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Author : Charles Dickens
Publisher : Orion
Page : 580 pages
File Size : 17,4 MB
Release : 1994
Category : England
ISBN : 9780460860765
Author : Charles Dickens
Publisher :
Page : 662 pages
File Size : 29,61 MB
Release : 1994
Category : Fiction
ISBN :
London in the 1830s was undergoing great changes. In the streets old hackney coaches jostled with new omnibuses, night watchmen gave way to the new police, the poor crowded into inner-city slums, and the middle classes colonized genteel new suburbs. This was young Dickens's city, and he reported it all - the gin palaces, pleasure gardens, streets, shops, prisons, and law courts - as though he were, in Walter Bagehot's words, "a special correspondent for posterity". It was as a journalist that he first made his mark. His very first book, published when he was only twenty-four, was a collection of sketches that had first appeared in newspapers and magazines written under the pen name "Boz". Sketches by Boz was an instant bestseller. Dickens's knowledge of London was "extensive and peculiar" - like Sam Weller's in Pickwick Papers. "He knew it all, from Bow to Brentford", said one of his friends. In his Sketches the future novelist was marking out his territory, just as, in the pamphlet Sunday Under Three Heads, also included here, the lifelong campaigner against injustice and class oppression was finding his unique voice. This is the first of four volumes of Dickens's greatest journalism - the first ever annotated edition to be published.
Author : Linda M. Lewis
Publisher : University of Missouri Press
Page : 313 pages
File Size : 11,2 MB
Release : 2012-01-01
Category : Literary Criticism
ISBN : 0826272649
Charles Dickens once commented that in each of his Christmas stories there is “an express text preached on . . . always taken from the lips of Christ.” This preaching, Linda M. Lewis contends, does not end with his Christmas stories but extends throughout the body of his work. In Dickens, His Parables, and His Reader, Lewis examines parable and allegory in nine of Dickens’s novels as an entry into understanding the complexities of the relationship between Dickens and his reader. Through the combination of rhetorical analysis of religious allegory and cohesive study of various New Testament parables upon which Dickens based the themes of his novels, Lewis provides new interpretations of the allegory in his novels while illuminating Dickens’s religious beliefs. Specifically, she alleges that Dickens saw himself as valued friend and moral teacher to lead his “dear reader” to religious truth. Dickens’s personal gospel was that behavior is far more important than strict allegiance to any set of beliefs, and it is upon this foundation that we see allegory activated in Dickens’s characters. Oliver Twist and The Old Curiosity Shop exemplify the Victorian “cult of childhood” and blend two allegorical texts: Jesus’s Good Samaritan parable and John Bunyan’s ThePilgrim’s Progress. In Dombey and Son,Dickens chooses Jesus’s parable of the Wise and Foolish Builders. In the autobiographical David Copperfield, Dickens engages his reader through an Old Testament myth and a New Testament parable: the expulsion from Eden and the Prodigal Son, respectively. Led by his belief in and desire to preach his social gospel and broad church Christianity, Dickens had no hesitation in manipulating biblical stories and sermons to suit his purposes. Bleak House is Dickens’s apocalyptic parable about the Day of Judgment, while Little Dorrit echoes the line “Forgive us our debts as we forgive our debtors” from the Lord’s Prayer, illustrating through his characters that only through grace can all debt be erased. The allegory of the martyred savior is considered in Hard Times and A Tale of Two Cities. Dickens’s final completed novel, Our Mutual Friend, blends the parable of the Good and Faithful Servant with several versions of the Heir Claimant parable. While some recent scholarship debunks the sincerity of Dickens’s religious belief, Lewis clearly demonstrates that Dickens’s novels challenge the reader to investigate and develop an understanding of New Testament doctrine. Dickens saw his relationship with his reader as a crucial part of his storytelling, and through his use and manipulation of allegory and parables, he hoped to influence the faith and morality of that reader.
Author : Thomas Gunn
Publisher : Rutgers University Press
Page : 237 pages
File Size : 22,85 MB
Release : 2008-12-10
Category : Literary Criticism
ISBN : 0813546214
The American boardinghouse once provided basic domestic shelter and constituted a uniquely modern world view for the first true generation of U.S. city-dwellers. Thomas Butler Gunn's classic 1857 account of urban habitation, The Physiology of New York Boarding-Houses, explores the process by which boardinghouse life was translated into a lively urban vernacular. Intimate in its confessional tone, comprehensive in its detail, disarmingly penetrating despite (or perhaps because of) its self-deprecating wit, Physiology is at once an essential introduction to a "lost" world of boarding, even as it comprises an early, engaging, and sophisticated analysis of America's "urban turn" during the decades leading up to the Civil War. In his introduction, David Faflik considers what made Gunn's book a compelling read in the past and how today it can elucidate our understanding of the formation and evolution of urban American life and letters.
Author : Mary L. Shannon
Publisher : Routledge
Page : 338 pages
File Size : 11,57 MB
Release : 2016-03-09
Category : Literary Criticism
ISBN : 1317151143
A glance over the back pages of mid-nineteenth-century newspapers and periodicals published in London reveals that Wellington Street stands out among imprint addresses. Between 1843 and 1853, Household Words, Reynolds’s Weekly Newspaper, the Examiner, Punch, the Athenaeum, the Spectator, the Morning Post, and the serial edition of London Labour and the London Poor, to name a few, were all published from this short street off the Strand. Mary L. Shannon identifies, for the first time, the close proximity of the offices of Charles Dickens, G.W.M. Reynolds, and Henry Mayhew, examining the ramifications for the individual authors and for nineteenth-century publishing. What are the implications of Charles Dickens, his arch-competitor the radical publisher G.W.M. Reynolds, and Henry Mayhew being such close neighbours? Given that London was capital of more than Britain alone, what connections does Wellington Street reveal between London print networks and the print culture and networks of the wider empire? How might the editors’ experiences make us rethink the ways in which they and others addressed their anonymous readers as ’friends’, as if they were part of their immediate social network? As Shannon shows, readers in the London of the 1840s and '50s, despite advances in literacy, print technology, and communications, were not simply an ’imagined community’ of individuals who read in silent privacy, but active members of an imagined network that punctured the anonymity of the teeming city and even the empire.
Author : Constance Classen
Publisher : Bloomsbury Publishing
Page : 388 pages
File Size : 31,39 MB
Release : 2014-10-23
Category : History
ISBN : 1474233082
The 19th century was a time of new sensory experiences and modes of perception. The raucous mechanical intensity of the train and the factory vied for attention with the dazzling splendour of department stores and world fairs. Colonization and trade carried European sensations and sensibilities to the world and, in turn, flooded the West with exotic sights and savours. Urban stench became a matter of urgent public concern. Photography created a compelling alternate reality accessible only to the eye. At the turn of the 20th century, the telephone and the radio isolated and extended the sense of hearing and electrical networks spread their webs throughout cities. These novel experiences were reflected in contemporary art and literature, which strove for new ways to express modern sensibilities. A Cultural History of the Senses in the Age of Empire brings together a group of eminent historians to explore the aesthetic, cultural and political formation of the senses during a period of momentous change. A Cultural History of the Senses in the Age of Empire presents essays on the following topics: the social life of the senses; urban sensations; the senses in the marketplace; the senses in religion; the senses in philosophy and science; medicine and the senses; the senses in literature; art and the senses; and sensory media.
Author : Robert Butterworth
Publisher : Springer
Page : 258 pages
File Size : 28,61 MB
Release : 2016-02-02
Category : Literary Criticism
ISBN : 1137558717
Dickens, Religion and Society examines the centrality of Dickens's religious attitudes to the social criticism he is famous for, shedding new light in the process on such matters as the presentation of Fagin as a villainous Jew, the hostile portrayal of trade unions in Hard Times and Dickens's sentimentality.
Author : Philip Cox
Publisher : Manchester University Press
Page : 196 pages
File Size : 48,9 MB
Release : 2000
Category : English drama
ISBN : 9780719053412
Ex.: digital print. - 2012.
Author : Holly Furneaux
Publisher : Oxford University Press
Page : 293 pages
File Size : 46,24 MB
Release : 2009-12-10
Category : Language Arts & Disciplines
ISBN : 0199566097
This book offers a radically new reading of Dickens. It argues that, rather than representing a largely conventional, conservative view of sexuality and gender, his corpus is distinctly queer, displaying a fascination with the diversity of gender roles, the expandability of notions of the family, and the multiplicity of sexual desire.
Author : Matthew Beaumont
Publisher : Verso Books
Page : 337 pages
File Size : 42,8 MB
Release : 2021-11-09
Category : Literary Criticism
ISBN : 1788738926
From Charles Dickens’ London to today’s megacities, a fascinating exploration of what urban walking tells us about modern life—for fans of Rebecca Solnit, Olivia Laing’s The Lonely City, and literary history. “A labyrinthine journey into the literature of walking and thinking,” as seen in the lives and works of Edgar Allan Poe, Virginia Woolf, Ray Bradbury, and other literary greats (Guardian). There is no such thing as a false step. Every time we walk we are going somewhere. Especially if we are going nowhere. Moving around the modern city is not a way of getting from A to B, but of understanding who and where we are. In a series of riveting intellectual rambles, Matthew Beaumont retraces episodes in the history of the walker since the mid-19th century. From Dickens’s insomniac night rambles to restless excursions through the faceless monuments of today’s neoliberal city, the act of walking is one of self-discovery and self-escape, of disappearances and secret subversions. Pacing stride for stride alongside literary amblers and thinkers such as Edgar Allan Poe, André Breton, H. G. Wells, Virginia Woolf, Jean Rhys and Ray Bradbury, Beaumont explores the relationship between the metropolis and its pedestrian life. Through these writings, Beaumont asks: Can you get lost in a crowd? What are the consequences of using your smartphone in the street? What differentiates the nocturnal metropolis from the city of daylight? What connects walking, philosophy and the big toe? And can we save the city—or ourselves—by taking to the pavement?