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Renaissance military memoirs studied for what they reveal of contemporary attitudes towards war, selfhood and identity. This is a study of autobiographical writings of Renaissance soldiers. It outlines the ways in which they reflect Renaissance cultural, political and historical consciousness, with a particular focus on conceptions of war, history, selfhood and identity. A vivid picture of Renaissance military life and military mentality emerges, which sheds light on the attitude of Renaissance soldiers both towards contemporary historical developments such as the rise of the modern state, and towards such issues as comradeship, women, honor, violence, and death. Comparison with similar medieval and twentieth-century material highlights the differences in the Renaissance soldier's understanding of war and of human experience.
For millennia, war was viewed as a supreme test. In the period 1750-1850 war became much more than a test: it became a secular revelation. This new understanding of war as revelation completely transformed Western war culture, revolutionizing politics, the personal experience of war, the status of common soldiers, and the tenets of military theory.
This book describes the role and organization of the land forces of a renaissance state over a long period. It thus provides a model against which the military development of other countries can be measured in terms of the composition, control and cost of armies. Above all, it redresses the imbalance whereby only the naval forces of Venice have been studied seriously. It is thus an essential contribution to an understanding of the extension and maintenance of an empire by land and sea, and of the strength in troops and fortifications that preserved Venice as the one truly independent state in sixteenth-century Italy. It also adds significantly to an understanding of the relationship between Venice and the republic's subject territories.
This book describes the role and organization of the land forces of a renaissance state over a long period. It thus provides a model against which the military development of other countries can be measured in terms of the composition, control and cost of armies. Above all, it redresses the imbalance whereby only the naval forces of Venice have been studied seriously. It is thus an essential contribution to an understanding of the extension and maintenance of an empire by land and sea, and of the strength in troops and fortifications that preserved Venice as the one truly independent state in sixteenth-century Italy. It also adds significantly to an understanding of the relationship between Venice and the republic's subject territories.
The rulers of Renaissance France regarded war as hugely important. This book shows why, looking at all aspects of warfare from strategy to its reception, depiction and promotion.
General Ulysses S. Grant is best remembered today as a war-winning general, and he certainly deserves credit for his efforts on behalf of the Union. But has he received too much credit at the expense of other men? Have others who fought the war with him suffered unfairly at his hands? General Grant and the Verdict of History: Memoir, Memory, and the Civil War explores these issues. Professor Frank P. Varney examines Grants relationship with three noted Civil War generals: the brash and uncompromising Fighting Joe Hooker; George H. Thomas, the stellar commander who earned the sobriquet Rock of Chickamauga; and Gouverneur Kemble Warren, who served honorably and well in every major action of the Army of the Potomac before being relieved less than two weeks before Appomattox, and only after he had played a prominent part in the major Union victory at Five Forks. In his earlier book General Grant and the Rewriting of History, Dr. Varney studied the tempestuous relationship between Grant and Union General William S. Rosecrans. During the war, Rosecrans was considered by many of his contemporaries to be on par with Grant himself; today, he is largely forgotten. Rosecranss star dimmed, argues Varney, because Grant orchestrated the effort. Unbeknownst to most students of the war, Grant used his official reports, interviews with the press, and his memoirs to influence how future generations would remember the war and his part in it. Aided greatly by his two terms as president, by the clarity and eloquence of his memoirs, and in particular by the dramatic backdrop against which those memoirs were written, our historical memory has been influenced to a degree greater than many realize. It is beyond time to return to the original sourcesthe letters, journals, reports, and memoirs of other witnesses and the transcripts of courts-martial to examine Grants story from a fresh perspective. The results are enlightening and more than a little disturbing.
Winner of the Caforio prize for the best book in armed forces and civil-military relations published between 2015 and 2016 In On Military Memoirs Esmeralda Kleinreesink offers insight into military books: who were their writers and publishers, what were their plots, and what motives did their authors have for writing them. Every Afghanistan war autobiography published in the US, the UK, Germany, Canada, and the Netherlands between 2001 and 2010 is compared quantitatively and qualitatively. On Military Memoirs shows that soldier-authors are a special breed; that self-published books still cater to different markets than traditionally published ones; that cultural differences are clearly visible between warrior nations and non-warrior nations; that not every contemporary memoir is a disillusionment story; and that writing is serious business for soldiers wanting to change the world. The book provides an innovative example of how to use interdisciplinary, mixed-method, cross-cultural research to analyse egodocuments.