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Autobiography of Franklin Graham tells of growing up as the son of the best-known evangelist in the world, running away from what others expected of him, and details his involvement in relief work and evangelism during Desert Storm and in war-torn Rwanda, Croatia, and Nicaragua.
Robert Lindner's 1944 classic Rebel Without a Cause follows the successful analysis and hypnosis of a criminal psychopath, Harold. In full transcriptions of their forty-six sessions, Lindner takes his patient into the depths and recesses of his childhood memories. Plumbing the free-associative monologues for clues to unlock the causes of Harold's criminal behavior, Lindner portrays a man cut off from himself and unable to attach himself to others. Lindner reveals to Harold long-hidden incidents from his infancy and childhood that served to propel him toward a troubled and chaotic adulthood, full of armed robbery, break-ins and random sexual encounters. With care and diligence, patient and analyst begin to excavate events from Harold's childhood and reconstruct them as a foundation for analysis. Heralded as a classic upon its publication, Rebel Without a Cause is the tale of a masterful analysis that is still relevant today, against the complex issues of sanity, rehabilitation, and crime that resonate in our legal system.
Hans Eysenck is one of the world's leading psychologists and undoubtedly the most controversial. Throughout a long and illustrious career his work on personality and intelligence has aroused impassioned debate and attacks, both verbal and physical, on Eysenck himself. In his compelling and absorbing autobiography, Eysenck recounts in some detail the battles he had to fight in order to establish his major conclusions, as well as the reasons why he investigated these subjects. He also discusses his work on such topics as the health hazards of smoking, the prophylactic effects of behavior therapy on cancer and coronary heart disease, parapsychology, astrology, and other matters.In a new foreword, written for this edition, Eysenck expresses his pleasure regarding the fact that his autobiography is now being published in the United States. He discusses how much of his scientific life has been bound up with American psychology. Also new to this American edition is a chapter titled "Genius, Creativity, and Vitamins," in which Eysenck talks about the research he has worked on since his retirement in 1983. Rebel with a Cause is an intriguing autobiography and will be of paramount interest to psychologists, sociologists, and genetic scientists.
A bounty hunter on a mission gives an innocent beauty the adventure of her life in this Western romance. Nebraska, 1881. Infamous bounty hunter Zane Coldridge does not get distracted. He’s renowned for his no-nonsense attitude, and criminals fear the day he comes knocking on their door. But when Zane encounters Missy Lenore Devlin, his resolve is swiftly tested. This disarmingly ditzy damsel in distress is on the lookout for adventure, and Zane has that in abundance. Torn between chivalry and duty, Zane pulls Missy onto his horse and promises her a journey—one that neither could have imagined when the sun rose over the prairie that morning.
In 1954, troubled director Nicholas Ray chatted at a dinner party about his controversial plan for a film about middle-class juvenile delinquents. He was told of a book, written by a prison psychologist and owned by Warner Bros., called Rebel Without a Cause. Though he was initially unimpressed, Ray adapted the book into his own screenplay and Warner Bros. hired him to direct what would become a classic. From the backgrounds of the many players to the pre-production, production, and post-production of the film, this complete history recounts every aspect of Rebel Without a Cause from its rudiments to the 1955 Academy Awards: the selection of cast and crew, legal fights, changing screenwriters and the many variations of the story, location scouting, auditions, script readings, difficulties with the censors, romances and fights, the editing, test screenings, and, of course, the death of its star. Dozens of intimate anecdotes, from wardrobe decisions to James Dean's pranks, add rich detail. An epilogue discusses the possible sequels, rights conflicts, documentaries, musicals, and spin-off attempts, and offers concluding words on the cast and crew.
"Tells the story of a young Revolutionary War hero, Dicey Langston, who warned the Patriots of an attack by the brutal Loyalist leader "Bloody Bill" Cunningham"--
The complete story behind the groundbreaking film Rebel Without a Cause is vividly revealed in this fascinating book as provocative as the film itself. The revolutionary film Rebel Without a Cause has had a profound impact on both moviemaking and youth culture since its 1955 release, virtually giving birth to our concept of the American teenager. And the making of the movie was just as explosive for those involved. Against a backdrop of the Atomic Age and an old Hollywood studio system on the verge of collapse, four of Hollywood's most passionate artists had a cataclysmic and immensely influential meeting. James Dean, Natalie Wood, Sal Mineo, and director Nicholas Ray were each at a crucial point in their careers. The young actors were grappling with their fame, burgeoning sexuality, and increasingly reckless behavior, and their on- and off-set relationships ignited as they engaged in Ray’s vision of physical melees and psychosexual seductions of startling intensity. Through interviews with the surviving members of the cast and crew and firsthand access to both personal and studio archives, the authors reveal Rebel's true drama: the director’s affair with sixteen-year-old Wood, his tempestuous “spiritual marriage” with Dean, and his role in awakening the latent sexuality of Mineo, who would become the first gay teenager to appear on film. This searing account of the upheaval the four artists experienced in the wake of Rebel is complete with thirty photographs, including ten never-before-seen photos by famed Dean photographer Dennis Stock.