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"Born in the Warsaw ghetto and growing up in France during the rise of Hitler, Benoit Mandelbrot found escape from the cruelties of the world around him through mathematics. Drawn into the infinite promulgations of formulae, he sinks into secret dimensions and unknown wonders. His gifts do not make his life easier, however. As the Nazis give up the pretense of puppet government in Vichy France, the jealousy of Mandelbrot's classmates leads to denunciation and disaster. The young mathematician must save his family with the secret spaces he's discovered, or his genius will destroy them"--Amazon.com.
What is Melville beyond the whale? Long celebrated for his stories of the sea, Melville was also fascinated by the interrelations between living species and planetary systems, a perspective informing his work in ways we now term "ecological." By reading Melville in the context of nineteenth-century science, Tom Nurmi contends that he may best be understood as a proto-ecologist who innovatively engages with the entanglement of human and nonhuman realms. Melville lived during a period in which the process of scientific specialization was well underway, while the integration of science and art was concurrently being addressed by American writers. Steeped in the work of Lyell, Darwin, and other scientific pioneers, he composed stories and verse that made the complexity of geological, botanical, and zoological networks visible to a broad spectrum of readers, ironically in the most "unscientific" forms of fiction and poetry. Set against the backdrop of Melville’s literary, philosophical, and scientific influences, Magnificent Decay focuses on four of his most neglected works— Mardi (1849), Pierre (1852), The Piazza Tales (1856), and John Marr (1888)—to demonstrate that, together, literature and science offer collective insights into the past, present, and future turbulence of the Anthropocene. Tracing the convergences of ecological and literary creativity, Melville’s lesser-read texts explore the complex interplay between inanimate matter, life, and human society across multiple scales and, in so doing, illustrate the value of literary art for representing ecological relationships.
Here is the remarkable life story of Benoit Mandelbrot, the creator of fractal geometry, and his unparalleled contributions to science mathematics, the financial world, and the arts. Mandelbrot recounts his early years in Warsaw and in Paris, where he was mentored by an eminent mathematician uncle, through his days evading the Nazis in occupied France, to his education at Caltech, Princeton, and MIT, and his illustrious career at the IBM Thomas J. Watson Research Center. An outside to mainstream scientific research, he managed to do what others had thought impossible: develop a new geometry that combines revelatory beauty with a radical way of unfolding formerly hidden scientific laws. In the process he was able to use geometry to solve fresh, real-world problems. With exuberance and an eloquent fluency, Benoit Mandelbrot recounts the high points of his fascinating life, offering us a glimpse into the evolution of his extraordinary mind. With full-color inserts and black-and-white photographs throughout.
Tor.com Publishing Editorial Spotlight #4 is a curated selection of novellas by editor Ann VanderMeer This collection includes: Mandelbrot the Magnificent by Liz Ziemska The Warren by Brian Evenson "Liz Ziemska has fashioned a beautiful story about one famous survivor and the magic and mathematics he’s brought to the world."—Karen Joy Fowler on Mandelbrot the Magnificent "A creepy, mind-bending quest of identity and mystery, told with a master's skill. No one explores inner landscapes quite like Brian Evenson."—Jeff VanderMeer on The Warren At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A geometry able to include mountains and clouds now exists. I put it together in 1975, but of course it incorporates numerous pieces that have been around for a very long time. Like everything in science, this new geometry has very, very deep and long roots. Benoît B. Mandelbrot Introduction This enhanced and expanded edition of THE COLOURS OF INFINITY features an additional chapter on the money markets by the fractal master himself, Professor Benoît Mandelbrot. The DVD of the film associated with this book has been re-mastered especially for this edition with exquisite new fractal animations, which will take your breath away! Driven by the curious enthusiasm that engulfs many fractalistas, in 1994, Nigel Lesmoir-Gordon overcame enormous obstacles to raise the finance for, then shoot and edit the groundbreaking TV documentary from which this book takes its name. The film has been transmitted on TV channels in over fifty countries around the world. This book is not just a celebration of the discovery of the Mandelbrot set, it also brings fractal geometry up to date with a gathering of the thoughts and enthusiasms of the foremost writers and researchers in the field. As Ian Stewart makes clear in the opening chapter, there were antecedents for fractal geometry before 1975 when Mandelbrot gave the subject its name and began to develop the underlying theory.
How did we get to where we are? John Cassidy shows that the roots of our most recent financial failure lie not with individuals, but with an idea - the idea that markets are inherently rational. He gives us the big picture behind the financial headlines, tracing the rise and fall of free market ideology from Adam Smith to Milton Friedman and Alan Greenspan. Full of wit, sense and, above all, a deeper understanding, How Markets Fail argues for the end of 'utopian' economics, and the beginning of a pragmatic, reality-based way of thinking. A very good history of economic thought Economist How Markets Fail offers a brilliant intellectual framework . . . fine work New York Times An essential, grittily intellectual, yet compelling guide to the financial debacle of 2009 Geordie Greig, Evening Standard A powerful argument . . . Cassidy makes a compelling case that a return to hands-off economics would be a disaster BusinessWeek This book is a well constructed, thoughtful and cogent account of how capitalism evolved to its current form Telegraph Books of the Year recommendation John Cassidy ... describe[s] that mix of insight and madness that brought the world's system to its knees FT, Book of the Year recommendation Anyone who enjoys a good read can safely embark on this tour with Cassidy as their guide . . . Like his colleague Malcolm Gladwell [at the New Yorker], Cassidy is able to lead us with beguiling lucidity through unfamiliar territory New Statesman John Cassidy has covered economics and finance at The New Yorker magazine since 1995, writing on topics ranging from Alan Greenspan to the Iraqi oil industry and English journalism. He is also now a Contributing Editor at Portfolio where he writes the monthly Economics column. Two of his articles have been nominated for National Magazine Awards: an essay on Karl Marx, which appeared in October, 1997, and an account of the death of the British weapons scientist David Kelly, which was published in December, 2003. He has previously written for Sunday Times in as well as the New York Post, where he edited the Business section and then served as the deputy editor. In 2002, Cassidy published his first book, Dot.Con. He lives in New York.
In this essential primer, mathematician Michael Frame, a close collaborator with Benoit Mandelbrot, the founder of fractal geometry, and poet Amelia Urry explore the amazing world of fractals as they appear in nature, art, medicine, and technology
Nineteen writers dig into the imaginative spaces between conventional genres—realistic and fantastical, scholarly and poetic, personal and political—and bring up gems of new fiction: interstitial fiction. This is the literary mode of the new century, a reflection of the complex, ambiguous, and challenging world that we live in. These nineteen stories, by some of the most interesting and innovative writers working today, will change your mind about what stories can and should do as they explore the imaginative space between conventional genres. The editors garnered stories from new and established authors in the United States, Canada, Australia, and the United Kingdom, and also fiction translated from Spanish, Hungarian, and French. The collection features stories from Christopher Barzak, Colin Greenland, Holly Phillips, Rachel Pollack, Vandana Singh, Anna Tambour, Catherynne Valente, Leslie What, and others. "A wildly varied cacophony of a book, by turns beautiful, funny, frightening, frustrating, and baffling, but never boring." —New Haven Review "Odd, Deep, Delightful" —Atlanta Journal-Constitution "This idea of playing with genre conventions is interstitiality's charm and what makes it a movement for the hypertext age. We want words to do more now and for our time not to have been spent with just one idea." —Adrienne Martini, Baltimore City Paper Delia Sherman was born in Tokyo and brought up in New York City. She earned a PhD in Renaissance studies at Brown University and taught at Boston and North-eastern universities. She is the author of the novels Through a Brazen Mirror, The Porcelain Dove (a Mythopoeic Award winner), and Changeling. Sherman co-founded the Interstitial Arts Foundation, dedicated to promoting art that crosses genre borders. Theodora Goss was born in Hungary and spent a peripatetic childhood in various European countries. She teaches at Boston University, is completing a PhD, and is introducing classes on the fantastic tradition in English literature. She is the author of a short story collection, In the Forest of Forgetting.