skin and in the arms of others: “Witty, incisive [and] vibrantly intelligent.”—Kirkus Reviews (starred review) Tango was an unlikely choice for Meghan Flaherty. A young woman living with the scars of past trauma, she was terrified of being touched and shied away from real passion. But by her late twenties, she knew something had to change. So she dug up an old dream and tried on her dancing shoes. In tango, there’s a leader and a follower, and, traditionally, the woman follows. As Meghan moved from beginner classes to the late-night dance halls of New York’s vibrant tango underground, she discovered that more than any footwork, the hardest and most essential lesson of the dance was to follow with strength and agency; to find her balance, regardless of the lead. And as she broke her own rule—never mix romance and tango—she started to apply those lessons in every corner of her life. Written in wry, lyrical prose, and beautifully enriched by the vivid history and culture of the dance, Tango Lessons is a transformative story of conquering your fears, living your dreams, and enjoying the dizzying freedom found in the closest embrace. “Like Sweetbitter, this is a memoir of a young woman trying to make it in contemporary New York City. Like H Is for Hawk and Julie and Julia, it is also portrait of obsession...Flaherty is self-aware and writes beautifully.”—New York Journal of Books “Flaherty's writing contains moments of real beauty.”—Newsday
With a focus on self-empowerment and resilience, this refreshing and witty relationship guide has a reassuring counterintuitive message for unhappy spouses: you only need one partner to initiate far-reaching positive change in a marriage. Conventional wisdom says that “it takes two” to turn a troubled marriage around and that both partners must have a shared commitment to change. So when couples can’t agree on how—or whether—to make their marriage better, many give up or settle for a less-than-satisfying marriage (or think the only way out is divorce). Fortunately, there is an alternative. “What distinguishes Reilly’s book is that she says a warring couple don’t have to agree on the goal of staying together; it takes one person changing, not both, to make a marriage work” (The New York Times). Marriage and family therapist Winifred Reilly has this message for struggling partners: Take the lead. Doing so is effective—and powerful. Through Reilly’s own story of reclaiming her now nearly forty-year marriage, along with anecdotes from many clients she’s worked with, you’ll learn how to: -Focus on your own behaviors and change them in ways that make you feel good about yourself and your marriage -Take a firm stand for what truly matters to you without arguing, cajoling, or resorting to threats -Identify the “big picture” issues at the basis of your repetitive fights—and learn how to unhook from them -Be less reactive, especially in the face of your spouse’s provocations -Develop the strength and stamina to be the sole agent of change Combining psychological theory, practical advice, and personal narrative, It Takes One to Tango is a “wise and uplifting” (Dr. Ellyn Bader, Director of The Couples Institute) guide that will empower those who choose to take a bold, proactive approach to creating a loving and lasting marriage.
Tango lives the good life-a silver charm for his dog collar, a luxurious doggy bed, even tailor-made booties for walks in Central Park. Then, when his owners sail into stormy waters, the little Yorkie goes overboard! Washing up on an island far from home, Tango learns that sometimes it takes getting lost to find what matters most. This wonderfully fresh novel is perfect for fans of E. B. White and other classic animal stories.
It is the most dramatic and tumultuous period in Argentina's history. Colonel Juan Perón, who had been the most powerful and the most hated man in the country, has been forced out of power. Many people fear that his mistress, radio actress Evita Duarte, will use her skill at swaying the masses to restore him to office. When an obscure young woman is brutally murdered, police detective Roberto Leary concludes that the murderer mistook the girl for Evita, the intended target of someone out to eliminate the popular star from the political scene. The search for the killer soon involves the murdered girl's employer, who is Evita's dressmaker; her journalist lover; and Pilar, a seamstress in the dress shop and a tango dancer. The suspects include a leftist union leader who considers Juan Perón a fascist and a young lieutenant who feels Perón has dishonored the army. Their stories collide in this thrilling and sensuous historical mystery. Annamaria Alfieri's historical mysteries set in South America paint a vivid portrait of life at the time, in which the characters' motivations—love, fear, and ambition—all compete to create an evocative tale. Blood Tango is her finest achievement yet.
The story of a reunion between old friends, Kevin Summers and Alison Winters as they meet in an unexpected encounter after not seeing each other for sixteen years. This is a story about first impressions, second impressions, and friends vs. lovers. It describes the reality of grasping dreams in the modern world, understanding one another, and figuring out what makes a person truly happy.
Bruno Cadogan has flown from New York to Buenos Aires in search of the elusive and legendary Julio Martel, a tango singer whose voice has never been recorded yet is said to be so beautiful it is almost supernatural. Bruno is increasingly drawn to the mystery of Martel and his strange and evocative performances in a series of apparently arbitrary sites around the city. As Bruno tries to find Martel, he begins to untangle the story of the singer's life, and to believe that Martel's increasingly rare performances map a dark labyrinth of the city's past.
"Like Bond, the memoir is droll, pensive and filled with zingers teetering between funny and ferocious."--The New York Times Hailed as "the greatest cabaret artist of [V's] generation" in the New Yorker, Mx. Justin Vivian Bond makes a brilliant literary debut with this candid and hilarious coming-of-age tale. Bond recalls in vivid detail how it looked and felt to first discover Mom's lipstick (Iced Watermelon by Revlon), and how dreary it could be for a trans/queer kid to join the Cub Scouts. Always haunted by the knowledge of being "different," Bond began to create intimate friendships with girls, and to feel increasingly at risk with boys. But when the bully next door wanted to meet secretly, Bond couldn't resist. Their trysts went on for years, making Bond acutely aware of how sexual power and vulnerability can be experienced at the same time. With inimitable style, Bond raises issues about LBGTQ adolescence, parenting trans/queer children, and bullying, while being utterly entertaining.