[PDF] Long And Sluggish Lines eBook

Author : George S. Lensing
Publisher : LSU Press
Page : 412 pages
File Size : 39,64 MB
Release : 2004-04-01
Category : Literary Criticism
ISBN : 9780807129722

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This fruitful pairing of literary and biographical interpretation follows Wallace Stevens’s poetry through the lens of its dominant metaphor—the seasons of nature—and illuminates the poet’s personal life experiences reflected there. From Stevens’s first collection, Harmonium (1923), to his last poems written shortly before his death in 1955, George S. Lensing offers clear and detailed examination of Stevens’s seasonal poetry, including extensive discussions of “Autumn Refrain,” “The Snow Man,” “The World as Meditation,” and “Credences of Summer.” Drawing upon a vast knowledge of the poet, Lensing argues that Stevens’s pastoral poetry of the seasons assuaged a profound and persistent personal loneliness. An important scholarly assessment of a major twentieth-century modernist, Wallace Stevens and the Seasons also serves as an appealing introduction to Stevens.

Author : Wallace Stevens
Publisher : Catapult
Page : 81 pages
File Size : 17,31 MB
Release : 2020-04-14
Category : Poetry
ISBN : 164009394X

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An excellent introduction to “the best and most representative American poet” (Harold Bloom), this palm–sized, keepsake edition is the first separate publication of this remarkable collection of late poems. In 1955, shortly before his death, Wallace Stevens earned the Pulitzer Prize for Poetry and the National Book Award for The Collected Poems of Wallace Stevens. The collection gathered most of his life’s work, and featured 25 previously unpublished poems. Stevens imagined that those poems would stand alone as their own volume—The Rock. Featuring some of his most memorable poems, including “Not Ideas about the Thing but the Thing Itself,” The Rock is a sublime selection of works from one of American’s most brilliant, beloved modernist. “After the reader has admired certain lines because Shakespeare might have written them, he begins to admire them because only Stevens could.” —Robert Fitzgerald “One might as well argue with the Evening Star and find fault with so much wit and grace and intelligence . . . such an overwhelming and exquisite command both of the worlds and of the rhythms of our language; such charm and irony, such natural and philosophical breadth of sympathy, such dignity and magnanimity.” —Randall Jarrell

Author : George S. Lensing
Publisher : LSU Press
Page : 297 pages
File Size : 45,72 MB
Release : 2018-06-09
Category : Literary Criticism
ISBN : 0807168963

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Over sixty years after his death, Wallace Stevens remains one of the major figures of American modernist poetry, celebrated for his masterful style, formal rigor, and aesthetic investigations of the natural, political, and metaphysical worlds. In Making the Poem, noted Stevens scholar George S. Lensing explores the poet’s progress in the creation of his body of work, considering its development, composition, and reception. Drawing on little-known sources and nuanced readings of Stevens’ texts, Lensing expands the customary view of the poet’s creative approaches. This wide-ranging study extends from the origins and overlapping themes of well-known poems through the social and political backgrounds that marked Stevens’ work to the prosodic and musical elements central to his style. Making the Poem features a dynamic new reading of the important early poem “Sea Surface Full of Clouds”—viewing it alongside his wife Elsie’s journal describing the sea voyage that inspired the poem—and an extensive, multiperspective treatment of the widely anthologized “The Idea of Order at Key West,” as well as a careful excavation of the poem “Mozart, 1935” in the context of the U.S. Great Depression. Lensing concludes with a discussion of the gradual (and sometimes reluctant) recognition Stevens’ work received from poets and critics in Great Britain and Ireland. Stemming from decades of research and writing, Making the Poem: Stevens’ Approaches presents a holistic view of his creative achievements and a wealth of new material for readers to draw upon in their future encounters with the poetry of Wallace Stevens.

Author : George S. Lensing
Publisher : LSU Press
Page : 332 pages
File Size : 42,57 MB
Release : 1986-12-01
Category : Literary Criticism
ISBN : 9780807116715

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In Wallace Stevens: A Poet’s Growth, George S. Lensing examines Stevens’ gradual emergence and development as a poet, tracing his life from his formative years in Pennsylvania to his careers as a lawyer for the Hartford Accident and Indemnity Company and as one of the major poets of the twentieth century. Lensing draws extensively upon previously unpublished material from the Stevens archive at the Huntington Library, which contains letters, early drafts of poems, and notebooks. Two notebooks,Schemata and From Pieces of Paper, are here reproduced in full. The study is divided into three sections. In the first, Lensing examines the years before the publication of Sevens’ first volume of poetry, paying special attention to the forces that hindered and enhanced his progress toward modernity. In the second, we see Stevens in the exercise of his craft. Lensing discusses the influence of the Romantics on the verse Stevens wrote as an undergraduate at Harvard; his interest in Oriental art, Cubism, and Fauvism; his anticipation of Imagism; and his imitation of certain French Symbolists. Sources of the epigraphs to Stevens’ poems are identified fully for the first time, suggesting the role of Stevens’ vast reading upon his poetry. Also considered is Stevens’ voluminous correspondence with people from all over the world, some of whom he never met personally. These letters helped rescue Stevens from the insularity of his business life and aided in the making of his poems. The final section treats the critical responses to Stevens’ poetry by such people as Harriet Monroe, editor and founder of Poetry, who was the first important reader and publisher of his work. Attention is also given to Stevens’ explications of his poems. Wallace Stevens: A Poet’s Growth is a comprehensive examination of Stevens’ live and work. This study provides abundant new material, which will be of value to scholars and to those readers who are drawn to Stevens’ poetry.

Author : Thomas F. Lombardi
Publisher : Susquehanna University Press
Page : 310 pages
File Size : 18,63 MB
Release : 1996
Category : Literary Criticism
ISBN : 9780945636793

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"Wallace Stevens and the Pennsylvania Keystone represents the definitive work on origins as they appear in Stevens's poetry. Author Thomas Francis Lombardi, a poet himself, traces Stevens's originary influences - place, family, tradition, the feminine, ethnic heritage, and religious roots - against the cosmopolitan influences of Cambridge and New York and demonstrates the extent to which Stevens's formative and early adult years shaped his entire life and influenced the grand sweep of his poetry." "That influence spread itself across Stevens's entire canon, from the early verse through Harmonium, Ideas of Order, Parts of a World, Notes toward a Supreme Fiction, Transport to Summer, The Auroras of Autumn, The Rock, and finally Opus Posthumous. Though Lombardi acknowledges the importance of the global presence in Stevens's poetry, he argues that the hallmark of the poet's vision is the presence of his Pennsylvania provincialism and the increasing significance he attached to his roots as he grew older." "Stevens's life epitomized a personal and irresistible rite of passage toward origins, a universal odyssey that sensitive people undertake over the course of their lives - the ethnocentric pull toward the native experience. That attraction to his native soil would inform much of the content of his poetry. To this end, he wished to be one with his ancestors for the reason of experiencing a sense of identity with the provincial past, not in spite of, but because of it. Without an adequate understanding of this relationship, no in-depth comprehension of Stevens's poetry seems possible."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author : Josh Stanley
Publisher : Glossator
Page : 336 pages
File Size : 28,80 MB
Release : 2010
Category : Literary Criticism
ISBN : 1451599374

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Volume 2 of the journal Glossator: Practice and Theory of the Commentary. On the Poems of J.H. Prynne. Edited by Ryan Dobran.Contents:RYAN DOBRAN, Introduction JOSH STANLEY, Back On Into The Way Home: "Charm Against Too Many Apples" [The White Stones, 1969];THOMAS ROEBUCK & MATTHEW SPERLING, "The Glacial Question, Unsolved": A Specimen Commentary on Lines 1-31 [The White Stones, 1969]ROBIN PURVES, A Commentary on J.H. Prynne's "Thoughts on the Esterh�zy Court Uniform" [The White Stones, 1969]REITHA PATTISON, J.H. Prynne's "The Corn Burned by Syrius" [The White Stones, 1969]KESTON SUTHERLAND, Hilarious absolute daybreak [Brass, 1971]MICHAEL STONE-RICHARDS, The time of the subject in the neurological field (I): A Commentary on J.H. Prynne's "Again in the Black Cloud" [Wound Response, 1974]JUSTIN KATKO, Relativistic Phytosophy: Towards a Commentary on "The Plant Time Manifold Transcripts" [Wound Response, 1974]JOHN WILKINSON, Heigh Ho: A Partial Gloss of Word Order [Word Order, 1989]Glossator publishes original commentaries, editions and translations of commentaries, and essays and articles relating to the theory and history of commentary, glossing, and marginalia. The journal aims to encourage the practice of commentary as a creative form of intellectual work and to provide a forum for dialogue and reflection on the past, present, and future of this ancient genre of writing. By aligning itself, not with any particular discipline, but with a particular mode of production, Glossator gives expression to the fact that praxis founds theory. GLOSSATOR.ORG

Author : Neil Corcoran
Publisher : Random House
Page : 411 pages
File Size : 11,91 MB
Release : 2010-12-15
Category : Biography & Autobiography
ISBN : 1446413322

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In 2016, Bob Dylan received the Nobel Prize in Literature ‘for having created new poetic expressions within the great American song tradition’. This collection of essays by leading poets and critics – with a new foreword by Will Self – examines Dylan’s poetic genius, as well as his astounding cultural influence over the decades. ‘From Orpheus to Faiz, song and poetry have been closely linked. Dylan is the brilliant inheritor of the bardic tradition’ Salman Rushdie ‘The most significant Western popular artist in any form or medium of the past sixty years’ Will Self ‘For fifty and some years he has bent, coaxed, teased and persuaded words into lyric and narrative shapes that are at once extraordinary and inevitable’ Andrew Motion ‘His haunting music and lyrics have always seemed, in the deepest sense, literary’ Joyce Carol Oates ‘There is something inevitable about Bob Dylan... A storyteller pulling out all the stops – metaphor, allegory, repetition, precise detail... His virtue is in his style, his attitude, his disposition to the world’ Simon Armitage