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Offering a critical analysis of Smithson's view of time, it provides comprehensive case studies of three of his most influential projects: "The Monuments of Passaic," a sardonic tour of a decaying New Jersey city conducted in the wake of the passage of the National Historic Preservation Act; "Incidents of Mirror-Travel in the Yucatan," a textual-sculptural-photographic travelogue that coincided with a series of revolutionary discoveries about Maya history; and the Spiral Jetty."--BOOK JACKET.
“A stunningly atmospheric fantasy that doubles as an exceptional character study . . . we can’t wait to see where Dabos takes it next.” —Entertainment Weekly (“The 10 Best YA Books of 2018”) One of Publishers Weekly’s Best YA Books of the Year A National Indie Bestseller Lose yourself in the fantastic world of the arks and in the company of unforgettable characters in this French runaway hit, Christelle Dabos’ The Mirror Visitor quartet. Plain-spoken, headstrong Ophelia cares little about appearances. Her ability to read the past of objects is unmatched in all of Anima and, what’s more, she possesses the ability to travel through mirrors, a skill passed down to her from previous generations. Her idyllic life is disrupted, however, when she is promised in marriage to Thorn, a taciturn and influential member of a distant clan. Ophelia must leave all she knows behind and follow her fiancé to Citaceleste, the capital of a cold, icy ark known as the Pole, where danger lurks around every corner and nobody can be trusted. There, in the presence of her inscrutable future husband, Ophelia slowly realizes that she is a pawn in a political game that will have far-reaching ramifications not only for her but for her entire world. The World of the Arks Long ago, following a cataclysm called the Rupture, the world was shattered into many floating celestial islands, now known as arks. Over each, the spirit of an omnipotent and immortal ancestor abides. The inhabitants of these arks each possess a unique power. Ophelia, with her ability to read the pasts of objects, must navigate this fantastic, disjointed, perilous world using her trademark tenacity and quiet strength.
"Young sorcery fans . . . set aside Harry Potter and pick up Merlin! ["The Mirror of Merlin" is] ingeniousIfilled with rich images [and] surprising touches of humor.U--"Cincinnati Enquirer. TRich with magic."--"The New York Times Book Review."
A globetrotting, time-bending, wildly entertaining masterpiece hailed by the New York Times Book Review as "Audaciously well written...the book I was raving about to my friends before I'd even finished it." Publishers Weekly raved that "with near-universal appeal . . . Seay’s debut novel is a true delight, a big, beautiful cabinet of wonders that is by turns an ominous modern thriller, a supernatural mystery, and an enchanting historical adventure story." Set in three cities in three eras, The Mirror Thief calls to mind David Mitchell and Umberto Eco in its mix of entertainment and literary bravado. The core story is set in Venice in the sixteenth century, when the famed makers of Venetian glass were perfecting one of the old world's most wondrous inventions: the mirror. An object of glittering yet fearful fascination—was it reflecting simple reality, or something more spiritually revealing?—the Venetian mirrors were state of the art technology, and subject to industrial espionage by desirous sultans and royals world-wide. But for any of the development team to leave the island was a crime punishable by death. One man, however—a world-weary war hero with nothing to lose—has a scheme he thinks will allow him to outwit the city's terrifying enforcers of the edict, the ominous Council of Ten . . . Meanwhile, in two other Venices—Venice Beach, California, circa 1958, and the Venice casino in Las Vegas, circa today—two other schemers launch similarly dangerous plans to get away with a secret . . . All three stories will weave together into a spell-binding tour-de-force that is impossible to put down—an old-fashioned, stay-up-all-night novel that, in the end, returns the reader to a stunning conclusion in the original Venice . . . and the bedazzled sense of having read a truly original and thrilling work of art.
Lady Victoria Mansfield, youngest daughter of the earl and countess of Fairmount, is destined for a charmed life. Soon she will be presented during the London season, where she can choose a mate worthy of her status. Yet Tory has a shameful secret—a secret so powerful that, if exposed, it could strip her of her position and disgrace her family forever. Tory's blood is tainted . . . by magic. When a shocking accident forces Tory to demonstrate her despised skill, the secret she's fought so hard to hide is revealed for all to see. She is immediately exiled to Lackland Abbey, a reform school for young men and women in her position. There she will learn to suppress her deplorable talents and maybe, if she's one of the lucky ones, be able to return to society. But Tory's life is about to change forever. All that she's ever known or considered important will be challenged. What lies ahead is only the beginning of a strange and wonderful journey into a world where destiny and magic come together, where true love and friendship find her, and where courage and strength of character are the only things that determine a young girl's worth. Dark Mirror is M.J. Putney's first young adult novel, and it's enthralling—an historical fantasy that's both fast-paced and deeply moving.
Looking at one's face in the mirror and finding one's self in the mirror are not the same. The former capacity is something we share with other animals; the latter is a skill: something we have to learn. What does it mean and what does it take to find oneself the mirror? This book provides a comparative anthropological enquiry into the unity and diversity of mirror gazing. The reader is encouraged to reflect upon and experiment with different mirror gazes through a range of case studies. Koukouti and Malafouris weave together anthropology with philosophy and draw on examples from literature and experiments from psychopathology in a way that has never been attempted before. The master metaphor is that of the mirror as trap. Mirror gazing is viewed on a par with hunting. Mirroring signifies the hunt for self-knowledge. In a time obsessed with the digital self-image, Koukouti and Malafouris reflect on the structures of consciousness that underpin the different ways of looking at and through the mirror. Combining metaphor, comparison and estrangement, they gesture towards a therapeutic alliance between body and mirroring. This allows us to look in the mirror, and think of our shared humanity differently.
Stacy is trapped in the past after being pulled through the mirror in their dorm room while her twin, Tracy, must pretend to be both sisters while trying to get Stacy back.