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This volume contains a range of papers from a seminar held in Oxford in 2005. What did 'art' in its widest sense mean to 'them', the Romans, and what might it (or even should it), mean to us? The approach adopted avoids fashionable 'theory', mainly culled second-hand from the social sciences, and tries to engage directly with material culture.
Hijmans demonstrates that a sophisticated analysis of images of Sol sheds an entirely new light on the role of the sun in Roman religion. This book includes a discussion of relevant theory and a number of case studies. This is part I of a two-part set.
By opposing sectarian discourses with the universal weapons of history, philology and anthropology, in short, the entire arsenal of science and reason, the history of religions of the past enables us to deflate modern myths, and not only those of others but also our own. It allows us to identify the projection, in the imaginary past, of the “origins” of nationalist, religious or racist fantasies, and to disarm exaggerated interpretations of the sacred texts. Within nations inherited from the 19th century, ancient history can help to deconstruct the representation that nation states sometimes create of their past, by showing that despite their apparent proximity, their “ancestors”, often simply assumed to be so, were as distant from the current society as the inhabitants of the antipodes, and hardly resembled the image assigned to them. It enables us to challenge the “Greek miracle”, the “Roman genius”, the “Germanic superiority”, or the Hegelian dialectic professing that religions and history tend towards Christian monotheism.
First edition published in 1998 by Oxford University Press with the title Imperial Rome and Christian triumph: the art of the Roman Empire, AD 100-450.
A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.
Author : Peter Brown Publisher : Univ of California Press Page : 355 pages File Size : 23,63 MB Release : 1989-10-25 Category : History ISBN : 0520068009
With the blend of art and learning that is the hallmark of his work, Peter Brown here examines how the sacred impinged upon the profane during the first Christian millennium.
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periodsof internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylisticchange, Jas Elsner presents a fresh and challenging account of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. 'a highly individual work . . . wonderful visual and comparative analysis . . . I can think of no other general book on Roman art that deals so elegantly and informatively with the theme of visuality and visual desire.' Professor Natalie Boymel Kampen, Barnard College, New York 'exciting and original . . . a vibrant impression of creative energy and innovation held in constant tension by the persistence of more traditional motifs and techniques. Elsner constantly surprises and intrigues the reader by approaching familiar material in new ways.' Professor Averil Cameron,Keble College, Oxford