[PDF] Kathe Kollwitz eBook

Author : Käthe Kollwitz
Publisher : Northwestern University Press
Page : 276 pages
File Size : 12,31 MB
Release : 1988
Category : Art
ISBN : 9780810107618

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One of the great German Expressionist artists, Kaethe Kollwitz wrote little of herself. But her diary, kept from 1900 to her death in 1945, and her brief essays and letters express, as well as explain, much of the spirit, wisdom, and internal struggle which was eventually transmuted into her art.

Author : Elizabeth Prelinger
Publisher : Yale University Press
Page : 195 pages
File Size : 30,92 MB
Release : 1992-01-01
Category : Biography & Autobiography
ISBN : 0300061684

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The German printmaker, draughtsman, and sculptor Kathe Kollwitz's images of mothers and children and of protest against social injustice have long been admired by both critics and the public. Kollwitz adhered to a figurative style in the era of abstraction and she depicted socially-engaged subject matter when it was unfashionable. Critics have often focused on those issues and have rarely studied the ways in which the artist manipulated technique and resolved formal problems. This illustrated book redresses this imbalance, portraying Kollwitz as an innovative and virtuosic artist rather than a mere chronicler of particular themes.

Author : Brenda Rix
Publisher :
Page : 141 pages
File Size : 41,29 MB
Release : 2018-12-04
Category : Art
ISBN : 9781773101224

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Käthe Kollwitz (1867-1945), a leading 20th century German artist, was known for her drawings, prints, and sculptures. In a career spanning more than five decades in a largely male-dominated art world, Kollwitz developed powerful and emotional imagery based on her own experiences, her interactions with working-class women in Berlin, and her exposure to the horrors of two world wars. While her naturalistic style at first appeared to be out of touch with the currents of abstraction that were becoming dominant during her lifetime, her depictions of universal human experiences, the depth and emotional power of her dense networks of lines and light and dark contrasts, were a potent reflection of her time that continue to resonate today. This publication examines the richness and depth of Kollwitz's work and features more than 100 colour and black and white reproductions of her engravings, drawings, and sculptures, largely drawn from the collection of the Art Gallery of Ontario as well as essays by Brenda Rix on Kollwitz's life and art and by Brian McCrindle on building the Kollwitz collection.

Author : Guerrilla Girls
Publisher : Chronicle Books
Page : 196 pages
File Size : 30,64 MB
Release : 2020-10-06
Category : Art
ISBN : 1452175845

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Guerrilla Girls: The Art of Behaving Badly is the first book to catalog the entire career of the Guerrilla Girls from 1985 to present. The Guerrilla girls are a collective of political feminist artists who expose discrimination and corruption in art, film, politics, and pop culture all around the world. This book explores all their provocative street campaigns, unforgettable media appearances, and large-scale exhibitions. • Captions by the Guerrilla Girls themselves contextualize the visuals. • Explores their well-researched, intersectional takedown of the patriarchy In 1985, a group of masked feminist avengers—known as the Guerrilla Girls—papered downtown Manhattan with posters calling out the Museum of Modern Art for its lack of representation of female artists. They quickly became a global phenomenon, and the fearless activists have produced hundreds of posters, stickers, and billboards ever since. • More than a monograph, this book is a call to arms. • This career-spanning volume is published to coincide with their 35th anniversary. • Perfect for artists, art lovers, feminists, fans of the Guerrilla Girls, students, and activists • You'll love this book if you love books like Wall and Piece by Banksy, Why We March: Signs of Protest and Hope by Artisan, and Graffiti Women: Street Art from Five Continents by Nicholas Ganz

Author : Petra Kuhlmann-Hodick
Publisher :
Page : 176 pages
File Size : 16,95 MB
Release : 2017-10-10
Category :
ISBN : 9781911300304

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The Dresden Kupferstich-Kabinett (Museum of Prints, Drawings and Photographs of the Staatliche Kunstsammlungen Dresden) has particularly important and unique holdings of the work of the German graphic artist Käthe Kollwitz (1867?1945). Kollwitz formed a long association with Max Lehrs (1855?1938), a leading art historian and then the director of the Dresden Kupferstich-Kabinett, and Lehrs became Kollwitz?s discerning supporter. 0The catalogue tells the circumstances and story of the earliest public holding of Kollwitz?s work to be established and of Kollwitz?s full development of her major themes? of war and death, of motherhood and love, and not least of self-portraiture, one of the most fascinating aspects of her oeuvre. 00Exhibition: Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden, Germany (19.10.2017-14.01.2018).0.

Author : Linda Patricia Cleary
Publisher :
Page : pages
File Size : 38,28 MB
Release : 2015-07-14
Category :
ISBN : 9781320549431

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One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!

Author : Frances Carey
Publisher : Ikon Gallery
Page : 0 pages
File Size : 40,15 MB
Release : 2017
Category : Women artists
ISBN : 9781911155140

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Käthe Kollwitz (1867-1945) developed a mastery of graphic art which quickly established her reputation in Germany, then further afield as her influence spread internationally after the First World War. Establishing herself in an art world dominated by men, Kollwitz developed a vision centred on women and the working class. 'Portrait of the Artist' looks at her work through the exploration of self-portraits and portraits of working women, her two great series concerned with social injustice: Ein Weberaufstand (A Weavers' Revolt, 1897) and Bauernkrieg (Peasants' War, 1908), the ever-present imagery of death, especially a mother's grief, and finally the theme of war and remembrance after her younger son, Peter, had been killed at the beginning of the First World War. The exhibition is drawn from the collection of the British Museum and is complemented by a small number of loans from a private owner and The Barber Institute of Fine Arts at the University of Birmingham.