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A handy source of essential data that every sound technician needs. Whether you are a professional sound engineer, responsible for broadcast or studio recording, or a student on a music technology or sound recording course, you will find this book authoritative and easily accessible. Adapted from the comprehensive volume, the Audio Engineer's Reference Book (now in its second edition), this pocket-sized reference has been fully revised to cover the very latest technology connected with sound: Noise measurement Acoustics Microphones Loudspeakers Mixing equipment CDs, DAT, MIDI, MiniDisc Telephony ISDN Digital interfacing Ultrasonics This second edition also features: Substantial revisions of chapters on radio microphone frequencies, digital audio tape, and audio measurements. An extended list of further reading.
A handy source of essential data that every sound technician needs. Whether you are a professional sound engineer, responsible for broadcast or studio recording, or a student on a music technology or sound recording course, you will find this book authoritative and easily accessible. Adapted from the comprehensive volume, the Audio Engineer's Reference Book (now in its second edition), this pocket-sized reference has been fully revised to cover the very latest technology connected with sound: Noise measurement Acoustics Microphones Loudspeakers Mixing equipment CDs, DAT, MIDI, MiniDisc Telephony ISDN Digital interfacing Ultrasonics This second edition also features: Substantial revisions of chapters on radio microphone frequencies, digital audio tape, and audio measurements. An extended list of further reading.
This is a concise collection of practical and relevant data for anyone working on, or interested in, sound systems. Since the second edition, the Sony Mini Disc has arrived, interest has grown in valve amplifiers and vintage radios, and new safetyregulations are in force for public address systems; all of these are covered in this edition. Also included are further notes on the crossover network, and the latest exciting developments in surround sound.The number of outdoor concerts is growing and place particular demands on sound systems, including the need for reinforcement. A new section gives basic tips. Surround sound developments are described in a further new section, outlining previous systems and how they worked, along with an account of how the ear actually distinguishes sound sources. All of the new material complements the wide coverage of the previous edition make this the most comprehensive little guide to audio and hi-fi.
An authoritative reference on all aspects of audio engineering and technology including basic mathematics and formulae, acoustics and psychoacoustics, microphones, loudspeakers and studio installations. Compiled by an international team of experts, the second edition was updated to keep abreast of fast-moving areas such as digital audio and transmission technology. Much of the material has been revised, updated and expanded to cover the very latest techniques. This is a new paperback version.
Handbook for Sound Engineers is the most comprehensive reference available for audio engineers. All audio topics are explored: if you work on anything related to audio you should not be without this book! The 4th edition of this trusted reference has been updated to reflect changes in the industry since the publication of the 3rd edition in 2002 -- including new technologies like software-based recording systems such as Pro Tools and Sound Forge; digital recording using MP3, wave files and others; mobile audio devices such as iPods and MP3 players. Over 40 topics are covered and written by many of the top professionals for their area in the field, including Glen Ballou on interpretation systems, intercoms, assistive listening, and image projection; Ken Pohlmann on compact discs and DVDs; David Miles Huber on MIDI; Dr. Eugene Patronis on amplifier design and outdoor sound systems; Bill Whitlock on audio transformers and preamplifiers; Pat Brown on fundamentals and gain structures; Ray Rayburn on virtual systems and digital interfacing; and Dr. Wolfgang Ahnert on computer-aided sound system design and acoustics for concert halls.
Newnes Audio and Hi-Fi Engineer's Pocket Book, Second Edition provides concise discussion of several audio topics. The book is comprised of 10 chapters that cover different audio equipment. The coverage of the text includes microphones, gramophones, compact discs, and tape recorders. The book also covers high-quality radio, amplifiers, and loudspeakers. The book then reviews the concepts of sound and acoustics, and presents some facts and formulas relevant to audio. The text will be useful to sound engineers and other professionals whose work involves sound systems.
This book is about the fundamentals of live sound engineering and is intended to supplement the curriculum for the online classes at the Production Institute (www.productioninstitute.com/students). Nonetheless, it will be invaluable for beginning sound engineers and technicians anywhere who seek to expand their knowledge of sound reinforcement on their own. Written with beginners and novices in churches and convention centers in mind, this book starts by teaching you professional terminology and the processes of creating production related documents used to communicate with other sound engineers, vendors and venues. Subjects such as Signal Path and AC (alternating current) power safety and distribution are closely examined. These two subjects are closely related to the buzzing, humming and other noise related phenomena that often plague sound reinforcement systems. Chapters include an in-depth review of both analog and digital mixing consoles, their differences and similarities, and the gain structure fundamentals associated with the proper operation of either type of mixing console. Audio dynamic processors such as compressors, limiters and noise gates and their operation are explained in detail. Audio effects like delay and reverb are examined so that you can learn the basics of "sweetening" the mix to create larger and more emotive soundscapes and achieve studio-like outcomes in a live sound environment. Advanced mixing techniques, workflow, and the conventional wisdom used by professional audio engineers are explained so you don't have to spend years trying to figure out how these processes are achieved. Last but not least, a comprehensive review of acoustic feedback, and how to eliminate it from stage monitors and main speaker systems are detailed in a step by step process. This book will be especially helpful to volunteer audio techs in houses of worship, convention centers and venues of all types. It will bridge the gap between the on-the-job training that beginners receive and the knowledge and conventional wisdom that professional sound engineers employ in their daily routine.
Sound Assistance offers a highly readable and easy-to-understand account of sound operations in radio and television studios. By knowing the characteristics of the equipment, such as threshold and compression ratios, it is much easier to achieve professional effects quickly, saving hours of trial and error. The book will suit anyone wishing to work as a sound assistant but who does not have a thorough grounding in the maths and physics. Written in an informal style with practical 'do's' and 'don'ts', the fundamental principles are explained. Where knowledge of a higher level of maths is helpful, this information is given in handy 'fact files'. Particularly appropriate for students, training officers and supervisors who have the task of passing on this information in a simple, easy-to-digest format, Sound Assistance is written in easy-to read language with a minimum of maths. This second edition now has more on: Microphone sensitivities Loudspeaker listening tests Domestic colour code for stereo Stereo transmission in radio Stereo PPM interpretations MiniDisk Digital radio Recordable CDs