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London 1866. Catherine Everleigh is London's loveliest heiress, but a bitter lesson in heartbreak has taught her to keep to herself. All she wants is her birthright--the auction house that was stolen from her. To win this war, she'll need a powerful ally. Who better than infamous and merciless crime lord Nicholas O'Shea? A marriage of convenience will no doubt serve them both.
From riches to rags – but there’s wealth in love... Rebecca Bradford has had more to cope with in her nineteen short years than most people face in a lifetime. Her peaceful childhood in Kent is devastated when her parents and younger brothers are taken by smallpox. When her cousin Richard offers to take her in, it seems an offer too tempting to refuse. But Richard’s bedridden sister is in need of constant attention, and when Rebecca moves into Richard’s house in London’s East End, Richard moves out. Luck, it seems, has been anything but a lady. And when Rebecca is attacked while out shopping, it seems that fate is far from finished with her. Then Rebecca is rescued by Jimmy Jackson, an East End bookie with deep brown eyes and rugged good looks. And as she gets to know him, she realises she has found that rarest of men: one who is as kind as he is attractive... For readers of Katie Flynn, Annie Groves, and Rosie Goodwin, Luck Be A Lady is a heartwarming East End saga.
Vegas, 1960. Gamblin’, drinkin’, and everybody’s misbehavin’. Six months ago, while they were filming Ocean’s 11, the Rat Pack needed Eddie Gianelli’s help to track down the mug who was sending threatening letters to Dino. Now they’re back for the premiere and it’s Frank who needs Eddie’s help. Seems a babe he was planning to meet in Sin City took a powder---leaving behind her luggage and a stiff in the bathtub. She’s on the lam, and it’s up to Eddie to find her and figure out if she’s a victim or a killer. Once again Eddie teams up with his P.I. buddy, Danny Bardini, and the Jewish New York torpedo, Jerry Epstein, who never met a pancake he didn’t like. Together they scour the neon streets, smoke-filled lounges, casinos, and seamy back alleys, dodging bodies and thugs with guns. But when Sam Giancana arrives on the scene, Eddie starts to wonder if he’s going to be able to keep himself out of jail---and alive. Celebrity cameos spice up the action, and Mo Mo Giancana brings a dark presence to the story. Once again, Randisi, the man Booklist says “may be the last of the pulp writers,” gives readers a tour de force of bright lights, hot dice, and drop-dead-gorgeous dames in this second novel in the exciting, acclaimed series.
Romance sizzles between a famous heiress and an infamous crime lord in this fourth sexy novel in the Rules for the Reckless series from the USA TODAY bestselling author of Fool Me Twice. THE WALLFLOWER They call her the “Ice Queen.” Catherine Everleigh is London’s loveliest heiress, but a bitter lesson in heartbreak has taught her to keep to herself. All she wants is her birthright—the auction house that was stolen from her. To win this war, she’ll need a powerful ally. Who better than infamous and merciless crime lord Nicholas O’Shea? A marriage of convenience will no doubt serve them both. THE CRIME LORD Having conquered the city’s underworld, Nick seeks a new challenge. Marrying Catherine will give him the appearance of legitimacy—and access to her world of the law-abiding elite. No one needs to know he’s coveted Catherine for a year now—their arrangement is strictly business, free from the troubling weaknesses of love. Seduction, however, is a different matter—an enticing game he means to ensure she enjoys, whether she wishes to or not. . . .
No star burned more ferociously than Judy Garland. And nobody witnessed Garland's fierce talent at closer range than Stevie Phillips. During the Mad Men era, Stevie Philips was a young woman muscling her way into the manscape of Manhattan's glittering office towers. After a stint as a secretary, she began working for Freddie Fields and David Begelman at Music Corporation of America (MCA) under the glare of legendary über-agent Lew Wasserman. When MCA blew apart, Fields and Begelman created Creative Management Associates (CMA), and Stevie went along. Fields convinced Garland to come on board, and Stevie became, as she puts it, "Garland's shadow," putting out fires-figurative and literal-in order to get her to the next concert in the next down-and-out town. Philips paints a portrait of Garland at the bitter end and although it was at times a nightmare, Philips says, "She became my teacher," showing her "how to" and "how not to" live. Stevie also represented Garland's fiercely talented daughter, Liza Minnelli, as well as Robert Redford, Paul Newman, Henry Fonda, George Roy Hill, Bob Fosse, Cat Stevens, and David Bowie. She produced both films and Broadway shows and counted her colleague, the legendary agent Sue Mengers, among her closest confidantes. Now Stevie Phillips reveals all in Judy & Liza & Robert & Freddie & David & Sue & Me..., a tough-talking memoir by a woman who worked with some of the biggest names in show business. It's a helluva ride.
A comprehensive anthology bringing together more than one thousand of the best American and English song lyrics of the twentieth century; an extraordinary celebration of a unique art form and an indispensable reference work and history that celebrates one of the twentieth century’s most enduring and cherished legacies. Reading Lyrics begins with the first masters of the colloquial phrase, including George M. Cohan (“Give My Regards to Broadway”), P. G. Wodehouse (“Till the Clouds Roll By”), and Irving Berlin, whose versatility and career span the period from “Alexander’s Ragtime Band” to “Annie Get Your Gun” and beyond. The Broadway musical emerges as a distinct dramatic form in the 1920s and 1930s, its evolution propelled by a trio of lyricists—Cole Porter, Ira Gershwin, and Lorenz Hart—whose explorations of the psychological and emotional nuances of falling in and out of love have lost none of their wit and sophistication. Their songs, including “Night and Day,” “The Man I Love,” and “Bewitched, Bothered and Bewildered,” have become standards performed and recorded by generation after generation of singers. The lure of Broadway and Hollywood and the performing genius of such artists as Al Jolson, Fred Astaire, Ethel Waters, Judy Garland, Frank Sinatra, and Ethel Merman inspired a remarkable array of talented writers, including Dorothy Fields (“A Fine Romance,” “I Can’t Give You Anything but Love”), Frank Loesser (“Guys and Dolls”), Oscar Hammerstein II (from the groundbreaking “Show Boat” of 1927 through his extraordinary collaboration with Richard Rodgers), Johnny Mercer, Yip Harburg, Andy Razaf, Noël Coward, and Stephen Sondheim. Reading Lyrics also celebrates the work of dozens of superb craftsmen whose songs remain known, but who today are themselves less known—writers like Haven Gillespie (whose “Santa Claus Is Coming to Town” may be the most widely recorded song of its era); Herman Hupfeld (not only the composer/lyricist of “As Time Goes By” but also of “Are You Makin’ Any Money?” and “When Yuba Plays the Rumba on the Tuba”); the great light versifier Ogden Nash (“Speak Low,” “I’m a Stranger Here Myself,” and, yes, “The Sea-Gull and the Ea-Gull”); Don Raye (“Boogie Woogie Bugle Boy,” “Mister Five by Five,” and, of course, “Milkman, Keep Those Bottles Quiet”); Bobby Troup (“Route 66”); Billy Strayhorn (not only for the omnipresent “Lush Life” but for “Something to Live For” and “A Lonely Coed”); Peggy Lee (not only a superb singer but also an original and appealing lyricist); and the unique Dave Frishberg (“I’m Hip,” “Peel Me a Grape,” “Van Lingo Mungo”). The lyricists are presented chronologically, each introduced by a succinct biography and the incisive commentary of Robert Gottlieb and Robert Kimball.
Poet John Hollander surveys the schemes, patterns, and forms of English verse in this classic text, illustrating each variation with an original and witty self-descriptive example. In new essays for this fourth edition, J. D. McClatchy and Richard Wilbur each offer a personal take on why the book has played such an important role in the education of young poets and student scholars. “How lucky the young poet who discovers this wisest and most lighthearted of manuals.”—James Merrill “Marvelously comprehensive, clarifying and useful, and a delight to read.”—John Reardon, Los Angeles Times Book Review “A virtuoso performance and a mandatory text for poetry readers and practioners alike.”—ALA Booklist
A shocking announcement at her cousin's Vegas wedding sends retro- loving librarian Megan West on a whirlwind tour across Nevada with brash cop Logan Doyle. It's the gamble-and perhaps love affair-of a lifetime...