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In the battle to decide the fate of humanity, the gods are up by two wins. Poseidon, the Greek god of the seas, enters the arena looking to extend the lead even further. To the crowd’s astonishment, the human challenger Brunhilde sends to the field is Sasaki Kojiro. Can a fighter known for having never once won a single match also be humanity’s greatest swordsman? Or is there more to Sasaki Kojiro’s reputation as history’s biggest loser than anyone can imagine? -- VIZ Media
THE DOOR OF DARKNESS IS CAST OPEN—THE WORLD ADVANCES TO A NEW FIELD The specter of war hangs thick in the air of the Oriana Kingdom, where Princess Rose is expected to wed Duke Perv. This supposed marriage cannot and will not stand, though, as it would throw a major wrench in a certain shadowbroker’s plans. Not one to miss an opportunity for sleuthing, Cid makes his way to the royal capital to put a stop to the ceremony, but are there even bigger schemes at work behind this unholy matrimony?
As the CEO of the Hiden Intelligence corporation, which manufactures Humagears, (helpful A.I. companions), Aruto Hiden must take up the mantle of Kamen Rider Zero-One to tackle a wicked cyber-terrorist plot that turns the benevolent Humagears into dangerous monsters! Now the villainous Ragnarok, who steals Progrisekeys to increase his power, has come forth to destroy all Kamen Riders, starting with Zero-One…
The Encyclopedia of Medieval Literature in Britain vereint erstmals wissenschaftliche Erkenntnisse zu Multilingualität und Interkulturalität im mittelalterlichen Britannien und bietet mehr als 600 fundierte Einträge zu Schlüsselpersonen, Zusammenhängen und Einflüssen in der Literatur vom fünften bis sechzehnten Jahrhundert. - Einzigartiger multilingualer, interkultureller Ansatz und die neuesten wissenschaftlichen Erkenntnisse. Das gesamte Mittelalter und die Bandbreite literarischer Sprachen werden abgedeckt. - Über 600 fundierte, verständliche Einträge zu Schlüsselpersonen, Texten, kritischen Debatten, Methoden, kulturellen Zusammenhängen sowie verwandte Terminologie. - Repräsentiert die gesamte Literatur der Britischen Inseln, einschließlich Alt- und Mittelenglisch, das frühe Schottland, die Anglonormannen, Nordisch, Latein und Französisch in Britannien, die keltische Literatur in Wales, Irland, Schottland und Cornwall. - Beeindruckende chronologische Darstellung, von der Invasion der Sachsen bis zum 5. Jahrhundert und weiter bis zum Übergang zur frühen Moderne im 16. Jahrhundert. - Beleuchtet die Überbleibsel mittelalterlicher britischer Literatur, darunter auch Manuskripte und frühe Drucke, literarische Stätten und Zusammenhänge in puncto Herstellung, Leistung und Rezeption sowie erzählerische Transformation und intertextuelle Verbindungen in dieser Zeit.
This exciting new collection examines the relationships between warfare, myths, and fairy tales, and explores the connections and contradictions between the narratives of war and magic that dominate the ways in which people live and have lived, survived, considered and described their world. Presenting original contributions and critical reflections that explore fairy tales, fantasy and wars, be they "real" or imagined, past or present, this book looks at creative works in popular culture, stories of resistance, the history and representation of global and local conflicts, the Holocaust, across multiple media. It offers a timely and important overview of the latest research in the field, including contributions from academics, story-tellers and artists, thereby transcending the traditional boundaries of the disciplines, extending the parameters of war studies beyond the battlefield.
Ginnungagap, the Gaping Abyss, was once what separated the realms of Ice and Fire, keeping them in balance and sparing the other realms from their ravages. With the Nine Realms shattered, however, Ginnungagap has been left unguarded and unspeakable horrors now await those who wish to cross it. Ragnarok: The Abyss includes new scenarios for Ragnarok as well as new monsters to vanquish in glorious battle. New mechanics introduce something once barely recognised by war clans – Fear – and present entirely new challenges for them to overcome in the telling of their sagas.