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A new approach to an old question - the relationship between myth and ritual. Barbara Kowalzig shows how choral performances of myth and ritual, taking place all over the ancient Greek world in the early 5th century BC, helped to effect social and political change in their own time.
Blessed with one of the great tenor voices of all time, Mario Lanza (1921-1959) rose to spectacular heights in a film, recording, and concert career that spanned little more than a decade. Groomed at the outset for a career on the opera stage, Lanza instead flourished in Hollywood where his films, most notably The Great Caruso, broke box-office records the world over and influenced the careers of countless musicians. To this day, the Three Tenors cite him as an inspiration for their own careers on the classical stage. Lanza's recordings for RCA sold in the millions, and he remains the crossover artist supreme. But his tremendous success was derailed by his self-destructive lifestyle, and by age thirty-eight he was dead, with his extraordinary promise left unfulfilled. Newly revised and updated for its first U.S. edition, Mario Lanza: Singing to the Gods is the definitive account of the remarkable life and times of one of the twentieth century's most beloved singing stars. This richly detailed work also contains a selection of rare photographs, several of which are drawn from Lanza's estate. With the support of Lanza's daughter, Ellisa Lanza Bregman, the tenor's colleagues, and his closest friend, Terry Robinson, Derek Mannering has chronicled a fascinating and unforgettable life. From the fabulous successes of the early MGM years through the disastrous walkouts and cancellations that sent Lanza's career into freefall, Mannering objectively and movingly reveals the story of a great star torn apart by his own troubled psyche and undisciplined lifestyle.
Singing for the Gods develops a new approach towards an old question in the study of religion - the relationship of myth and ritual. Focusing on ancient Greek religion, Barbara Kowalzig exploits the joint occurrence of myth and ritual in archaic and classical Greek song-culture. She shows how choral performances of myth and ritual, taking place all over the ancient Greek world in the early fifth century BC, help to effect social and political change in their own time. Religious song emerges as integral to a rapidly changing society hovering between local, regional, and panhellenic identities and between aristocratic rule and democracy. Drawing on contemporary debates on myth, ritual, and performance in social anthropology, modern history, and theatre studies, this book establishes Greek religion's dynamic role and gives religious song-culture its deserved place in the study of Greek history.
You don’t need to be different; you don’t need to be better. You just need to know that God loves you just the way you are now...today. When you truly believe this, you will find the strength and incentive to fight sin, experience freedom from shame, and walk in the fullness of all that God desires for you.
National Bestseller * Named one of Rolling Stone's Best Music Books of 2018 * One of Newsweek's 50 Best Books of 2018 * A Billboard Best of 2018 * A New York Times Book Review "New and Noteworthy" selection The author of the critically acclaimed Your Favorite Band is Killing Me offers an eye-opening exploration of the state of classic rock, its past and future, the impact it has had, and what its loss would mean to an industry, a culture, and a way of life. Since the late 1960s, a legendary cadre of artists—including the Rolling Stones, Bob Dylan, Neil Young, Bruce Springsteen, Fleetwood Mac, the Eagles, Black Sabbath, and the Who—has revolutionized popular culture and the sounds of our lives. While their songs still get airtime and some of these bands continue to tour, its idols are leaving the stage permanently. Can classic rock remain relevant as these legends die off, or will this major musical subculture fade away as many have before, Steven Hyden asks. In this mix of personal memoir, criticism, and journalism, Hyden stands witness as classic rock reaches the precipice. Traveling to the eclectic places where geriatric rockers are still making music, he talks to the artists and fans who have aged with them, explores the ways that classic rock has changed the culture, investigates the rise and fall of classic rock radio, and turns to live bootlegs, tell-all rock biographies, and even the liner notes of rock’s greatest masterpieces to tell the story of what this music meant, and how it will be remembered, for fans like himself. Twilight of the Gods is also Hyden’s story. Celebrating his love of this incredible music that has taken him from adolescence to fatherhood, he ponders two essential questions: Is it time to give up on his childhood heroes, or can this music teach him about growing old with his hopes and dreams intact? And what can we all learn from rock gods and their music—are they ephemeral or eternal?