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Author : Norman Krasna Publisher : Dramatists Play Service Inc Page : 76 pages File Size : 50,15 MB Release : 1947 Category : American drama ISBN : 9780822205951
THE STORY: John Lawrence, who has been overseas three years, is welcomed home by the charming Mary McKinley. These two are and have been in love with each other. John's life had been saved while he was overseas by his buddy Fred Taylor. Fred return
The Barter Theatre of Virginia, Abingdon, Virginia, Robert Porterfield founder and director presents "John Loves Mary," by Norman Krasna, staged by Owen Phillips, scenery, costumes, and lighting by Peter A. Bucknell, stage manager Charles Durand.
This book addresses a part of a problem. The problem is to determine the architecture of cognition, that is, the basic structures and mechanisms underlying cognitive processing. This is a multidimensional problem insofar as there appear to be many distinct types of mechanisms that interact in diverse ways during cognitive processing. Thus, we have memory, attention, learning, sensation, perception, and who knows what else, interacting to produce behavior. As a case in point, consider a bit of linguistic behavior. To tell a friend that I think Greg won a stunning victory, I must evidently rely on various bits of information stored in my memory, including who my friends are, who Greg is, what he won, and what natural languages I share with my friend. I must sense and perceive that my friend is within hearing distance, how loud I need to speak, how loud I am speaking, and whether my friend is paying attention. I must avail myself of what I know about the language I share with my friend, along with innumerable principles about human "folk psychology. " This book does not address the full range of contemporary theorizing about cognitive architecture, but only a part. It addresses theories of cognitive architecture that hypothesize that there exist cognitive representations, then begins to explore the possible structure of these representations. One of the leading hypotheses concerning the structure of cognitive representations is that it is akin to that found in symbolic logic.
The George Washington University Department of Speech presents the University Players in "John Loves Mary," by Norman Krasna, directed by Natalie E. White, setting and lights by Robert Stevens, presented by arrangements with Dramatics Play Service, Inc.
Starting with the analysis of cognitive situations which appear in everyday life, and by means of the logical analysis of some games, the author deals with applied logic in the sense of the general methodology of reasoning. The book acquaints the reader with some forms and operations of reasoning which are applied in the process of scientific cognition as well as in daily activities that require thought. As opposed to a number of well-known and unique handbooks and text-books on pure logic this books conveys learning, and in many cases original thoughts, through witty dialogues, in an entertaining way.
Most of the time we communicate using language without considering the complex activity we are undertaking, forming words and sentences in a split second. This book introduces the analysis of language structure, combining both description and theory within a single, practical text. It begins by examining words and parts of words, and then looks at how words work together to form sentences that communicate meaning. Sentence patterns across languages are also studied, looking at the similarities and the differences we find in how languages communicate meaning. The book also discusses how context can affect how we structure our sentences: the context of a particular language and its structures, the context of old and new information for us and our addressee(s), and the context of our culture.
Bringing together the best classical and contemporary writings in the philosophy of mind and organized by topic, this anthology allows readers to follow the development of thinking in five broad problem areas--the mind/body problem, mental causation, associationism/connectionism, mental imagery, and innate ideas--over 2500 years of philosophy. The writings range from Plato and Descartes to Fodor and the PDP research group, showing how many of the current concerns in the philosophy of mind and cognitive science are firmly rooted in history. The editors have provided helpful introductions to each of the main sections.Readings from: Plato, Aristotle, St. Thomas Aquinas, René Descartes, Thomas Hobbes, Nicolas Malebranche, Gottfried Wilhelm Leibniz, John Locke, George Berkeley, David Hume, Immanuel Kant, John Stuart Mill, Thomas Henry Huxley, William James, Oswald Külpe, John Watson, jean Piaget, Gilbert Ryle, U.T. Place, Hilary Putnam, Daniel Dennett, Donald Davidson, Jerry Fodor, Roger Shepard, Jacqueline Metzler, Saul Kripke, Ned Block, Noam Chomsky, Stephen Kosslyn, Zenon Pylyshyn, Patricia Churchland, James McClelland, David Rumelhart, Geoffrey Hinton, Paul Smolensky, Seymour Papert.
A New Light on John’s Gospel The Gospel according to John has always been recognized as different from the “synoptic” accounts of Matthew, Mark, and Luke. But what explains the difference? In this new translation and verse-byverse commentary, Michael Pakaluk suggests an answer and unlocks a twothousand-year-old mystery. Mary’s Voice in the Gospel according to John reveals the subtle but powerful influence of the Mother of Jesus on the fourth Gospel. In his dying words, Jesus committed his Mother to the care of John, the beloved disciple, who “from that hour . . . took her into his own home.” Pakaluk draws out the implications of that detail, which have been overlooked for centuries. In Mary’s remaining years on earth, what would she and John have talked about? Surely no subject was as close to their hearts as the words and deeds of Jesus. Mary’s unique perspective and intimate knowledge of her Son must have shaped the account of Jesus’ life that John would eventually compose. With the same scholarship, imagination, and fidelity that he applied to Mark’s Gospel in The Memoirs of St. Peter, Pakaluk brings out the voice of Mary in John’s, from the famous prologue about the Incarnation of the Word to the Evangelist’s closing avowal of the reliability of his account. This remarkably fresh translation and commentary will deepen your understanding of the most sublime book of the New Testament.