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Examines letter writing among poets in the last 200 years. Poets discussed include Coleridge, Wordsworth, Keats and Shelley in the nineteenth century and Eliot, Yeats, Bishop and Larkin in the twentieth century. Divided into three sections--Contexts and Issues, Romantic and Victorian Letter Writing and Twentieth-century Letter Writing--the volume demonstrates that real letters still have an allure.
Essential reading for scholars, poetry lovers, and anyone with an interest in Rainer Maria Rilke, German poetry, or the creative impulse, these ten letters of correspondence between Rilke and a young aspiring poet reveal elements from the inner workings of his own poetic identity. The letters coincided with an important stage of his artistic development and readers can trace many of the themes that later emerge in his best works to these messages—Rilke himself stated these letters contained part of his creative genius.
Rilke's timeless letters about poetry, sensitive observation, and the complicated workings of the human heart. Born in 1875, the great German lyric poet Rainer Maria Rilke published his first collection of poems in 1898 and went on to become renowned for his delicate depiction of the workings of the human heart. Drawn by some sympathetic note in his poems, young people often wrote to Rilke with their problems and hopes. From 1903 to 1908 Rilke wrote a series of remarkable responses to a young, would-be poet on poetry and on surviving as a sensitive observer in a harsh world. Those letters, still a fresh source of inspiration and insight, are accompanied here by a chronicle of Rilke's life that shows what he was experiencing in his own relationship to life and work when he wrote them.
Romanticism and the Letter is a collection of essays that explore various aspects of letter writing in the Romantic period of British Literature. Although the correspondence of the Romantics constitutes a major literary achievement in its own right, it has received relatively little critical attention. Essays focus on the letters of major poets, including Wordsworth, Byron, Shelley and Keats; novelists and prose writers, including Jane Austen, Leigh Hunt and Charles Lamb; and lesser-known writers such as Melesina Trench and Mary Leadbeater. Moving from theories of letter writing, through the period’s diverse epistolary culture, to essays on individual writers, the collection opens new perspectives for students and scholars of the Romantic period.
'I am certain of nothing but the holiness of the heart's affections, and the truth of imagination' - Keats, in a letter to his friend Benjamin Bailey in November 1817. In a period of great letter-writing, Keats's letters are outstanding. They begin in summer 1816, as he approached his twenty-first birthday, and were written over the next four years until his early death. Viewed together, they give the fullest and most poignant record we have of Keats's ambitions and hopes as a poet, his life as a literary man about town, his close relationship with his brothers and young sister, and, later, his passionate, jealous and frustrated love for Fanny Brawne. Keats enclosed many of his poems with his letters, and read together, they offer an incomparable insight into his creative process and development as a poet. This major new edition edited by Professor John Barnard includes an introduction and notes, as well as a map of Keats's Scottish walking tour and reproductions of his letters. John Keats was born in October 1795. His Poems appeared in 1817, while Endymion was published in 1818, both to mixed reviews. In 1819 he wrote The Eve of St Agnes, La Belle Dame sans Merci, the major odes, Lamia and the Fall of Hyperion. Keats was already unwell when preparing his 1820 volume for the press; by the time it appeared in July he was desperately ill. He died in Rome in 1821, in a rented apartment next to the Spanish Steps, at the age of twenty-five. John Barnard is Emeritus Professor of English Literature at the University of Leeds and has edited The Complete Poems of Keats for Penguin Classics.
Collects more than six hundred letters to and from the editors of "Poetry" that were written about and by such figures as Ezra Pound, T.S. Eliot, Robert Frost, Edna St. Vincent Millay, and Wallace Stevens.
Connect to your friends through handwritten notes, cards, letters, and postcards—an interactive workbook that encourages creative interactions between friends through the written word, complete with cross-outs, smudges, and parenthetical asides. Put down that smartphone and pick up a pen! Texting and e-mail have taken over our correspondence, but Karen Benke is ready to change that. Through prompts that invite penning short postcard-size notes, ideas for sending cards "just because," and inspired letter-writing exercises, Pass That Note! offers limitless possibilities for connecting with your friends in more personal, unique, and creative ways. Use the book for its letter-writing ideas, tear out pages to send to friends, or write in it as a journal to record big ideas for future correspondence. No matter how you use it, you'll be connecting with the people you care about the most in ways that are surprising, fun, and heartfelt. Contributors include: Neil Gaiman, Jon J Muth, Ruth Ozeki, Wendy Mass, Gary Snyder, Norman Fischer, Natalie Goldberg, Jane Hirshfield, Claire Dederer, Albert Flynn DeSilver, Alison Luterman, Sam Hamill, Ava Dellaira, Lucille Lang Day, and J. Ruth Gendler.
A “lyrical, impassioned” document of the intimate relationship between the two authors that was first disclosed in Henry and June (Booklist). This exchange of letters between the two controversial writers—Anaïs Nin, renowned for her candid and personal diaries, and Henry Miller, author of Tropic of Cancer—paints a portrait of more than two decades in their complex relationship as it moves through periods of passion, friendship, estrangement, and reconciliation. “The letters may disturb some with their intimacy, but they will impress others with their fragrant expression of devotion to art.” —Booklist “A portrait of Miller and Nin more rounded than any previously provided by critics, friends, and biographers.” —Chicago Tribune Edited and with an introduction by Gunther Stuhlmann