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He was born Bela Ferenc Dezso Blasko on October 20, 1882, in Hungary. He joined Budapest's National Theater in 1913 and later appeared in several Hungarian films under the pseudonym Arisztid Olt. After World War I, he helped the Communist regime nationalize Hungary's film industry, but barely escaped arrest when the government was deposed, fleeing to the United States in 1920. As he became a star in American horror films in the 1930s and 1940s, publicists and fan magazines crafted outlandish stories to create a new history for Lugosi. The cinema's Dracula was transformed into one of Hollywood's most mysterious actors. This exhaustive account of Lugosi's work in film, radio, theater, vaudeville and television provides an extensive biographical look at the actor. The enormous merchandising industry built around him is also examined.
Dracula and Frankenstein's Monster are horror cinema icons, and the actors most deeply associated with the two roles also shared a unique friendship. Bela Lugosi and Boris Karloff starred in dozens of black-and-white horror films, and over the years managed to collaborate on and co-star in eight movies. Through dozens of interviews and extensive archival research, this greatly expanded new edition examines the Golden Age of Hollywood, the era in which both stars worked, recreates the shooting of Lugosi and Karloff's mutual films, examines their odd and moving personal relationship and analyzes their ongoing legacies. Features include a fully detailed filmography of the eight Karloff and Lugosi films, full summaries of both men's careers and more than 250 photographs, some in color.
This definitive biography of the silver screen legend is “a moving, lively, witty, sad book that revives once more the long dead Count Dracula” (Kirkus Reviews). Bela Lugosi won immediate fame for his starring role in the 1931 film Dracula—the role that would forever define his persona. After a decade of trying to broaden his range, Lugosi resigned himself to a career as the world's most recognizable vampire, often playing opposite his horror film rival Boris Karloff. When he died in 1956, Lugosi could not have known that vindication of his talent would come—his face would adorn theaters and his Hungarian accent would be instantly recognized across the globe. In 1974, silent film expert Arthur Lennig published The Count, a highly regarded biography of the unsung actor. Now Lennig returns to his subject with a completely revised volume more than twice the length of the original. The Immortal Count provides deeper insights into Lugosi's films and personality. Drawing upon personal interviews, studio memos, shooting scripts, research in Romania and Hungary, and his own recollections, Lennig has written the definitive account of Lugosi's tragic life.
It’s the late 1980s, and Michael Fenton, editor of Ramboona (a magazine dedicated to forgotten films), is attempting to track down the lost test footage from the 1931 Frankenstein produced by Universal Studios. It’s the holy grail of horror film aficionados: the twenty-minute reel in which Bela Lugosi portrays Frankenstein’s Monster instead of Boris Karloff, who would go on to make cinematic history with his portrayal of Mary Shelley’s creation. In his attempt to locate this fifty-year-old film canister, Mike is led down a labyrinth of blind alleys amidst the topsy-turvy wonderland of Los Angeles and environs. When we first encounter Mike, he’s making a pilgrimage to Lugosi’s final resting place at Holy Cross Cemetery. This is where he meets Lucy Szilagyi, a struggling young actress who happens to be visiting Sharon Tate’s grave (located only a few tombstones away from Lugosi’s). Lucy, a film buff herself, joins Mike in his quixotic search, helping him track down such curious, real-life characters as Maila Nurmi (an out-of-work actress known more famously as “Vampira”), Bela Lugosi, Jr., science fiction novelist Curt Siodmak, and Manly P. Hall (master hypnotist, mystic, Lugosi confidant, and author of a strange occult encyclopedia entitled The Secret Teachings of All Ages). All of these individuals have valuable pieces of information that could lead Mike to the hidden location of the lost test reel. Lugosi’s grave is also where Mike encounters a mysterious old man who promises him the footage he so desperately desires. But the man offers the item only at a most unusual price…. Bela Lugosi’s Dead is one-third detective story, one-third Hollywood ghost story, and one-third pulp adventure tale…. ***** “In Robert Guffey's latest and greatest novel, dreams of old movies and nightmares of classic horror rack into sharp focus through the lens of a brave film historian, one determined to squint clearly at fleeting grains of film through the shifting sands of time. Never has the truth of Hollywood been so well revealed through fiction. As a result, Bela Lugosi's Dead delightfully and definitively proves that Bela Lugosi isn't dead.” --Gary D. Rhodes, author of LUGOSI and TOD BROWNING'S DRACULA
This important text and reference for researchers and students in machine learning, game theory, statistics and information theory offers a comprehensive treatment of the problem of predicting individual sequences. Unlike standard statistical approaches to forecasting, prediction of individual sequences does not impose any probabilistic assumption on the data-generating mechanism. Yet, prediction algorithms can be constructed that work well for all possible sequences, in the sense that their performance is always nearly as good as the best forecasting strategy in a given reference class. The central theme is the model of prediction using expert advice, a general framework within which many related problems can be cast and discussed. Repeated game playing, adaptive data compression, sequential investment in the stock market, sequential pattern analysis, and several other problems are viewed as instances of the experts' framework and analyzed from a common nonstochastic standpoint that often reveals new and intriguing connections.
A scholarly, yet thoroughly entertaining study of Lugosi's entire life, focusing on the period between 1952-56 - his career, his marriages, his politics, and his close friendship with Richard Sheffield. This insightful hardcover edition contains previously unpublished research, interviews and hundreds of rare photos, many unseen until now. Includes details of newly discovered stage, newsreel, radio and TV work, as well as a filmography with new entries.
A self-contained and coherent account of probabilistic techniques, covering: distance measures, kernel rules, nearest neighbour rules, Vapnik-Chervonenkis theory, parametric classification, and feature extraction. Each chapter concludes with problems and exercises to further the readers understanding. Both research workers and graduate students will benefit from this wide-ranging and up-to-date account of a fast- moving field.
"Hollywood, 1956. Journalist and war widow Evangeline Kilhooley is assigned to write a star profile of the fading actor Bela Lugosi, made famous by his role as Count Dracula. During a series of interviews, Lugosi draws Evi into his curious Eastern European background, gradually revealing the link between Old World shadows and the twilight realm of modern horror films. Along the way, Evi meets another English expatriate, Hugo Radelle, a movie buff who offers to help with her research. As their relationship deepens, Evi begins to suspect that he knows more about her and her soldier husband than he is letting on. Meanwhile, a menacing Darkness stalks all three characters as their histories and destinies mysteriously begin to intertwine."--Provided by publisher.