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Ask an old-timer what life was like in rural upstate New York during the nineteenth and early twentieth centuries and you will hear about the dances and bees that brought villagers and farmers together. You will hear of favorite fiddlers who held center stage with dance tunes taken from early British and American sources. You will hear of old-time music and its significance to a people making the transition from a rural, agricultural life to an urban, industrial one. Old-Time Music Makers of New York State is the first book published on this rich legacy of traditional Anglo-American music and dance. It traces the development of old-time music beginning with its movement into New York State from New England in the early nineteenth century and to its combination with commercial country music in the twentieth century. Exploring the regional character of the music and its meaning co the people who enjoy it, Bronner introduces memorable figures from the major periods in the development of old-time music, and he places their stories, their lives, and their music in the context of the region's cultural and historical changes. This is much more than a regional study, however. Bronner brings to the fore issues of national scope and interest. He discusses the relationship of old-time music to the commercial country music with which it has been closely aligned, and he challenges the prevailing wisdom that the origins of country music are in the South. Musician, fan, folklorist, and historian alike will benefit from and enjoy this book. The many musical transcriptions, annotations, photographs, and appendixes provide a valuable reference to be used again and again.
When he was in graduate school in the late 1980s, Timothy Duffy began documenting the "roots" music styles of largely forgotten southern musicians in a series of field recordings. Recognizing that too many artists working in these traditions--blues, R&B, hillbilly music, and other now increasingly popular forms--had been either ignored or taken advantage of by mainstream record labels and music media and were living in poverty as a result, Duffy established the Music Maker Relief Foundation to help these forgotten pioneers meet their basic needs and nourish their souls by committing their gifts to archival recordings and reviving performance careers. This book, available for the first time in paperback, features photographs, biographies, interviews, and lyrics from sixty-six real and rooted originals such as Beverly "Guitar" Watkins, Cootie Stark, Mudcat, Macavine Hayes, and Drink Small. The music of America exists in these largely forgotten artists who link us back to our earliest history.
This 1949 volume remains the most comprehensive study of G. B. Guadagnini's life, work, and legacy. Includes a catalog of masterpieces and a new Introduction by an authority on musical instruments.
Thirty-two composers, conductors, performers, scholars, patrons, critics and others integrally involved in the American classical music milieu offer perceptions, criticisms and praise in assessing the music world and their experiences.