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Renowned paleoartist John Gurche brings the traditional techniques of figure drawing and anatomical art to the portrayal of our hominin ancestors. The result is a visual record of the evolving human form that feels alive in a way no scientific illustration could match. While science provides an underpinning to Gurche’s art, his work’s primary purpose is to forge an aesthetic connection to the hominins that preceded us on Earth, capturing their humanity. With essays by leading authorities, Lost Anatomies carries the story of human evolution from apes and early hominins; to Australopithecus; to archaic Homo sapiens, including Homo erectus; to derived Homo sapiens, including Neanderthals and other species that are our most recent ancestors.
Describes the process by which the author uses knowledge of fossil discoveries and comparative ape and human anatomy to create forensically accurate representations of human beings' ancient ancestors.
Poetry. Art. Asian & Asian American Studies. 2014 Kore Press First Book Winner, selected by Joy Harjo. SILENT ANATOMIES is a poetic-visual hybrid that traverses the body's terrain, examining the phenomena of cultural silences. Whether it is shame obscuring the female body, the social stigma shrouding certain illnesses, or the cryptic stories of her ancestors, Monica Ong interrogates the agency of the daughter, who must decide whether or not to speak out. What happens to stories that go underreported, un-translated, or are completely erased?
The Sunday Times Science Book of the Year, Anatomies by Hugh Aldersey-Williams, author of bestseller Periodic Tales, is a splendidly entertaining journey through the art, science, literature and history of the human body. 'Magnificent, inspired. He writes like a latter-day Montaigne. Stimulating scientific hypotheses, bold philosophic theories, illuminating quotations and curious facts. I recommend it to all' Telegraph ***** 'Splendid, highly entertaining, chock-full of insights ... It inserts fascinating scientific snippets and anecdotes about our organs into the wider history of our changing understanding of our bodies' Sunday Times 'A relentlessly entertaining cultural history of the human body ... brims with fascinating details, infectious enthusiasm ... the terrain he covers is so richly brought to life' Guardian 'Elegant and informative ... For Aldersey-Williams, [the body] is a thing of wonder and a repository of fascinating facts' Mail on Sunday **** In Anatomies, bestselling author Hugh Aldersey-Williams investigates that marvellous, mysterious form: the human body. Providing a treasure trove of surprising facts, remarkable stories and startling information drawn from across history, science, art and literature - from finger-prints to angel physiology, from Isaac Newton's death-mask to the afterlife of Einstein's brain - he explores our relationship with our bodies and investigates our changing attitudes to the extraordinary physical shell we inhabit. 'More than a science book - it's also history, biography and autobiography - Anatomies is writing at its most refined, regardless of genre' Sunday Times Praise for Periodic Tales: 'Science writing at its best ... fascinating and beautiful ... if only chemistry had been like this at school ... to meander through the periodic table with him ... is like going round a zoo with Gerald Durrell ... a rich compilation of delicious tales, but it offers greater rewards, too' Matt Ridley 'Immensely engaging and continually makes one sit up in surprise' Sunday Times 'Splendid ... enjoyable and polished' Observer 'Full of good stories and he knows how to tell them well ... an agreeable jumble of anecdote, reflection and information' Sunday Telegraph 'Great fun to read and an endless fund of unlikely and improbable anecdotes ... sharp and often witty' Financial Times Hugh Aldersey-Williams studied natural sciences at Cambridge. He is the author of several books exploring science, design and architecture and has curated exhibitions at the Victoria and Albert Museum and the Wellcome Collection. His previous book Periodic Tales: The Curious Lives of the Elements was a Sunday Times bestseller and has been published in many languages around the world. He lives in Norfolk with his wife and son.
“Disturbingly lovely . . . The Resurrectionist is itself a cabinet of curiosities, stitching history and mythology and sideshow into an altogether different creature. Deliciously macabre and beautifully grotesque.”—Erin Morgenstern, author of The Night Circus This macabre tale—part dark fantasy, part Gray’s Anatomy—tells the chilling story of a man driven mad by his search for the truth, with hypnotic and horrifying images. Philadelphia, the late 1870s. A city of gas lamps, cobblestone streets, and horse-drawn carriages—and home to the controversial surgeon Dr. Spencer Black. The son of a grave robber, young Dr. Black studies at Philadelphia’s esteemed Academy of Medicine, where he develops an unconventional hypothesis: that the mythological beasts of legend and lore—including mermaids, minotaurs, and satyrs—were in fact humanity's evolutionary ancestors. And beyond that, he wonders: what if there was a way for humanity to reach the fuller potential these ancestors implied? The Resurrectionist offers two extraordinary books in one. The first part is a fictional biography of Dr. Spencer Black, from his childhood spent exhuming corpses through his medical training, his travels with carnivals, his cruel and crazed experiments, and, finally, his mysterious disappearance. The second part is Black’s magnum opus: The Codex Extinct Animalia, a Gray’s Anatomy for mythological beasts, all rendered in meticulously detailed anatomical illustrations.
The astonishing new story of human origins Was Darwin wrong when he traced our origins to Africa? The Real Planet of the Apes makes the explosive claim that it was in Europe, not Africa, where apes evolved the most important hallmarks of our human lineage. In this compelling and accessible book, David Begun, one of the world’s leading paleoanthropologists, transports readers to an epoch in the remote past when the Earth was home to many migratory populations of ape species. Begun draws on the latest astonishing discoveries in the fossil record, as well as his own experiences conducting field expeditions, to offer a sweeping evolutionary history of great apes and humans. He tells the story of how one of the earliest members of our evolutionary group evolved from lemur-like monkeys in the primeval forests of Africa. Begun then vividly describes how, over the next ten million years, these hominoids expanded into Europe and Asia and evolved climbing and hanging adaptations, longer maturation times, and larger brains. As the climate deteriorated in Europe, these apes either died out or migrated south, reinvading the African continent and giving rise to the lineages of African great apes, and, ultimately, humans. Presenting startling new insights, The Real Planet of the Apes fundamentally alters our understanding of human origins.
Hillary M. Nunn here traces the connections between the London public's interest in medical dissection and the changing cultural significance of bloodshed on the early Stuart playhouse stage. Considering the playhouses' role within the social world of early modern London, Nunn explores the influence of public dissection upon the presentation of human bodies in well-known plays such as King Lear, as well as in a wide range of often neglected early Stuart tragedies like The Second Maiden's Tragedy and Revenge for Honour. In addition to dramatic texts, the study draws heavily on anatomy treatises and popular pamphlets of the time. Incorporating views of anatomy's significance from a wide range of sources, this study shows the ways in which early Stuart dramatists called upon Londoners' increasing fascination with anatomical dissection to shape the staging of their tragedies.
In centuries past, sexual body-parts and same-sex desire were unmentionables debarred from polite conversation and printed discourse. Yet one scientific discipline-anatomy-had license to represent and narrate the intimate details of the human body-anus and genitals included. Figured within the frame of an anatomical plate, presentations of dissected bodies and body-parts were often soberly technical. But just as often monstrous, provocative, flirtatious, theatrical, beautiful, and even sensual. Queer Anatomies explores overlooked examples of erotic expression within 18th and 19th-century anatomical imagery. It uncovers the subtle eroticism of certain anatomical illustrations, and the queerness of the men who made, used and collected them. As a foundational subject for physicians, surgeons and artists in 18th- and 19th-century Europe, anatomy was a privileged, male-dominated domain. Artistic and medical competence depended on a deep knowledge of anatomy and offered cultural legitimacy, healing authority, and aesthetic discernment to those who practiced it. The anatomical image could serve as a virtual queer space, a private or shared closet, or a men's club. Serious anatomical subjects were charged with erotic, often homoerotic, undertones. Taking brilliant works by Gautier Dagoty, William Cheselden, and Joseph Maclise, and many others, Queer Anatomies assembles a lost archive of queer expression-115 illustrations, in full-colour reproduction-that range from images of nudes, dissected bodies, penises, vaginas, rectums, hands, faces, and skin, to scenes of male viewers gazing upon works of art governed by anatomical principles. Yet the men who produced and savored illustrated anatomies were reticent, closeted. Diving into these textual and representational spaces via essayistic reflection, Queer Anatomies decodes their words and images, even their silences. With a range of close readings and comparison of key images, this book unearths the connections between medical history, connoisseurship, queer studies, and art history and the understudied relationship between anatomy and desire.