Queer Natures Queer Mythologies Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Queer Natures Queer Mythologies book. This book definitely worth reading, it is an incredibly well-written.
Queer Natures, Queer Mythologies collects in two parts the scholarly work—both published and unpublished—that Sam See had completed as of his death in 2013. In Part I, in a thorough reading of Darwin, See argues that nature is constantly and aimlessly variable, and that nature itself might be considered queer. In Part II, See proposes that, understood as queer in this way, nature might be made the foundational myth for the building of queer communities. With essays by Scott Herring, Heather Love, and Wendy Moffat.
A 2021 Sydney Taylor Notable Book "The new manifesto for how we as queer people could and should navigate the world. It's the holding hand I never had--but wish I did."--Troye Sivan, Golden Globe nominated-singer, songwriter, and actor "With the persistence of queerphobia all around the world, this book is absolutely necessary, even vital."--Édouard Louis, internationally bestselling author of History of Violence "To Eli's credit, all of the rules are rooted in considerations of conscience and kindness and, if observed, will make a better world--as will this book."--Booklist, starred review "A must-read that highlights the importance of radical empathy, community building, and solidarity."--School Library Journal, starred review In The New Queer Conscience, LGBTQIA+ activist Adam Eli argues the urgent need for queer responsibility -- that queers anywhere are responsible for queers everywhere. Pocket Change Collective is a series of small books with big ideas from today's leading activists and artists. In this installment, The New Queer Conscience, Voices4 Founder and LGBTQIA+ activist Adam Eli offers a candid and compassionate introduction to queer responsibility. Eli calls on his Jewish faith to underline how kindness and support within the queer community can lead to a stronger global consciousness. More importantly, he reassures us that we're not alone. In fact, we never were. Because if you mess with one queer, you mess with us all.
How films help us understand the inevitable death of Earth and humanity Negative Life: The Cinema of Extinction brings cinema studies, queer theory, and psychoanalysis into novel configuration around the concept of negative life, a sundering of human and nonhuman relations. Engaging a philosophical and cinematic corpus that rejects the pastoralism of “entanglement” or “enmeshment,” Steven Swarbrick and Jean-Thomas Tremblay counter ecocritical pieties and cut a new path for theory. They examine films by Julian Pölsler, Kelly Reichardt, Lee Isaac Chung, Mahesh Mathai, Paul Schrader, and others that exemplify the existential contradictions currently intensifying amid the sixth mass extinction. Each case study testifies formally and thematically to negative life as a structural condition of thought and film. Together, the cases reveal the unlivable dimension of life and art, where form, desire, and nonbelonging tarry with the future-oriented promise of ecostudies—where all that lives connects. Negative Life militates against this promise, showing that faith in connection is a dead end.
Author : Richard O. Prum Publisher : University of Chicago Press Page : 404 pages File Size : 17,73 MB Release : 2023-11-14 Category : Science ISBN : 0226829782
"We are living through a time of enormous cultural change involving broad reconsideration of ideas about individual sex, gender, their boundaries, their meanings, and their mutabilities. There is a growing realization of the diversity of lived gender identities and sexual experiences. Performance All the Way Down is a manifesto for today. It initiates needed dialogue between feminist thought and the science of sex by explaining all the avenues of sexual differentiation from zygote to gendered adult to argue, with an absorbing clarity, against the existence of the sexual binary. Richard O. Prum, author of The Evolution of Beauty, turns his attention in this book from beauty to sex. What is sex? And what does it mean, scientifically, to question the essentialist, binary concept of sex? Performance All the Way Down poses a new view on these complex questions. For Prum argues that the ways in which a single-celled, fertilized zygote becomes a complex, conscious organism with gender and sexual behavior is best described scientifically as a complex performative continuum. His idea of the performative phenotype challenges the twentieth century isolation of developmental biology from evolutionary biology and the strict conception of gene-level selection, providing an alternative view of what being genetic actually means"--
Resonating with contemporary ecological and queer theory, this book pioneers the theorization of the Victorian idyll, establishing its nature, lineaments, and significance as a formal mode widely practised in nineteenth-century British culture across media and genre. Chapters trace the Victorian idyll’s emergence in the 1830s, its flourishing in the 1860s, and its evolution up to the century’s close, drawing attention to the radicalism of idyllic experiments with pictorial, photographic, dramatic, literary, and poetic form in the work of canonical and lesser-known figures. Approaching the idyll through three intersecting categories—subject, ecology, and form—this book remaps Victorian culture, reshaping thinking about artistic form in the nineteenth century, and recalibrating accepted chronologies. In the representations by a host of Victorian artists and writers engaging with other-than-human forms, and in the natures of the subjectivities animated by these encounters, we find versions of Victorian ecology providing provocative imaginative material for ecocritics, scholars, writers, and artists today. This book will be of interest to scholars working in art history, English literature, Victorian studies, British history, queer and trans* theory, musicology, and ecocriticism, and will enliven debates pertaining to the environmental across periods.
What happens when the avant-garde grows old? Examining a group of writers and artists who continued the modernist experiment into later life, Scott Herring reveals how their radical artistic principles set out a new path for creative aging. Aging Moderns provides portraits of writers and artists who sought out or employed unconventional methods and collaborations up until the early twenty-first century. Herring finds Djuna Barnes performing the principles of high modernism not only in poetry but also in pharmacy orders and grocery lists. In mystery novels featuring Gertrude Stein and Alice B. Toklas along with modernist souvenir collections, the gay writer Samuel Steward elaborated a queer theory of aging and challenged gay male ageism. The Harlem Renaissance dancer Mabel Hampton dispelled stereotypes about aging through her queer of color performances at the Lesbian Herstory Archives. Herring explores Ivan Albright’s magic realist portraits of elders, Tillie Olsen’s writings on the aging female worker, and the surrealistic works made by Charles Henri Ford and his caregiver Indra Bahadur Tamang at the Dakota apartment building in New York City. Showcasing previously unpublished experimental art and writing, this deeply interdisciplinary book unites new modernist studies, American studies, disability studies, and critical age studies. Aging Moderns rethinks assumptions about literary creativity, the depiction of old age, and the boundaries of modernism.
Temporalities, Texts, Ideologies provides a new analysis of the significance of time in Classical and early modern literature, demonstrating that literary temporality continually intervenes in questions of ontology, hierarchy and politics. Examining a diverse range of texts from Homeric epic to eighteenth-century poems on the Last Judgement, this collection of essays contends that temporality in literature sits at the heart of how authors from antiquity through to the early modern period understood and negotiated the structures that shaped their lives and may shape lives to come. Approaching the topic through four themes, the essays in this volume highlight the ways in which time is construed as relational, contestable and politically inflected. The authors show that variations in temporalities enable texts to critique the interactions or tensions between tradition and change, agency and determinism, social system and individual experience. The result is a refreshing approach to literary figurations of time that responds to the recent 'temporal turn' in the humanities, engages with current critical trends (such as ontological analysis and ecological criticism), and opens up an exciting new direction for future research on the connection between time, text, and context.
Explores the way that characters and figures in Victorian literature and visual art encountered and observed the bodies of others, particularly those bodies which were aberrant, deformed, and disabled.
Speculative Time examines how a climate of financial and economic speculation and disaster shaped the literary culture of the United States in the early to mid-twentieth century. It argues that speculation's risk-laden and crisis-prone temporalities had major impacts on writing in the period, and on important aspects of visual representation.