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A novel set in a near-future world of hunger and hibernation: “[An] intriguing and timely premise . . . executed with verve.” —Alison Moore, Man Booker Prize finalist and author of Missing The Earth’s resources are dwindling. The solution is The Sleep. Inside a hibernating city, Ben struggles with his limited waking time and the disease stealing his wife from him. Watching over the sleepers, lonely janitor Peruzzi craves the family he never knew. Everywhere, dissatisfaction is growing. And the city is about to wake . . . “A haunting vision of the near-future with expert world-building and rich complex characters.” —Temi Oh, Alex Award–winning author of More Perfect “A challenging dystopia for our time.” —Aliya Whiteley, Arthur C. Clarke Award finalist and author of Skyward Inn
The sixth installment of Bernard Cornwell’s New York Times bestselling series chronicling the epic saga of the making of England, “like Game of Thrones, but real” (The Observer, London)—the basis for The Last Kingdom, the hit television series. As the ninth century wanes, Alfred the Great lies dying, his lifelong goal of a unified England in peril, his kingdom on the brink of chaos. Though his son, Edward, has been named his successor, there are other Saxon claimants to the throne—as well as ambitious pagan Vikings to the north. Torn between his vows to Alfred and the desire to reclaim his long-lost ancestral lands in the north, Uhtred, Saxon-born and Viking-raised, remains the king’s warrior but has sworn no oath to the crown prince. Now he must make a momentous decision that will forever transform his life and the course of history: to take up arms—and Alfred’s mantle—or lay down his sword and let his liege’s dream of a unified kingdom die along with him.
A revealing and dramatic chronicle of the twelve months leading up to Dr. Martin Luther King, Jr.'s assassination. Martin Luther King, Jr. died in one of the most shocking assassinations the world has known, but little is remembered about the life he led in his final year. New York Times bestselling author and award-winning broadcaster Tavis Smiley recounts the final 365 days of King's life, revealing the minister's trials and tribulations -- denunciations by the press, rejection from the president, dismissal by the country's black middle class and militants, assaults on his character, ideology, and political tactics, to name a few -- all of which he had to rise above in order to lead and address the racism, poverty, and militarism that threatened to destroy our democracy. Smiley's Death of a King paints a portrait of a leader and visionary in a narrative different from all that have come before. Here is an exceptional glimpse into King's life -- one that adds both nuance and gravitas to his legacy as an American hero.
The #1 New York Times bestseller and “compulsive page-turner” (The Atlanta Journal-Constitution) about a reluctant clairvoyant man who must weigh his options when he suddenly sees the terrible future awaiting mankind—from master storyteller Stephen King. When Johnny Smith was six years old, head trauma caused by a bad ice-skating accident left him with a nasty bruise on his forehead and, from time to time, those hunches…infrequent but accurate snippets of things to come. But it isn’t until Johnny’s a grown man—now having survived a horrifying auto injury that plunged him into a coma lasting four-and-a-half years—that his special abilities really push to the fore. Johnny Smith comes back from the void with an extraordinary gift that becomes his life’s curse…presenting visions of what was and what will be for the innocent and guilty alike. But when he encounters a ruthlessly ambitious and amoral man who promises a terrifying fate for all humanity, Johnny must find a way to prevent a harrowing predestination from becoming reality.
From the author of the bestselling The Dangerous Book for Boys “Brilliant…stunning,” raved the Los Angeles Times about Conn Iggulden’s first novel, Emperor: The Gates of Rome. “Iggulden is a grand storyteller,” declared USA Today. Now Iggulden returns to the landscape of ancient Rome and the life of Julius Caesar in a new novel filled with all the sumptuous storytelling that distinguished his first book. Sweeping from the windswept, pirate-ruled seas to the stifling heat of the Roman senate, Iggulden takes us further down the path to glory as Julius Caesar comes into his own as a man, warrior, senator, husband, leader. In a sweltering, sparsely settled region of North Africa, a band of disheveled soldiers turn their eyes toward one man among them. Ragged, dirty, and half starved, the men will follow their leader into the mad, glorious fight for honor and revenge that only he wants to fight. Their leader is named Julius Caesar. The soldiers are Roman legionaries. And their quarry is a band of pirates who made the mistake of seizing Julius Caesar—and holding him for ransom. Now, to get his revenge, Caesar will turn peasants into soldiers, building a shipborne fighting force that will not only decimate a pirate fleet but will dominate the Mediterranean, earning him the coveted title Military Tribune of Rome. While Caesar builds a legend far from Rome, his friend Gaius Brutus is fighting battles of another sort, rising to power in the wake of the shocking assassination of a dictator. Once Brutus and Caesar were as close as brothers, both devoted to the same ideals and attracted to the same forbidden woman. Now, when Caesar returns—with the winds of glory at his back—they will find themselves at odds. For each has built an army of elite warriors—Caesar’s forged in far-flung battles, Brutus’ from Rome’ s political killing fields. But in an era when men die for their treachery and their allegiances, the two men will soon be united by a shock wave from the north. There, a gladiator named Spartacus is gathering strength, building an army of seventy thousand desperate slaves—to fight a cataclysmic battle against Rome itself. Filled with unforgettable images—from the death throes of a king to the birth of Caesar’s child, from the bloody battlefields of Greece to the silent passion of lovers—Emperor: The Death of Kings is an astounding work, a stunning blend of vibrant history and thrilling fiction.
The extraordinary history of Middle-earth, edited by Christopher Tolkien The Book of Lost Tales stands at the beginning of the entire conception of Middle-earth and Valinor. Embedded in English legend and English association, they were set in the narrative frame of a great westward voyage over the Ocean by a mariner named Eriol (or Ælfwine) to Tol Eressëa, the Lonely Isle, where Elves dwelt; from them he learned their true history, the Lost Tales of Elfinesse. In the Tales are found the earliest accounts and original ideas of Gods and Elves; Dwarves and Orcs; the Silmarils and the Two Trees of Valinor; Nargothrond and Gondolin; and the geography and cosmology of the invented world. Praise for Book of Lost Tales 1 “In these tales we have the scholar joyously gamboling in the thickets of his imagination. . . . A commentary and notes greatly enrich the quest.”—The Daily Telegraph “Affords us an almost over-the-shoulder view into the evolving creative process and genius of J.R.R. Tolkien in a new, exciting aspect . . .The superb, sensitive, and extremely helpful commentary and editing done by Christopher Tolkien make all of this possible.”—Mythlore
An irreverent and charming collection of deeply personal essays about the joys of low pop culture and bad taste, exploring coming of age in the 2000s in the age of Hot Topic, Creed, and frosted lip gloss—from the James Beard Award-nominated writer of the Catapult column "Store-Bought Is Fine” Tacky is about the power of pop culture—like any art—to imprint itself on our lives and shape our experiences, no matter one's commitment to "good" taste. These fourteen essays are a nostalgia-soaked antidote to the millennial generation's obsession with irony, putting the aesthetics we hate to love—snakeskin pants, Sex and the City, Cheesecake Factory's gargantuan menu—into kinder and sharper perspective. Each essay revolves around a different maligned (and yet, Rax would argue, vital) cultural artifact, providing thoughtful, even romantic meditations on desire, love, and the power of nostalgia. An essay about the gym-tan-laundry exuberance of Jersey Shore morphs into an excavation of grief over the death of her father; in "You Wanna Be On Top," Rax writes about friendship and early aughts girlhood; in another, Guy Fieri helps her heal from an abusive relationship. The result is a collection that captures the personal and generational experience of finding joy in caring just a little too much with clarity, heartfelt honesty, and Rax King's trademark humor. A VINTAGE ORIGINAL
What can the killing of a transgender teen can teach us about the violence of misreading gender identity as sexual identity? The Life and Death of Latisha King examines a single incident, the shooting of 15-year-old Latisha King by 14-year-old Brian McInerney in their junior high school classroom in Oxnard, California in 2008. The press coverage of the shooting, as well as the criminal trial that followed, referred to Latisha, assigned male at birth, as Larry. Unpacking the consequences of representing the victim as Larry, a gay boy, instead of Latisha, a trans girl, Gayle Salamon draws on the resources of feminist phenomenology to analyze what happened in the school and at the trial that followed. In building on the phenomenological concepts of anonymity and comportment, Salamon considers how gender functions in the social world and the dangers of being denied anonymity as both a particularizing and dehumanizing act. Salamon offers close readings of the court transcript and the bodily gestures of the participants in the courtroom to illuminate the ways gender and race were both evoked in and expunged from the narrative of the killing. Across court documents and media coverage, Salamon sheds light on the relation between the speakable and unspeakable in the workings of the transphobic imaginary. Interdisciplinary in both scope and method, the book considers the violences visited upon gender-nonconforming bodies that are surveilled and othered, and the contemporary resonances of the Latisha King killing.
"Rennie Airth is one of the best detective writers around. And The Death of Kings is his best book yet."—Philip Kerr, New York Times bestselling author of The Other Side of Silence In the fifth novel in the critically acclaimed John Madden series, the former Scotland Yard detective returns in a gripping post-World War II mystery that will delight fans of Philip Kerr On a hot summer day in 1938, a beautiful actress is murdered on the grand Kent estate of Sir Jack Jessup, close friend of the Prince of Wales. The arrest of an ex-convict and his subsequent confession swiftly bring the case to a close, but in 1949, the reappearance of a jade necklace raises questions about the murder. Was the man convicted and executed the decade before truly guilty? Though happily retired from the police force, John Madden is persuaded to investigate the case afresh. In a story of honor and justice that takes Madden through the idyllic English countryside, post-war streets of London, and into the criminal underworld of the Chinese Triads, The Death of Kings is an atmospheric and captivating police procedural.
Peer into the into the bizarre culture and motivations of the Necrons in this great novel from Nate Crowley. Exiled to the miserable world of Sedh, the disgraced necron lord Oltyx is consumed with bitterness. Once heir to the throne of a dynasty, he now commands nothing but a dwindling garrison of warriors, in a never-ending struggle against ork invaders. Oltyx can think of nothing but the prospect of vengeance against his betrayers, and the reclamation of his birthright. But the orks are merely the harbingers of a truly unstoppable force. Unless Oltyx acts to save his dynasty, revenge will win him only ashes. And so he must return to the crownworld, and to the heart of the very court which cast him out. But what awaits there is a horror more profound than any invader, whose roots are tangled with the dark origins of the necrons themselves.